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Teenage Suicide and Cyberbullying: A Case Study

One morning I was getting ready to write my weekly blog post when I decided to first glance over at the New York Times‘ front page.  A wave of sadness washed over me as I spotted the following headline:

Girl’s Suicide Points to Rise in Apps Used by Cyberbullies

Rebecca Sedwick
Rebecca Sedwick

According to the Times, 12-year-old Rebecca Sedwick leaped to her death after more than a year of being cyberbullied by a coterie of 15 middle-school children who urged her to kill herself.

Rebecca's mother, Tricia Norman
Rebecca’s mother, Tricia Norman

Rebecca’s mother, Tricia Norman, said the texts her daughter was receiving were full of hate: “Why are you still alive?” “You’re ugly.”

Ms. Norman complained to school officials for several months about the bullying, and when little changed, she pulled Rebecca out of school.  But because Rebecca used the phone apps ask.fm, and Kik and Voxer — the bullying continued.

TextingA number of suicides by young people have been linked to ask.fm, and online petitions have been started to make the site more responsive to bullying. The company ultimately responded this year by introducing an easy-to-see button to report bullying and saying it would hire more moderators.

school 1Questions have been raised about whether Rebecca’s old school, Crystal Lake Middle School, did enough last year to help stop the bullying; some of it, including pushing and hitting, took place on school grounds. The same students also appear to be involved in sending out the hate-filled online messages away from school.

school 3Nancy Woolcock, the assistant superintendent in charge of antibullying programs for Polk County Schools, said the school received one bullying complaint from Rebecca and her mother in December about traditional bullying, not cyberbullying. After law enforcement investigated, Rebecca’s class schedule was changed. Ms. Woolcock said the school also has an extensive antibullying campaign and takes reports seriously.

But Ms. Norman said the school should have done more. Officials told her that Rebecca would receive an escort as she switched classes, but that did not happen, she said.

Given the outcome, I too wish that more had been done.  It is my sincere hope that all of my readers will take a minute to pause to experience this sad loss of Rebecca.

A few months ago I published a review of the movie, “Bully.”  Today, some of what I wrote back then bears repeating.

The movie’s emotional impact has been an important part of the emergence of a coalition working toward altering intolerable conditions too often regarded as “just kids being kids.”

bully4The movie has spawned The Bully Project, an online site where people can learn more about dealing with bullying.  There, kids who are bullied can learn that they are not alone.  And educators can learn about how to set up a viewing of the movie for their entire school and to follow up the viewing with classroom discussions.

In one video that we can access at the site, we see an entire school going to the movie and then getting the reactions from students.  One kid reports that there was not a dry eye in the auditorium.  Others admitted that they had bullied, but now realized it was wrong.

bully6As my regular readers know, also available online is this blog, From Insults to Respect.  The blog can be used as a free curriculum that teaches the social skills to deal with these challenging experiences.  For schools that already have an extensive antibullying program, the blog can be used to further reinforce its lessons.  For schools that don’t have such a program, or has one that uses a mere one or two lessons per year, the blog can serve as an ongoing forum to promote peaceful conflict resolution techniques.

Illustration by Eric Sailer

A particularly powerful way to teach skills that deal with bullying is through narratives that are designed to change the valuation of bullying to make it signify ineptitude rather than manliness. The movie, “Bully,” is one such narrative.   The Cool Steve Stories, a trilogy of novels, offers another.

hero coverLove cover

There we become friends with a hero that rejects bullying and yet still manages to achieve respect.

The gut-wrenching story about 12-year-old Rebecca’s suicide cries out to us that for too long we have not done enough to address the awful injustice we find in and around our schools.  May her story spur us on to do better.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.

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DOES ANGER DO US ANY GOOD?

Most of us know situations in which someone became angry and it made the situation worse.  For example, consider the following Luann comic.

anger luan1anger luan2anger luan3 In the comic, Toni, the girl with blond hair, becomes angry at Miss Eiffel because of the way she was treating her boyfriend, Brad.  In the end, Toni and the guy she cares about are far from happy.

Although expressing our anger can often make certain situations worse, we continue to get angry.  How come?

ANGER AS A RAPID, LIFE-SAVING RESPONSE TO THREATS

Over time, people who didn’t find ways to respond very fast to threats would end up getting killed.  anger bearAt times, this meant that if they saw a vicious animal rushing at them, the best thing they could do is to very quickly fight back either to scare off the attacker who would end up running away or to kill the attacker.

If people would have killed every time they felt a threat to one of their desires, they would end up killing the vast majority of the members in their group.  Because larger groups can defend themselves against attacks better than very small groups, perhaps communities that learned to cooperate provided the best opportunity for its members to survive.

According to this theory, when perceiving a threat people learned to warn others in their community by showing signs of anger.  Their anger became an indication that they were getting increasingly ready to attack and those in their community, when warned of this, attempted to find ways to reduce the threat without the requirement that someone had to be killed.

 Anger can Function to Encourage Help

Many years ago I did a research project when I was a university student.  After I collected the data, I had to enter it into a computer.

Up to this point in my psychology research experience, the first step to enter my data was to punch IBM computer cards.  But the supervisor of the computer room informed me that there had been some recent advances in computer technology and IBM cards were no longer used.  He told me what to do, and I diligently followed his instructions.

anger file3

After typing at the computer for three hours, I felt a static electricity shock and the video screen with my three hours of data input went blank.  My heart started beating hard.  I tapped the screen and wiggled the keyboard.  Nothing!

 anger file1

“What is going on here?!” I shouted in anger.

 anger file2

The guy sitting at the next computer immediately stopped what he was doing and called over the supervisor to help me.  “What’s the matter?” he asked.

After explaining to him that all of the data that I entered had disappeared, he asked if I had been pressing the SAVE button every few minutes to guard against data loss.

“You never told me anything about pressing SAVE when you gave me directions!” I angrily hollered.

“I’m sorry,” he replied.  “I really should have.”

Notice that when I started to get angry, I very quickly got someone to start helping me to figure out what was wrong.  I probably would have gotten the same help if I asked for assistance without shouting, but because angry responses do lead so often to people cooperating when someone does become angry, it encourages us to keep on getting angry.

Although I was angry, I was able to control myself enough and realized that it was not in my interest to either kill or physically harm the supervisor.  Getting arrested would have only wasted more time.  I also realized that I made mistakes from time to time.  Just like I wouldn’t want to be slugged every time I made a mistake, it didn’t seem right to slug this guy for making a mistake.

Of course, there may very well be times when we become angry that our heightened preparedness to engage in fighting can serve a life-saving function.  This was probably more likely to be the case in ancient tribal communities.

OTHER BENEFITS OF ANGER

So far, we discussed three benefits of anger. 1. to respond fast enough with fighting during times when that may be potentially lifesaving,  2. to scare away an attacker, and  3. to give off signals in the community that encourage others to help solve a conflict before any negative consequences from a fight occur.

In our culture there are other factors leading us to think that anger is highly effective for achieving our desires.

Anger 4In this Wizard of Id comic, Bung presents the theory that by making ourselves angry we can increase our strength.  Obviously, just the increase of strength without the skill to use it wisely can lead to some unexpected whacks.

Some coaches believe that by working up anger in the hearts of their players, the players will perform physically better even if the goal is not to kill or physically injure others.

anger 5

Even on tasks that don’t require mighty physical strength to succeed, many people have come to believe working up anger will challenge a person to work harder.

anger 6

ARE THE BENEFITS OF ANGER EXAGGERATED

Although anger can be more effective than some other poorly thought out strategies, often people are led to think it is more effective than it really is.  This is because the negative effects of anger may be hidden.

anger 7In the above comic, Lt. Fuzz expresses anger at Sarge because he is being noisy.  As a result, Sarge secretly becomes angry and desires to annoy Lt. Fuzz.  But Lt. Fuzz only sees Sarge replying to his anger by saying, “Yes Sir.”  And so, Lt. Fuzz comes away thinking Sarge has responded with respect.  He doesn’t see that Sarge actually covertly disrespects him and does things that make Lt. Fuzz’s life miserable.  Here we see a fine illustration of how easily we can be misled into thinking our angry responses work better than they actually do.

MOVING FROM ANGER TO CHALLENGE

Anger can be effective at times.  And often you may find yourself very tempted to let your anger go on an all out attack.  Nevertheless, you would be wise to pause and remind yourself that oftentimes such attacks lead to obvious and hidden problems.

anger challenge imagesChallenge allows you to accomplish all of what anger positively does without anger’s negative consequences.

In brief, challenge has us:

  • Working up a heightened sense of determination to achieve our desire
  • Meanwhile, we consider the twin beliefs that the stress we have been experiencing is normal and fulfillment is not found in easy comfort, security, and routine, but rather in the continual growth in wisdom through what is learned from negative and positive experiences of an active, changing life[1]
  • Then, we take a deep breath and resolve to get down to the task at hand—carrying out a two-step process.

Step 1.  Consider if the most obvious resolution is sufficient.  

In such cases in which you become convinced that the resolution that you came up with poses no serious risks, it makes sense to you, and you feel comfortable with it, the only job you have left is to carry out your plan with charm, courage, and determination.  However, if the most obvious solution does pose a serious risk, or you just don’t feel comfortable with it for any reason, it’s time to go to Step 2.

Step 2.  Carrying out a more complete decision process. 

anger challenge2 imagesThere are numerous benefits that occur when we learn how to transform anger into challenge.  Now I understand perfectly well that for most of us this is far easier said than done.  It is for this reason that in future posts I will be explaining more about what challenge is, discussing many of its benefits and how we can all learn, in a fun way, how to use challenge even in the most difficult of circumstances.


[1] The value of this attitude is discussed in: S. R. Maddi, D. M. Khoshaba, R. H. Harvey, M Fazel, & N Resurreccion, 2011, “The Personality Construct of Hardiness, V: Relationships with the Construction of Existential Meaning in Life,” Journal of Humanistic Psychology, 51(3), 369-388.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on.  This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional intelligence.  To begin at the very first post you can click HERE.

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RECURRING ANGRY MEMORIES

anger memories1Angry memories of past conflicts can have important consequences as new conflicts arise.  When dealing with a new conflict, recalling a similar conflict that occurred in the past can help us to consider utilizing a strategy that we had tried that ended up producing a satisfactory resolution, or to consider avoiding a strategy that we had tried that ended up failing miserably.

bully14Sometimes we find that an angry memory keeps recurring even when we are not immediately facing a situation that is similar to what led to the original anger-arousing event.  This can potentially lead to something positive.  Each time we think over the memory in light of what we have learned since the event first occurred, we might think of some better ways to deal with the conflict.  Then, if a similar event does occur, we may find that we are better prepared than if we hadn’t repeatedly mulled it over.

Despite their helpfulness, there are times when again and again an angry memory keeps creeping ever so annoyingly into our consciousness so that finally we conclude it doesn’t seem to be doing us any good.  anger memories manFor the hundredth time Ralph suddenly finds
himself thinking, “Oh, if I only hadn’t struck that blow!”

For the nine-hundredth time Betty chastises herself, “Oh, if I only hadn’t cried out with the insulting word that I’ve been regretting ever since!”

anger memories woman

Ralph and Betty have gone through the disturbing event way too often, sifting through all the minutest details, and now they wish they were just through with it!

In two earlier posts (see “Anger, Ruminations, and Meditation” and “Dealing With Emotional Pain“), I discussed how learning to meditate, expressive journal writing and sensation-focus techniques can be very helpful for dealing with these types of situations.  Today we will look at an additional strategy.

Changing Rigid Thought Patterns

We now turn our attention to replacing habitual, destructive ways of thinking with a more peaceful, constructive approach.

Different ways of framing a stressful experience can have remarkably different consequences.

anger memories2.gifIn the above For Better or for Worse comic, Elly is nervous about her big exam.  When John frames the test in one way, Elly begins to smile.  When he frames “flunking out” as “no big deal,” Elly’s smile is gone and her eyes begin to bug out.

In the comic, it is John who is framing the stressful experience for Elly.  But if we could go back before John begins to do this, and then be able to read Elly’s mind, we probably would see that she has already framed her experience using some habitual phrase that she tells herself in this type of situation.  For example, she might have said, “If I fail this test, it will prove I’m the stupid jerk I always knew I was!”  According to cognitive psychologists, such a statement is far from ideal.

imprisonedDr. Aaron Beck, in his fine book, Prisoners of Hate:  The Cognitive Basis of Anger, Hostility, and Violence (1999), points out that mates in a distressed marriage are more prone to ascribe unpleasant behavior to the bad nature of the spouse, whereas non-distressed couples will ascribe the same incident to the nature of the situation.  Thus, mates in the distressed marriages are more likely to think that the unpleasant behavior demonstrates that their mate is malicious, manipulative, and deceptive.  Those in non-distressed marriages will be more likely to think that their spouse acted unpleasantly because she had a hard day at work, or something else happened that led to this behavior.

414N7K4QHRL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_In Destructive Emotions:  How Can We Overcome Them?, a team of scientists has a dialogue with the Dalai Lama.  At one point the Dalai Lama argues that the antidote for angry thoughts is to view the person with whom you are angry as your loving mother.  “This is done to arouse a sense of affection and gratitude by focusing on the person who has shown you the greatest love and compassion.” If you do not see your mother as deeply loving you, when you carry out this technique you can replace the image of your mother with someone whom you do see as deeply loving you.

anatomy of peaceAnother book that teaches the art of changing angry thoughts to more constructive ones is The Anatomy of Peace: Resolving the Heart of Conflict (2006).  There, the authors make the case that during anger-arousing situations people often begin to think of the person on the other side of the conflict as objects that are obstacles to what we desire.  The authors call this pattern of thinking, “Heart at war.”

anger memories3.gifThe authors invite people to try out instead a pattern of thinking they call “Heart of Peace.”  This entails viewing the other as a person with hopes, needs, cares, and fears as real to you as your own.  The authors conclude that “when our hearts are at war, we can’t see situations clearly, we can’t consider others’ positions seriously enough to solve difficult problems, and we end up provoking hurtful behavior in others.”

anger memories4.gifAs an alternative, consider what happens in American courts of law after someone is found guilty of a crime.  Before deciding on what should occur to the convicted person, the judge has the jury hear once again from the defendant’s lawyer.  courtroom_1_lgThe lawyer now is to present the argument that there were extenuating circumstances that mitigate guilt.  A talented lawyer might touch upon the fact that the defendant was an orphan and later became a father trying to support his family when he suddenly lost his job.  With no means to feed his children, he succumbed to the temptations of crime.  The lawyer might be very likely to point out that the convicted has many of the attributes of the mothers or fathers or other loved ones of jury members.  “Before you is not an object, but a real live human being not unlike those close to you,” the lawyer might say.  This part of the court proceedings is designed to support the principle of fairness.  It is this principle of fairness that you are invited to try out as you deal with your recurring anger episodes.

freedAnd so, whenever you are angry at someone and you find you have been imprisoned by your hate, free yourself by taking the time to write out a defense for the person with whom you are angry.  If you will, look to see if the situation that gave rise to the incompatible act might have been more of the cause of what occurred than you originally allowed.  See what comes from considering the culprit as if she was your mother.  How does thinking about the source of your anger in terms of someone who is a person with hopes, needs, cares, and fears help to reduce the intensity of the conflict?  When carried out together with meditation, expressive journal writing and sensation-focus techniques, you are likely to find that this will lead to your recurring anger memories becoming distinctly less stressful.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on.  This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional intelligence.  To begin at the very first post you can click HERE.

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THE MOST MATURE LEVEL OF RESPONDING TO CRITICISM: ADVANCE LESSON

criticismAre there different levels of maturity for responding to criticism?  If so, what is the most mature level?

Over recent weeks we have been pursuing an answer to these questions (see for example, Responding to Criticism: Four Levels of Maturity and Responding to Criticism: The Most Mature Level).   During this pursuit, I put forth a tentative proposal for a most mature level because I think that’s a good way to get into these types of questions.  Not only have I described what I think is the most mature level, I have presented arguments against this most mature level and arguments for it.

When I have taught these types of lessons in a classroom setting, despite all that I have already said on this topic, many of my students continue to raise some additional questions.  And so, in this post I will try to clarify some points of confusion that have been brought to my attention by my students over the years.

Clarifying the Difference Between a Pawn and an Origin.

Responding to criticism at the most mature level requires that we seek to lead the criticizer to feel more like an origin than a pawn.

pawnMany of my students have asked me to talk more about this point.

When people feel like pawns, they feel pushed around, and they feel that they are like puppets with someone else pulling the strings.  Somewhere in our hearts and minds we realize that bossy people create a revolt against perceived illegitimate power.  Calvin’s father, in the following comic, begins to realize this.

Calvin and Hobbes steeringFeeling like a pawn may be contrasted with feeling like I have an influence over what I do—that I have played at least a part in originating my behavior.

When you respond to criticism at the most mature level, you seek to come across as “not being bossy.”  By trying to come up with some way to steer in the direction of the criticism,  you come across as showing that you can be influenced by the person who is criticizing you.

Providing More Examples of Steering

After explaining a little more about the difference between feeling like a pawn and feeling like an origin, many of my students ask me to provide some more examples of people using steering.

teacher3In the DeCharms study I discussed earlier (Pawns in The Classroom), teachers who had learned to steer put fifteen minutes aside once a week to ask students to criticize how things are going during the week.  The teachers in the study didn’t actually use the word “criticize.”  The students were asked to provide “suggestions.”  Suggestions, as we have discussed are, in a sense, criticism because people only make suggestions when they first make some sort of evaluation of what they perceive.  Based on the evaluation, they then declare what they think might be an improvement.

The teachers were taught to listen to the student suggestions in a manner very similar to the description of level four on the five levels rating system. However, when teachers who use steering feel a suggestion does not make sense they do not merely attempt to disagree without being disagreeable.  Instead, they try to use some aspect of the suggestion so the student feels the suggestion has been taken seriously.

teacher2For example, let’s say a student suggests that if the class works hard all day, the last hour should be free time.  Suppose the teacher, let’s call her Mrs. Jones, feels that a daily hour of free time would waste too much learning time.  Mrs. Jones can still steer in the direction of the suggestion.  That is, she can explain her concern about wasting too much time; then she can propose that if by the end of the week the students had done a spectacular job all week long, the last hour on Fridays they will be given the freedom to choose either to get a head start on homework, write in their journal, or read a library book; then, after proposing this, Mrs. Jones asks the class if they want to give this a try.  Notice that she is using the student’s suggestion of free time to influence where she steers the activities for the week.

Steering frequently ends up with the criticized person offering some type of choice to the criticizer.  But there is a difference between providing a choice using a steering model and offering a choice in general.  teacher4Consider a teacher who offers a choice to a student by saying, “Either you do the assignment or fail the course.  Those are your choices.”   This is not an example of steering.  Nor is this—a teacher says, “I’m giving you a choice between playing ‘Math Blaster’ or ‘Race to the Moon.’  Hurry up and pick one, I don’t have all day!”

A teacher who is using steering would be more likely to say something like, “Here are two games that teach some math skills.  Which one do you think would be best for you?”  Notice the difference in attitude between the approaches.  In the first two examples, the choice may not be perceived as a genuine choice but more of a demand to pick either one or the other.  In the Peanuts comic below, we get a sense of how strong a reaction can occur when a child comes to believe the choice he or she is given is not really genuine.

Peanuts AUGH!Steering by teachers demonstrates a degree of respect in that the teacher is genuinely interested in the student’s opinion and is willing to have that opinion count in deciding what will be done.

Here’s an example involving a father and his son.

For Better, steeringIn the For better or for Worse comic, Michael criticizes his father’s decision that it’s time to go to bed.  The father, no doubt, disagrees with his son’s criticism.  Yet, rather than just saying his son is wrong, he seeks instead to come up with a way that utilizes some aspect of his son’s criticism to come up with a new alternative.

I think that the father, by asking his son to ask EVERY kid in town about bedtimes was unreasonable, but I trust that you get the point I’m trying to make in this example.

In the Luann comic below, Knute’s effort to work out what to do on his upcoming date with Crystal is evident.

Luann steeringKnute’s effort to find something to do that they will both like probably will be far more helpful in establishing a relationship with Crystal than if he insists on taking her to a monster truck rally.

Now, some people confuse steering with compromise.  Steering can involve a compromise, but oftentimes it leads to something better than a compromise.  The classic example of a compromise occurs when someone wants to buy something, let’s say a used car.  The car dealership wants ten thousand dollars for the car, but the buyer wants to pay only five thousand dollars for it.  In the end, they settle on $7,500.  Both parties don’t end up getting quite what they had hoped, but they settle so they can close the deal.  Both parties may walk away a little disappointed.

Oftentimes, when steering occurs, neither party is disappointed.

Steering envisions that the person criticized makes an effort to see if there is some way out of the conflict, a way where two opposing views can be reframed into an original and larger context that provides new values to both parties.  This may be difficult and at times not always possible or desirable, but as we move along, I hope to show that it is possible far more often than commonly believed.

Rudyard Kipling’s Poem, If

kipling

Back in 1897, Rudyard Kipling wrote one of his most famous poems—If.  Relevant to our discussion is the part that says:

If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you
But make allowance for their doubting too,
If you can wait and not be tired by waiting,
Or being lied about, don’t deal in lies,
Or being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise…

Yours is the Earth and everything that’s in it,
And—which is more—you’ll be a Man, my son!

When someone is blaming, doubting, hating, or lying about you, they very likely are criticizing you and in a rather unflattering manner.  How would it be best to respond to this?

Among the things Mr. Kipling encourages you to do is to keep your head even when others are losing theirs—admittedly, not always an easy thing to do.  He urges you to trust yourself when all doubt you and make allowance for their doubting too.  I’m not sure I completely agree with this, for spending some time in doubt seems to prod me, at times, to consider some important alternatives—but I think I have some sense of what he was trying to get at here.

Although I’m tempted to analyze Kipling’s poetry with a fine tooth comb, the thing about poetry is that the poet seeks to capture more than what can be analyzed.  With just the right mixture of words and phrasing, Kipling strove to capture a certain subtle emotion and attitude.

I present the poem for your consideration in hopes that you will see that there is something in it that captures the emotion and attitude of the two highest levels of the five levels rating system.  If you read the poem a couple of times and then the description of the two highest levels, you may find, when taken together, that they share a truth beyond words.

Well, that’s today’s lesson.  I hope you enjoyed it.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on.  This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional intelligence.  To begin at the very first post you can click HERE.

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CRITICIZING YOURSELF MATURELY: A LESSON FROM BLONDIE

Over the course of the last few weeks I presented some lessons that aim to get you to think about immature and mature ways to provide negative criticism to yourself (see CRITICIZING YOURSELF: FIVE LEVELS OF MATURITY and CRITICIZING YOURSELF MATURELY: A COMIC STRIP LOVER’S GUIDE). As I’ve pointed out on many occasions, becoming a master at utilizing the higher levels of maturity takes more than just thinking about them on a single day.  It requires some practice utilizing the concepts over several occasions.  And so, from time to time, I insert a little practice session to remind you of the previously presented ideas and to give you a little practice utilizing them.  Today, we will take a look at a Blondie comic example.  There, you will find that after Dagwood gives Blondie a statue she sees as ugly, she criticizes herself.  Please take a look at her response to her self-criticism, and see if you think she handled it maturely.

blondie intra 1blondie intra 2blondie intra 3blondie intra 4blondie intra 5blondie intra 6blondie intra 7 blondie intra 8blondie intra 9

As you think about how maturely Blondie criticizes herself in this comic, perhaps it would be of help to look at the five levels of providing criticism that we discussed earlier:

  1. This level requires displaying one or more of the following:
  • Cries without stating what the crying is about
  • Physically attacks themselves
  • Damages property

    2.  This level requires displaying one or both of the following:

  • They do not explain what the offending behavior is, but instead express displeasure with glares, insults, shouting, silence, or threats that do not involve bodily harm. (For example, calling themselves a jerk”)
  • Threatens bodily harm regardless of what else is said.    

    3.  The criticizer clearly states the criticism with enough detail so the criticized person, if he or she wills, can improve the behavior, idea, or appearance, but couples it with glares, insults, shouts, or threats that are not about bodily harm.        

4.  The criticizer states the criticism without bodily attacks, damaging property, glares, insults, threats, or shouts, and with enough details so that the criticized person, if he or she wills, can improve the behavior, idea, or appearance.  If the person becomes defensive or angry, the criticizer empathizes without returning, glares, insults, threats, or shouts.        

5.  When the criticizer provides criticism, he or she does so in a manner very similar to a level four response, but beforehand, the criticizer considers the situation that he or she is in.  As a result of such considerations, the criticizer may decide to alter the criticism.

Now that you refreshed your memory of the five levels, does any one of them seem to match how Blondie criticized herself?  Think about this, if you will, and then you can have some fun comparing your thoughts with mine.

My answer:  Obviously, what we see is not meant to display Blondie’s whole response, but there is enough here to hazard a guess for our educational goal of familiarizing readers with the maturity rating system.

blondie intra 6Blondie frames her feeling as “terrible.”  It would be a sign of higher maturity if she conceptualized her experience instead as “sad” and “a valuable emotion that will lead to her thinking more deeply about something very important to her—her relationship with her husband.”

We know from what we see here and from observing her behavior over the years that Blondie is a very caring person.  So, perhaps she is the type to be compassionate toward her own limitations.  She doesn’t hit herself, so she may not be at level 1.  In the last box, she may be crying and this would indicate her response deserves a level 1 rating unless she also displays some set of responses that deserves a higher rating.

When Blondie calls herself insensitive, it comes pretty close to matching level 2.   Admittedly, this is a tricky call.  One reason for the difficulty is that she might not be really insulting herself at this point.  Instead, she might be displaying the process of thinking through the best course of action for herself.   That is, she might be laying out for her consideration the value of being considerate.

If she had obviously put herself down by calling herself a rat for example, this response would be easier to rate as a level 2.  But the descriptor, “insensitive,” is very relevant to what concerns her about her actions.  I like her concern for her husband.  I view empathy as a sign of higher levels of maturity.

blondie intra 9In the last frame, she is taking some time to deal with her challenging experience.  Maybe she is actually using the “sensory focus” technique we recently discussed (see DEALING WITH EMOTIONAL PAIN).  “Sensory focus” involves turning your attention to the physical qualities of the pain and observing the sensations you are experiencing.  This can convert challenging feelings into a search that leads to ever higher levels of truth.

I think this is where we leave Blondie in the comic we are analyzing.  Without being able to discuss this episode with her or to observe further how the events continue to unfold, I’m going to just take a very tentative guess that she is indeed trying to figure out how to respond in a sensitive way toward Dagwood, and that she will not really insult herself.  In time, she probably would have displayed a response very close to a level 4 or 5.

Thanks for visiting today.  I hope to see you soon.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.

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conflict resolution Emotional pain free social intelligence and emotional intelligence curriculum meditation psychological maturity sensory focus wisdom

DEALING WITH EMOTIONAL PAIN

You get a phone call and discover the person you have fallen in love with has decided to end the relationship.

Eugene 2

An event is coming up and each time you think about this, you experience waves and waves of fear.

fear1Some big kids at school teased you in front of your friends and when you get home you find yourself vividly recalling, over and over again, what happened.  These images are accompanied by gripping, gut-wrenching feelings of embarrassment.

fear3Americans typically use three approaches when they are faced with such experiences.  Let’s take a quick look at them, and then consider three very different approaches that are free and backed by research effectiveness studies.

Three Typical American Approaches to Deal With Emotional Pain

1.  Drinking alcohol or taking pills.

drinking Here we see a man who is using the drinking approach, and he ends up falling into the great sea of turmoil.

2. Trying to avoid thinking about the emotional pain.

approach1Here we see Linus using the avoidance approach.  People who try to avoid the problem of emotional pain sometimes say they don’t pay any attention to it, or that they just ignore it.

3. Trying to divert your attention to something more pleasant.

approach3Here we see Ted trying to “face his fear” by diverting his attention to some fantasy.

If you are using one or more of these three approaches and find that you are completely satisfied with the results, I’d still like you to consider trying three different ones.  They won’t cost you a dime, and there is scientific support for each.

Three Different Approaches to Dealing with Emotional Pain

1. Sensory Focus

Illustration by Jack Star Rubin
Illustration by Jack Star Rubin

“Sensory focus” involves turning your attention to the physical qualities of the pain and observing the sensations you are experiencing.

If the sensations bring forth words such as pain, or awful agony, you accept this without judgment.  You very gently, when you feel ready, return your focus to the physical sensations as if you are tasting, for the first time, some fresh mountain water from a tropical island.  Just let the sensations wash over and through you for a couple of minutes.  Do this each time you begin to experience the sensations.  Also, find some time once in the morning, and once in the evening to take a couple of minutes to sit by yourself and practice doing this.

Although for many Americans distraction is believed to be more effective for managing distressing painful experiences than observing the physical sensations, when compared in experimental studies, distraction most often turns out to be the inferior technique.

Now, I should point out that if you look quickly online, you will see research reports that claim just the opposite—that distraction leads to better outcomes than experiencing the felt qualities of distress.  These reports are usually based on an analysis that failed to make a distinction between sensory focus and emotion focus.  Emotion focus has individuals attending to the emotional aspects of the pain.  For example, someone going through a painful experience might focus on a thought such as, “This pain is making me feel terribly angry.”  Notice that the emotion focus approach has one observing a set of words describing the feeling, whereas sensory focus has one observing its physical sensations.

In more recent studies, researchers have been making a clearer distinction between emotion focus techniques and sensory focus techniques.  It now looks like sensory focus tends to be more efficacious than distraction.[1]   More importantly for dealing with distressing emotional experiences, sensory focus was found to be even more effective when researchers looked not just at the short term effects of coping, but what happened in the long term.

Most studies on the effects of different coping styles look at what happens within four minutes of a painful experience.  In such studies, sensory focus tends to be a more effective coping technique, but occasionally distraction did just as well, or even a little better.  In a study by Kevin McCaul and Carl Haugtvedt,[2] for example, distraction reduced distress early in the four minute trial, but attention to sensations was a superior strategy for the last two minutes.”  When studies looked at what happens when pain lasts longer than a few minutes, or a similar pain occurs again a week later, sensory focus over time more clearly is the better coping strategy.

girl experiencing emotional painNow some have argued that sensory focus works with men, but not women.  However, even for brief pain lasting for just a few minutes the results have been inconsistent.  For example, Thompson and his associates[3] found that women experienced less pain with distraction, but Roelofs and his associates[4] found that women who report that they are high in pain-related fear benefited more from the sensory focus technique than they did from distraction.  In this study the whole painful experience was of the short term variety, lasting four minutes.  giving birthThere are fewer studies involving women and longer term pain, but Leventhal[5] and his associates found that women in labor who were instructed to monitor their pain sensations experienced a sharp decline in pain and negative mood during active labor.  There was no decline in the control group that received no such instruction.  Note that labor tends to last several hours, in contrast to the four minute type of pain that is usually the object of study in the scientific literature.

It appears that when you focus on carefully observing the sensations, your body mobilizes its internal resources to cope with the distressful experience.  You have seen what happens when you cut your finger.  You experience some pain, and before long your body, in an incredibly complex process, begins healing.  Within a few days the cut is completely gone.  You see from this that your body has a way to deal with the cut in a manner that the greatest scientists cannot yet duplicate.  Similarly, when you take the time to fully observe the sensations from a distressing experience, your body over the course of time appears to carry out a process to address the distress in an incredibly helpful manner.


2. The Expressive Writing Technique

Over the course of four days, write for a minimum of 15 minutes at each sitting about something that has led to your challenging emotional experience. As you do so, make sure you include not only what happened, but also what you felt when it happened, and how you now feel about what happened.  Include your deepest emotions and thoughts about what occurred.  Really let go and explore your feelings and thoughts about it. As you do so, recall the sensory experience of these feelings, not just the words that define the experience.  In your writing, you might tie this experience to your childhood, your relationship with your parents, people you have loved or love now, or even your career.  How is this experience related to who you would like to become, who you have been in the past, or who you are now?

You can write about the same issue every day or a series of different issues. Whatever you choose to write about, however, it is critical that you really let go and explore your very deepest emotions, sensations, and thoughts.

As you go through this experience, many people report that after writing, they sometimes feel somewhat sad or depressed. Like seeing a sad movie, this typically goes away in a couple of hours and in the long run is beneficial.

If you find that you are getting extremely upset about a writing topic and come to feel it is unwise to continue, trust your judgment and stop writing or change topics.  You might try to return to the extremely unsettling topic again in a week or two.  If you again begin to have feelings that are so extremely upsetting that you feel it is unwise to continue, trust your judgment and stop.  Try one more time to write about this topic in a month or so.  If you end up striking out, you might want to seek out a professional counselor to help you to process this sensitive material (see HERE for some suggestions for obtaining this type of counseling services).

Expressive writing has demonstrated in research studies to improve health outcomes and to reduce the anguish people experience during episodes of depression.  You can find the research supporting the expressive writing technique by clicking here and here.

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3. Meditation

For most people, meditation doesn’t provide relief of emotional challenges as quickly as sensory focus, but when it is combined with sensory focus and the expressive writing technique, it can lead to long term improvements.

linus meditationg In an earlier post, I describe a simple form of meditation, along with the research supporting its effectiveness (see Anger, Ruminations and Meditation).  Millions of people for thousands of years have attested to both its health and emotional benefits.

So, there you have it, three approaches to dealing with emotions that are free, and can turn what is now experienced as pain into a valued source of creativity.  Rather than something that has been perceived as negative, it is possible to come to understand that these challenging experiences are our only opener of our eyes to the highest levels of truth.


[1] J. Suls & B. Fletcher, 1985, The relative efficacy of avoidant and nonavoidant coping strategies: A meta-analysis.  Health Psychology, vol 4 (3) 249-288.

[2] K. McCaul and C. Haugtvedt ,1982,  J. of Personality and Social Personality, , vol 43(1), 154-162.

[3] T. Thompson, E. Keogh, & C. C. French, 2011, “Sensory focusing versus distraction and pain: moderating effects of anxiety sensitivity in males and females,” Journal of Pain, 12(80), 849-858.

[4] J. Roelofs, ML Peters, & M. van der Zijden, 2004, “Does fear of pain moderate the effects of sensory focusing and distraction on cold pressor pain in pain-free individuals? The Journal of Pain, vol 5, 250-256.

[5]E. Leventhal, H. Leventhal, S. Shacham, & D. V. Easterling, 1989, “Active coping reduces reports of pain from childbirth,” J. of Consulting and Clinical Psychology, 57(3), 365-371.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.

Categories
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PROVIDING NEGATIVE CRITICISM: A LUANN COMIC STRIP LESSON

In last week’s post, I presented a lesson on responding to negative criticism that utilized a Luann comic strip.  It was so popular that I decided to once again have Luann help us out; but this time, rather than focusing on the most mature ways to respond to negative criticism, let’s focus on the most mature ways to provide negative criticism.  For those of you who are new to this blog, you may want to first review a couple of my earlier posts that introduce some key ideas (see PROVIDING NEGATIVE CRITICISM: FIVE LEVELS OF MATURITY and PROVIDING NEGATIVE CRITICISM: DEFENDING THE FIVE LEVELS OF MATURITY.)

First Example

Let’s begin by first taking another look at the same Luann comic that we used last week.

Luann1Luann2

Last week we mentioned that in the above comic Luann appears to have become a little defensive at Bernice’s criticism.  We went on from there to answer the question, “What could Luann do differently to better match a more mature response?”

Now, if you will, think about Bernice’s style of providing negative criticism to Luann.  Is there anything that she could have done differently that would have led you to think she is more mature than how she comes across in the comic strip?

My Answer

Here’s my approach to answering this question. For the most part, Bernice’s actions seem to me to best match the level 4 description—The criticizer states the criticism without bodily attacks, damaging property, insults, threats, or shouts, and with enough details so that the criticized person, if he or she wills, can improve the behavior, idea, or appearance.  If the person receiving the criticism becomes defensive or angry, the criticizer empathizes without returning insults, threats, or shouts.

Luann3The first time Bernice speaks, she provides the same negative criticism to Luann that Luann had provided to herself—“You should drop 10 pounds and grow your bust line.”  This can seem insulting, but Bernice was invited by Luann to give her an opinion and I’m not sure Bernice means it as an insult.

Nevertheless, Luann does become a little defensive as a result of Bernice’s comment, leaning over and with her mouth depicted as open wide, she appears to be shouting.  Luann1 If Bernice was to earn full credit for being at level 4, she would show some empathy at this point.

What exactly would  “show some empathy” look like in this situation?  There are a number of styles for this, but here’s one approach for your consideration.

“Luann,” says Bernice, “I know you agreed to wear this outfit in front of a lot of people and you’re worried about how you’re going to look.  Are you OK?”

Then, Bernice listens in a caring manner without interrupting Luann.  Once Luann clearly finishes what she has to say, Bernice summarizes Luann’s comments.  Then she says, “Luann, regardless of whether you decide to wear this costume or not, I, for one, am going to still like you.  I consider you my dearest friend.”

If Bernice would have responded in this manner, I think Luann would have very much appreciated it.

Overall, I think that Bernice, in the comic, does not intend to insult her friend but instead intends to provide her some honest feedback.  Although level 4 does not quite match all that I observed in Bernice’s style of providing criticism, it is a better match than level 3 which requires an obvious attempt at providing an insult.


In rating Bernice’s style of providing criticism to Luann, I gave Bernice 4 points because her actions best matched the level 4 description.  I then subtracted .2 because of her lack of empathy, and her final response about the skimpy outfit had her coming off as slightly insulting. Thus I gave Bernice’s style of providing criticism a 3.8.

Now, this type of rating system, it is important to note, is designed for those people who are providing negative criticism because they hope to encourage some improvement.  In the above comic, it seems to me that the improvement that Bernice is pulling for is to get Luann to change her mind about wearing the demeaning costume. But, perhaps I’m wrong.  There are other reasons why people provide negative criticism besides seeking to encourage some improvement.

In my post, INSULTS: A COMIC STRIP LOVER’S GUIDE, I provide readers a list of eight major reasons why people provide negative criticism.  In the above comic strip, rather than trying to encourage Luann to make some improvement, Bernice may, instead, have been feeling jealous.  After all, Luann had been asked to wear the costume by someone who is going to put on a big Zeye promotion.  Nobody asks Bernice to wear the costume.

Illustration by Eric Sailer

If jealousy was  the motivation for Bernice’s negative criticism, then my advice to her would be different than if I thought she was motivated to help Luann to make some improvement.  I think I would have suggested that she consider waiting at least a week before providing any negative criticism, thus giving her some time to find a way to sail out of the stormy region of anger on the great sea of conflict.

Second Example

Let’s continue with Luann’s costume story.  Despite Bernice’s comments, Luann decides to go ahead and wear the Zeye outfit at one of the stores in the local mall to promote Zeye Games. Tiffany arrives at the promotion with this cute guy, Quill.  Tiffany and Luann are both very much attracted to him.  In the comic below, you’ll notice that Tiffany begins to provide some negative criticism to Luann.  What rating do you think she deserves?

Luannzeya2

My Answer

When I first read the comic I thought Tiffany’s actions best matched the level 3 description— The criticizer clearly states the criticism with enough detail so the criticized person, if he or she wills, can improve the behavior, idea, or appearance, but couples it with glares, insults, shouts, or threats that are not about bodily harm. The comments Tiffany makes to Luann in front of Quill, are obviously designed to be insulting.  For example, when Tiffany says, “…I’ve grown past wearing cheesy outfits,” her clear intent is to indicate that she thinks Luann is not as mature as she.

Tiffany’s comments are even more insulting because she is saying it in front of Quill.

As I mentioned above, those of us who had been following the Luann comic strip during the period of time these particular comics appeared, learned that Quill has shown some interest in Luann, and Tiffany is jealous.  As I interpret Tiffany’s negative criticism of Luann, it is not really about the cheesy outfit and how Luann looks in it—it’s about her jealousy.

But, for educational reasons, let’s say Tiffany, in this situation really did want to provide some helpful negative criticism to Luann.  What actions would Tiffany have had to carry out under this set of circumstances in order for her to match the highest level of maturity–level 5?

5.  When the criticizer provides criticism, he or she does so in a manner very similar to a level four response, but beforehand, the criticizer considers the person who is the target of the criticism, and the situation that he or she is in.  As a result of such considerations, the criticizer may decide to alter the criticism.

To match this level of maturity, Tiffany, as she begins to feel the desire to provide negative criticism with the intention to encourage improvement, she would start to consider situational and personal variables that are present.  In doing so, she would realize that to negatively criticize Luann in front of Quill could very likely come off as immature, especially if Quill is mature enough to recognize what is obvious to most of the readers of the Luann comic.  She would have had to say to herself, “If I put down Luann in front of Quill, there’s a good chance Quill will see that I’m being mean and that I’m the type of person who does mean things when I get jealous.  If I really think Luann would be better off not wearing the Zeye costume and I really cared about her, I’d ask to speak to her about this in private.”

Third Example

Let’s try one more for now.  Please see what level of providing criticism best matches Quill’s effort to provide Luann a singing tip.

Luannsing1Luannsing2Luannsing3

My Answer 

Quill begins his negative criticism with some positive criticism.  I like that.  Before providing his negative criticism, he first asks Luann if he can give her a tip.  Nice!  After Luann agrees to hear it, Quill gives her very specific instructions that can really make a difference if she desires to utilize it.  Although some people are nearby, Quill appears to be presenting his criticism far enough away from the others so he and Luann have some privacy.  I think level 5 is the best match.

Well, that’s our Name Calling, Insults and Teasing lesson for today.  Have a great week.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.

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RESPONDING TO CRITICISM: A LUANN COMIC STRIP LESSON

Over the past year, followers of this blog have been learning how to skillfully deal with criticism.  Some of the lessons focused on the four levels of maturity for responding to criticism (see HERE).

Throughout these lessons we looked at the various reasons why some responses are viewed as more mature than others.  I also noted that because people often get defensive when criticized, it is not enough to know clearly what to do in these challenging situations.

To really become proficient at using these skills it is crucial that we practice the skills to a point that we overlearn them in a manner that is similar to what police officers and other first responders do during their training.  They repeat competent performances over and over again even after they can readily carry them out during practice sessions.  This enhances their ability to carry them out during a crisis.

And so, from time to time, readers of this blog find that I am presenting another session to go over what they have already learned.  I try to do this in a fun way, using different narratives to promote their ability to generalize their skills to a variety of different settings.

For those of you who are just beginning to get familiar with the basic ideas of this blog, I encourage you to spend some time going back to some of the early posts and working your way, one by one, to each more recent one.  Instructions for doing this can be found in blue letters toward the bottom of this post.

Practice Session

Today’s practice post utilizes a fun Luann comic.

Luann1Luann2

Here we see that Luann has tried on a costume and she and her friend, Bernice, discuss how it makes her look.  Bernice provides some criticism to Luann.

I like some of the way Luann responds to Bernice’s criticism.   Some opinions are shared, no one ends up getting physically hurt and any hurt feelings that perhaps does occur during their interchange probably won’t result in a loss of a friendship.  But, I can think of some ways Luann could have responded differently that would have struck me as more mature.

What about you?  I’d like you think about this for a minute and see if you can come up with a way that is clearly more mature then Luann’s approach.  Imagine, if you will, the specific words Luann could have used and how she might have said them that would lead you to feel that her response as a whole is more mature than the response that she uses in the comic.  After you give this a try, you can have some fun comparing what you came up with, with what I came up with.

My Thoughts

First, I thought about the four levels of responding to criticism.  I have them written down in a convenient place, so I went and checked out what they say.  I notice that of the various levels of maturity, one of the highest levels is level four.  It is described as follows:

Illustration by Deanna Martinez
Illustration by Deanna Martinez

4.  Level 4 individuals listen to the criticizer in a supportive, warm, friendly style, and then make it clear that they fully understand what was said.  Moreover, they put the criticizer at ease by making statements that indicate that the wise learn from criticism.  Some time is spent on showing that they are thinking about the criticism.  If, after thinking about the criticism the criticism is deemed to be correct, they make a statement frankly indicating, “I can see your ideas have merit and I intend to use them in the future.”  If they are not sure if they agree, they make a statement indicating that they are very interested in what was said, plan to think a little more about this over the next few days and then they will be ready to discuss this further.  If, after thinking about the criticism, the criticism is deemed to be incorrect, a statement is made designed to disagree without being disagreeable.  More specifically, a sense of humor, some listening in a caring way and a few smiles help to traverse rough terrain.  As the episode winds down, the criticizer is encouraged to feel comfortable communicating suggestions in the future.

After reading this description of a level four response, I then thought further about how I would change Luann’s response so it is more mature.

I notice that in the third frame of the comic Luann responds as follows:

Luann1

Luann’s response here strikes me as defensive.  I can certainly understand why she has become defensive.  Nevertheless, to be more in line with a more mature response, I would have her say instead,

“Thanks for your honest opinion, Bernice.  One of the things I like about you is that I can count on you to tell me straight what’s on your mind.  Yeah, we both agree that I don’t have the perfect body for this kind of outfit.  Do you have anything else you want to say to me about this?

Then, I looked at the fourth panel of the comic:

Luann5Here, Bernice criticizes the outfit as demeaning, and since Luann is planning to wear it, Bernice can be viewed as indirectly criticizing Luann.  In response, Luann puts her hands on her hips and leans back while saying, “You obviously don’t know who Zeye is, Bernice.”  I’m not sure about this because I can’t really hear the tone of voice that Luann is using, but Luann might come across as demeaning Bernice’s lack of knowledge about who Zeye is.

I think Luann would here come across as more mature if she would have instead responded by looking concerned and then replying, “You think this outfit is demeaning.  Hmmm.  Let me think about this for a few moments.”  Then, after some time showing Bernice that her criticism is worth some serious consideration, Luann could have said, “This outfit is just part of who Zeye is.  Zeye is not only a babe in a skimpy outfit.  She represents a powerful, confident superhero who bravely battles interplanetary evil.”

I then looked at the last frame  of the comic:

Luann2Here, Bernice clearly feels uncomfortable about women wearing skimpy clothes.  In my opinion, Luann’s point is a good one, that is, the public oftentimes gets interested in a character if they find the character is physically attractive.   But Luann appears to make her point while glaring at Bernice.  She also doesn’t really directly address Bernice’s concern.  I would have liked Luann to say something like the following:

Burkas“Bernice, you raise an interesting point about skimpy outfits being demeaning. In some societies women have to completely cover their bodies when they go out in public.  To do otherwise is thought of as demeaning.  These women are only permitted to wear outfits that allow people to see their eyes.  The outfits are called niqabs and burkas.  I think they are demeaning to women.  When we go to the beach, we wear bikinis.  When we go to certain parties, wearing a low-cut dress is considered OK.   So, the way I look at this, what is deemed as demeaning depends somewhat on the culture and different social settings. Let me think about this some more.   It’s a fascinating subject, Bernice.  What do you think of burkas for women, Bernice?”

If Luann had replied in this way, she would have shown Bernice that she respected her opinion enough to give it some real thought.  By asking a question to clarify how Bernice thinks about the topic would show her even more that Luann values her opinion.

And so, these are some thoughts that I had while trying to come up with a more mature response for Luann.   In providing them to my readers, I don’t mean to suggest that my response is the only “real” mature response that can be made in similar situations.  There are a variety of styles and approaches that can be legitimately viewed as just as mature as mine, or even more mature.  My approach is provided chiefly to get each of you to think more deeply about this issue.

All right!  There’s your lesson for today.  From time to time, we’ll be playing around with similar practice sessions.

Have a wonderful week!

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.

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DEALING WITH INSULTS: LESSONS FROM THE JACKIE ROBINSON STORY

Welcome to From Insults to Respect.

Today, to get us to think more deeply about dealing with insults, let’s discuss for few minutes what Jackie Robinson went through when he became the first black major leaguer.

Jackie Robinson and Branch Rickey
Jackie Robinson and Branch Rickey

Just before Mr. Robinson began to play in the majors for the Brooklyn Dodgers, the Dodgers’ general manager, Branch Rickey, made it clear to him that he would face criticism in the form of the most vile insults. If he was to play, Robinson had to show the courage to not return insults with insults or to lose his temper and jeopardize the chances of all the blacks who would follow him if he could help break down the race barriers.

If Mr. Robinson couldn’t return the insults, could nothing be done?  On one particular day when fans were being particularly insulting to Mr. Robinson, the smallest ballplayer on his team, Pee Wee Reese, stepped out of the dugout. Mr. Reese was a beloved player with the fans for his hustling play.  He stepped over to Mr. Robinson,  put his arm around him and stood by his side.

This gesture was discussed around the country, and even today.  And a monument honoring this moment stands tall and strong in Brooklyn.

disabled6

If you go by it some day and watch for a while, from time to time you’ll see a grandfather describing to his grandson how the statue symbolizes what can be done even by two men who responded to insults without returning insults.  I must admit that I’m no kid anymore, and yet, whenever I walk by that statue, I get all misty inside.

disabled7

A few years ago, the movie, “42” came out.

'42'

The film beautifully develops the relationship between Reese and Robinson.  At first, most of Robinson’s teammates reject him.  “I’m not playing with any niggers!” cries one teammate.  “If we let him play, pretty soon the team owners will be bringing up more of them, and they’ll be all taking our jobs!”

“But,” says Pee Wee Reese, “we always knew that if the owners could find someone who could do our jobs better than us then we’d be sent down to the minors.  We always accepted that as fair when it was white guys who might take our jobs.  Why is it any different just because of the color of a guy’s skin?”

“It just is,” came the reply, but with a voice a little less self-assured.

In time, Robinson’s approach to dealing with insults on the field acquired for him more and more sympathy. Of course there were times when the insults began to get to Robinson, but he would seek to deal with his anguish either in private, with Branch Rickey, or  with his lovely wife.  On the field he was all about showing what he could do, and it was sometimes disappointing and sometimes magnificent.  There are always heroes in baseball, and Robinson glistened in that role on more than a few occasions.

Perhaps the finest moments in the movie come about just after we meet a father and son sitting in the seats of a Brooklyn Dodger game.  When Pee Wee Reese is announced as the captain of the Dodgers, the fans in the seats, including this father and son duo, begin to cheer.  The boy, a bit of a pee wee himself, tells his father that Reese is his favorite, all-time greatest player ever!

Then Jackie Robinson’s name is called, and he jogs on to the field with some supportive cries, but many, many insulting cries as well.

robinson being attacked by fans

We then see a close-up of the father and son. The father cries out, “Get off the field you lousy nigger.”  Others in the crowd cry out similar sentiments.  And before long, the father’s son begins to shout, “Get off the field you lousy nigger!”

But it is at this moment, Reese, who was fielding ground balls at shortstop, pauses, then trots over to Robinson at first base.  “How’s it going?” Reese says to Robinson, with a friendly smile.

We see the young boy in the stands, watching on, looking confused, as Reese continues to shoot the breeze in a friendly exchange with Robinson.  When a wave of insults for Robinson comes from a portion of the stands, Reese puts his arm around Robinson, and continues to chat with him, smiling, patting him on the shoulder.

robinson pee wee

Then the umpire calls out to Reese, “This isn’t a social club, let’s play ball.” Reese again pats Robinson on his back, and then trots back to his position at shortstop.

Once again, we see the young boy, and he has now stopped calling Robinson insulting names.

And we see that soon afterwards most of his teammates begin to change their minds and to treat Robinson like a fellow human being.

Jackie robinson dugout

In my recent blog posts, I’ve been discussing the ABCs of Power (see for example, (The ABCs of Power: The Letter “A”).  In the movie, “42”, we don’t see how Robinson worked to employ the very first source of power on The ABCs of Power list–Advancing skill.  But there is no doubt that Robinson worked for years on becoming the star athlete that he became.

42 on field

His skill at projecting the highest levels of maturity when criticized enormously increased the respect that he garnered during his day to day performance.  History teaches us that it was Robinson’s use of these skills that secured for him the source of power known as Coalition, as he united with Branch Rickey, Pee Wee Reese, and ultimately, with his many fans, that turned a dream into a magnificent achievement.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.

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INTRAPERSONAL CONFLICTS AND CHARLIE BROWN: ADVANCE LESSON

A few weeks ago I published a post titled CONFLICTS WITH OURSELVES: LESSONS FROM CHARLIE BROWN.  Today, let’s quickly review the ideas presented there, and then move on to discuss a few more.

Review

When one person has a conflict with another person, we call this an interpersonal conflict.  An intrapersonal conflict occurs when a person has a conflict with himself or herself.

When we describe a conflict using the DIG Conflict Model, the letters of the word, “DIG,” helps to remind us to first dig to find the DESIRE, then something that INTERFERES with the desire, and finally, the GUILT.  Earlier, we looked at the following example of an intrapersonal conflict:

Charlie13

When we looked earlier at this example, I provided the following tentative description of Charlie Brown’s intrapersonal conflict:

Charlie Brown seems to desire that he not yell at his baby sister, but the fact that he did has led him to perceive that, interfering with his desire, he is likely to continue his yelling at his sister.  He appears to feel guilty for his actions by saying he feels terrible and hates himself.

It would be simpler to describe this conflict by saying:

Charlie Brown desired that he not yell at his baby sister, but he interfered with his desire by yelling at her.  He felt guilty about it.

In this simpler description, we still have all of the three conditions for a conflict–that is, the desire, the interfering act and the guilt.  But they all took place in the past.  To become an expert at dealing with conflicts, we must learn to describe an existing conflict as something relevant to the future.  This skill will help us to prevent similar conflicts from recurring over and over again.

Okay, so there’s our summary in what was presented the last time we discussed intrapersonal conflicts.  Let’s now move on to some more advanced ideas.

Advanced Lesson

Whenever we have a conflict with ourselves, we oftentimes present to ourselves some negative criticism.  In the above three panels of the Charlie Brown comic, Charlie Brown indicates he has evaluated how he treated his sister and he makes it clear that he doesn’t like what he did.  When we evaluate something and state we don’t like what we evaluated, we have provided negative criticism.

In an earlier blog, we looked at providing negative criticism during interpersonal conflicts.  We saw that according to the DIG Conflict Model, there are five levels of maturity when it comes to providing negative criticism (see blog post titled, PROVIDING NEGATIVE CRITICISM:  FIVE LEVELS OF MATURITY).  Level 1 is viewed as the most immature level, and level 2 is viewed as a bit more mature, and so on.  Readers of this blog were encouraged to familiarize themselves with the five levels, and then to use them in the following way:

First, they learn to recognize that they are getting ready to provide somebody criticism.

male criticism

Then they pause to think about how they are likely to provide the criticism.

Jack criticism 2

Then, before they provide the negative criticism, they decide what level of maturity the criticism they are likely to give is at.  If it is below level 4, they try to change the criticism so that it matches level 4, or even level 5.

In this example, the man is the employer of the woman who wrote a report.  After looking it over, he sees he is likely to provide criticism in a style that would best match level 2, which states:

2.  This level requires displaying one or both of the following:

  • The criticizer does not explain what the offending behavior is, but instead expresses displeasure with glares, insults, shouting, silence, or threats that do not involve bodily harm.
  • Threatens bodily harm regardless of what else is said.

Now, I understand that some of you might feel that the employer deserves a higher rating because he does explain what the offending behavior is when he says the report is stupid.  But this just indicates in some vague way that he doesn’t like the report using the insulting word, “stupid.”  In my opinion, his comment is not an adequate description of what he doesn’t like about the report to warrant a more mature rating.

Seeing that this type of criticism is a bit immature, the man’s job in this example would then be to try to come up with a form of criticism that matches one of the more mature levels.  One of the more mature levels is level 4:

4.   The criticizer states the criticism without bodily attacks, damaging property, glares, insults, threats, or shouts, and with enough details so that the criticized person, if he or she wills, can improve the behavior, idea, or appearance.  If the person receiving the criticism becomes defensive or angry, the criticizer empathizes without returning glares, insults, threats, or shouts.

In this example, by pausing and thinking about level 4, the man asks himself to describe his criticism in a clearer, more precise way than shouting “The report is stupid!”  To help him to clarify his thoughts, he uses the word “DIG.”  Thus, he says to himself that “I desire that in the future this woman who wrote this report will follow the directions that I give her and interfering with this desire is the fact that in this report she did not do so.  I think she is guilty of ignoring my directions.”

Having slowed down so he can think about this, the man now decides that the best way to provide the criticism to the woman is to wait until he has managed to calm himself down enough so he can speak to her using a respectful tone of voice and without any insulting words.  Then he will go over the first direction he had given to her and ask her to describe how she might have written the report so that he would have seen that the report writer is following his direction.  If she is not sure how to respond, he could then explain more thoroughly what he wants when she attempts to follow this direction.  After clarifying the first direction, he could go over in a similar way his second direction, and so forth.

Now, I don’t mean to suggest that this is the only resolution to this employer’s conflict.  For example, he could instead assign the best report writer in his company to mentor this employer.  The mentor would review each of her reports before she hands them in, show her copies of high quality reports, and so on.   The point is that this employer can improve the quality of his criticism by pausing before providing the criticism, thinking about how he is preparing to provide the criticism, comparing it to the five levels of providing negative criticism, and then seeking a way to change the criticism to something that matches a more mature level.

With intrapersonal conflicts we carry out a similar plan as we do with interpersonal conflicts.

Let’s return to our Charlie Brown example:

Charlie13

Here we see that even before first recognizing he is about to provide himself negative criticism, he has already done so.  That’s not the end of the world.  Many old habits are not easy to change quickly, and if you find yourself slipping into past styles of dealing with conflicts, you need not beat yourself up over this.  There are better ways to helpfully carry on.

In our Charlie Brown example, even after having already provided negative criticism, he can still go through the steps we discussed for dealing with interpersonal conflicts.  That is, he can first look at how he did criticize himself and then compare it to the five levels of providing criticism.  Then, he can pick out which of the five levels best matches his response.

In my judgement, Charlie Brown’s response falls somewhere between level 2 and level 3.

Level 2 states:

2.  This level requires displaying one or both of the following:

  • The criticizer does not explain what the offending behavior is, but instead expresses displeasure with glares, insults, shouting, silence, or threats that do not involve bodily harm.
  • Threatens bodily harm regardless of what else is said.

Charlie Brown, in this example does state what the offending behavior is.  That is, he says, “I shouldn’t have yelled at her, she is only a baby.”  But to match level 3 his response would have to look like this:

3.  The criticizer clearly states the criticism with enough detail so the criticized person, if he or she wills, can improve the behavior, idea, or appearance, but couples it with glares, insults, shouts, or threats that are not about bodily harm.

Charlie Brown’s criticism of himself, in my opinion, is not quite clear enough to fully match level three.  The fact that he repeatedly says he hates himself seems to be an example of insulting himself so that part of his criticism matches both level 2 and 3.

Once Charlie Brown figures out about what level his response had been, he could then see if he could come up with a response that better matches a more mature response, perhaps level 4, or even level 5.

Attempting to describe interpersonal conflicts using the letters in the word “DIG” can be helpful for coming up with a more mature response.  Similarly, attempting to describe intrapersonal conflicts using the letters in the word “DIG” can be helpful for coming up with a more mature response.  What would that look like?  Here’s one way Charlie Brown can do this:

He tells himself,

I desire that I not yell at my baby sister, but the fact that I did has led me to guess that, interfering with my desire, I’m likely to continue yelling at her.  I feel guilty for my actions.

Notice that there are no insults in this statement.  This statement is an important step toward coming up with negative criticism that matches a level 4 or 5 response.  Charlie Brown still must go on from here to come up with a plan that can help him to become less likely to yell at his baby sister.  Next week we will begin to look at some plans to help him do just that.

Practice

For those of you who truly want to become a master at dealing with intrapersonal conflicts, I recommend that you now take the time to either print out the five levels of providing negative criticism (see PROVIDING NEGATIVE CRITICISM:  FIVE LEVELS OF MATURITY) or if you don’t have a printer, write them out in any way you can.  Then, tape them to your refrigerator door.  This week, each time you see them, try to recall some time that you provided negative criticism to yourself.  Try to recall just what you said to yourself.  Then, try to see what level best matched what you said to yourself, and if it is less than a 4 or 5 level, try to create a response that would match a higher level response.  With this type of practice, you will soon see some real progress in your skills to deal effectively with intrapersonal conflicts.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.