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CONFLICTS: LESSONS FROM ROMEO AND JULIET

If you have been following this blog, you will have noticed that for the past few weeks I have relied heavily on humor to teach some of the main principles of conflicts (see for examples, ANGER: A COMIC STRIP LOVER’S GUIDE and INSULTS: A COMIC STRIP LOVER’S GUIDE.

But a blog such as this, if it is to be a source of wisdom, must keep the reader aware that although there is much humor in conflicts, there is tragedy as well.  Comics typically emphasize the humor.  To avoid completely losing our balance, we must, from time to time, directly take on serious themes.  At such times, in the words from Shakespeare’s Henry the VIII’s prologue—

“I come no more to make you laugh; things now,

That bear a weighty and serious brow,

Sad, high, and working, full of state and woe…”

In the deepest heart of all of us there is a corner in which life just happens to work sadly.  Any discussion of conflict cannot completely ignore this.  Nevertheless, I will attempt to keep our forays into the profounder bass-notes of life fairly brief, and use humor as our main educational tool.

Assisting People to Deal with Conflicts

From time to time you will be asked to assist people with conflicts.  A situation involving friends may erupt.  Problems at school or work will naturally pop up on regular occasions.

You will find that as you begin to engage the parties involved in the conflict, some in the midst of it will angrily start to tell you what has been happening by going on and on until it begins to strain the patience of everyone listening.  Others will speak of the conflict in such vague generalities that listeners are left scratching their heads.

In this blog post you will practice using a model to assist you in coming up with a description of a conflict in a few sentences that not only will prove helpful, but will also enhance your reputation.

Consider the following three pictures created by Lois Hubertz:

    

They say a picture is worth a thousand words.  In the tragic comic above there are three pictures.  Need I provide three thousand words to verbally describe them?  What if I wanted to describe briefly the conflict they portray?   To do so, I would be wise to first discuss with each of the parties what they view as causing the strife, and then after hearing them out, combine what I had learned with what I observe in the pictures.

Suppose that in my discussions I find out that the story of the two lovers in the first box and the two lovers in Shakespeare’s magnificent play, Romeo and Juliet are similar.  As in the Shakespeare play, the lovers in the tragic comic are called Romeo and Juliet, and their families are terribly bitter with one another because of angry memories of previous conflicts.

After my information gathering, what if I attempted to briefly describe the conflict from Juliet’s point of view as follows:

Juliet desires to marry Romeo, but interfering with this, her father has made it clear to her that he does not want to give her the legally required permission.  Although she recognizes that her father, if he were to consent, would be in hot water with the rest of their family, Juliet feels that he is guilty of being wrong because for her sake he should have the guts to stand up to them. 

Are these sentences sufficient?

Obviously, compared to a Shakespeare play, my two-sentence summary, just like any two-sentence summary, must ignore the subtleties and related conflicts that are revealed by a fully crafted play.  But there are many times when we can sufficiently grasp a situation without using a style of language that many find hard to grasp or by sitting down for hours to study an insightful narrative.  Using an easy to learn pattern of constructing two sentences from each party’s perspective may very well serve to set the stage for the creation of a plan that will resolve the conflict at hand to the satisfaction of all the involved parties.

A Definition of Conflict

When we attempt to come up with a brief description of a conflict, it helps to have a good definition of the word “conflict” at hand.  On this blog we will be using a definition derived from what I refer to as the DIG Conflict Model.

A conflict exists whenever the following three conditions exist:

  1. Party A desires an act will occur.
  2. Party A perceives that another party is likely to act in a manner that interferes with the desire. 
  3. Party A perceives that the other party would be guilty of doing something wrong if he or she carries out the interfering act.

Notice that each of the three conditions has a key word italicized—desire for the first condition, interference for the second, and guilt for the third.  If we take the first letter of each of these key words and put them together, they spell DIG; hence the DIG Conflict Model’s name.

Party A, in the above definition, indicates the individual who is theoretically engaged in a conflict and from whose perspective the conflict will first be described.

The Pattern for Describing Conflicts

In earlier blog posts, I’ve described how to use the word DIG to help craft a brief summary of a conflict and we have practiced this method a few times as well (see, for example, DIG FOR THE CONFLICT).  To get to be an expert at this method, it helps to review some of the ideas from time to time.

The conflict statement I used to describe the conflict Juliet is having with her father is in a form that doesn’t assure that a conflict exists; rather, it provides us a standard pattern that allows us to briefly describe the situation as best we can with each of the three conditions of a conflict in a familiar place–first the desire, then the interfering act, and then the guilt.

When there are only two parties involved in a conflict, the pattern can be described as follows:

First select an individual who appears to be one of the parties to the conflict and make him or her Party A.  Then create a sentence that identifies who Party A is, Party A’s desire, the other party involved, and the act that is interfering with the desire.  Then fashion a sentence that puts forth the theory that Party A perceives that the other party would be guilty of doing something wrong if he or she carries out the interfering act.

The first two sentences are composed, as best you can, from Party A’s point of view.

Why do we Bother to Break up the Concept of a Conflict?

So far, we have seen that the DIG Conflict Model breaks up the concept of a conflict into its three conflict conditions (desire, interference and guilt).  In future blog posts we will find this helpful because some conflicts are confusing to understand all at once.

Very simple conflicts can be looked at as a single unit with little difficulty. However, more complicated conflicts will leave us scratching our heads.  The skill to break up the conflict into its three conditions allows us to familiarize ourselves with smaller, more easily understandable parts.  Then, when we join the parts together, the whole becomes easier to grasp.

Moreover, sometimes we can come up with an idea to make a change in just one of the easier to understand parts that then leads to the rest of the conflict becoming easier to manage.  That is, one strategy to resolve a conflict we are struggling with is the following:

1. Look at each easier to understand part, either just the desire, or the interfering act or the guilt.

2. Think about making some change that will affect just that part.

3. Then think about how that change will impact the whole conflict.

By doing this, we frequently find a resolution that we would have otherwise missed if we kept wrestling with the entire conflict as one huge unit.  In future blog posts we will see many examples of this.

Using the DIG Conflict Model in Real Conflicts

In a real conflict, after you do your best to summarize the conflict, it is important to check with the different people involved to see if they agree with you.  As you discuss this with them, you will find that this often leads to those who are involved clarifying what the issues are. As you assist them in going through this process, there is an excellent chance that they will find this helpful.  In time, people will come to respect you for this.

I know some of these ideas are new and you may feel confused about some of the issues I have been discussing.  If you keep following this blog, you will get more and more comfortable with these ideas.  In time, you’ll see more clearly how helpful they can be.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.

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INSULTS: A COMIC STRIP LOVER’S GUIDE

Teasing is a game sometimes known as bantering, joshing, crackin’, rankin’, playing the dozens, trash talk, and infighting.  You are judged on the quality of your insults and also how well you keep your cool on being insulted.

Even the most mature people may like to play the teasing game, for they enjoy the duel of wits and the occasional humorous comeback.

Consider the following Calvin and Hobbes comic.

Our two friends are getting pretty silly in this exchange.  I guess being silly is part of the fun.

Mature people are distinguished from immature people in this game, not by how silly the interactions are, but by their lack of desire to hurt somebody in this game.  They realize that the smiles and the lighthearted tone they try to set throughout the game sometimes mask real tensions.  Thus, they keep their senses tuned to the subtleties of the repartee, and know when to back off when things begin to get too serious.

Immature people can come across as mean when they tease.

In the above Peanuts comic, Lucy ends up smiling even though Violet ends up feeling upset.  I would have liked Lucy to show some concern about how Violet ends up feeling.

It is certainly understandable why Violet ends up feeling upset.  We all have a strong desire to be liked.  The fact that there are other people watching while Lucy teases Violet can make dealing with the teasing even harder.  But what if Violet, instead of going away looking upset, ended up responding to Lucy in the following way?

“Good one, Lucy!” says Violet with a smile.  “I guess you won this round.  Well done!”  Then Violet gives Lucy a respectful nod of her head before going on her way.

If Violet would have acted this way, it would have shown the other kids that she can take a little teasing without getting upset.  This seems to many people a sign of maturity.  We can’t expect everyone to have this level of maturity.

Apparently, in the comic below, Calvin went a little too far in his teasing.

I think a conflict has sprung up.

When I think about a conflict I think about the word DIG.  That reminds me to dig to find in the situation the desire, what is interfering with the desire, and someone who feels someone is guilty of doing something wrong.

DIG=Desire, Interfering, and Guilt

In the above comic, Calvin desires to create a situation that would lead to some fun but perceives his actions have led to a situation that is interfering with fun.  He feels he is guilty of doing something wrong.

Troubled by how Susie has reacted, Calvin becomes sad, and then he turns a bit angry.  It seems to me that his genuine concern for Susie’s feelings is a sign of emerging maturity.

In our next comic strip, we see Susie’s reaction to Calvin’s teasing.

The sadness that Susie feels is coupled with her recognition that, without Calvin, she would feel even lonelier than she does.

How might Calvin handle this situation?

Apologizing, for Calvin, is not an easy thing to do.  I wonder why?

In the next comic, we see that Susie is still trying to deal with Calvin’s insults.

Susie realizes that although words don’t hurt your body like sticks and stones, they still can hurt quite a bit.

When Calvin goes over to Susie to make up, he finds that it’s a struggle.

Sometimes when we try to fix a problem it doesn’t work.  That doesn’t mean we have to give up.  We can try again.

Sometimes someone who enjoys teasing does so in a manner that looks to someone watching on as not fun.

At other times, people who tease don’t realize that they really have created a very uncomfortable situation.

Sometimes when people call you names or insult you in some other way, you may not be sure why they are doing this.  One thing to try is to say, “I’m not sure why you are trying to put me down.  Is everything okay?  Are you mad at me about something?”

This often leads to the insulter revealing what is actually motivating this behavior.  But if the insulter walks away, and then begins to insult you on another occasion, it’s time to go down a list of other desires that motivate insults. By becoming familiar with these other desires, confusion can oftentimes be quickly brought under control and a plan generated to address the concerns of all involved parties.

Eight Different Reasons Why People Use Name Calling, Insults and Teasing

If you follow this blog you will become familiar with eight different desires that can motivate name calling and teasing.  This will help you to spot them even when you are beginning to feel defensive.  When you learn to see the real desire motivating the criticism, you will find it much easier to act wisely.

Below is the list of the eight desires.  It might be wise to print out this list and place it in a convenient place.  Then, whenever you are called names or teased, you can get it out.  By going down the list you might more quickly figure out what is going on.

The Eight Reasons for Insults List

The desires that oftentimes motivate name calling, insults and teasing are:

1. The desire to encourage or discourage some action.

2.  The desire to release stress because the criticizer is in a bad mood.

3.  The desire to take out on you what someone else did to the insulter.

4.  The desire to be left alone for some quiet time.

5. The desire to form a bond with a group by putting down non-group members.

6. The desire to test someone to determine worthiness to be admitted into a group.

7. Jealousy.

8. Playful teasing.

Well, there you have it, the eight desires that lead to name calling, insults and teasing.  You can already find some suggestions for dealing with most of the various types of desires from checking out some earlier posts.

  1. Criticism designed to encourage you to improve (see RESPONDING TO CRITICISM: FOUR LEVELS OF MATURITY and RESPONDING TO CRITICISM: THE MOST MATURE LEVEL)
  2. Playful teasing (see MAKING THE BUS MONITOR CRY: RATING HER RESPONSE)
  3. The desire to form a bond with a group by putting down non-group members (see MAKING THE BUS MONITOR CRY: WHY THE BOYS DID IT)
  4. Jealousy (see BEING CRITICIZED BECAUSE OF JEALOUSY)
  5. The criticizer is in a bad mood (see RESPONDING TO CRITICISM WHEN IT IS BEING PROVIDED BECAUSE THE CRITICIZER IS IN A BAD MOOD)

In future blog posts we’ll explore all of these issues more thoroughly.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.

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RESPONDING TO CRITICISM: LESSONS FROM THE PRESIDENTIAL DEBATES

If you have been following this blog, you know that lately we have been working on becoming masters at dealing with criticism.  One important lesson that we have focused in on is that in designing our response to a particular criticism it is crucial that we figure out why the person is criticizing us.

Let’s say, for example, that John, upon entering my home and noticing the TV show I’m watching, criticizes me, saying, “Jeff, you’re an idiot for watching this stupid comedy.”  As he says this, I look at him and see from his eyes and the way he says it, that his comment is designed with the genuine hope I might make some improvement in my TV viewing habits.  In that case, a reasonable reply to John’s criticism would be to say warmly, “I appreciate your concern, John.  I think it does make some sense that I start thinking about how much time I spend watching lightweight shows.”   Such a response would show John that I respect what he has to say enough that I’m willing to give it some real thought.

Now, what if John had used the exact same words to criticize me about the comedy show that I’m watching, but I notice that he has a twinkle in his eye and that he watches the same show.  I put this together with the fact that I know John likes to playfully criticize people.  Under this set of circumstances, a reasonable reply to John’s criticism would be to look directly into John’s eye, give him a light chuckle and then a nod of my head.  This would show him that I can take a little kidding around without getting defensive, and that I appreciate his attempt at a little humor.

Just as it makes sense for us to figure out why someone is criticizing us in order to design the best way to respond to the criticism, it makes an equal amount of sense for the president and vice president, as they prepared for their debates, to try to figure out why their opponent in the debate might seek to criticize them.

President Obama versus Governor Romney

Perhaps the president, while preparing for the debate, thought, “My opponent will be criticizing me to convince other voters to vote for him.”  But actually that thought would have been too imprecise.  More likely, the president thought that his opponent was interested in convincing only a small group of voters to vote for him–those who were still undecided and lived in the “battleground states” such as Ohio and Florida.

An analysis of this group of voters indicated that they hate it when the candidates are nasty and uncivil against their opponents.  As Ben Feller of the Associated Press wrote last night, “The danger for the aggressor is that both campaigns know the remaining undecided voters at home want answers for them, not partisan bickering.”  And so, President Obama, understanding this, was friendly with his opponent, Governor Romney,  and avoided personal attacks.

After the debate, many declared that the president lost the debate.  And it is true that nationally, Governor Romney did get a clear bump from his debate performance.  But according to Gail Collins of today’s New York Times, in the election-deciding battleground states that matter, most polls suggest the first presidential debate has not had a significant impact.  The president had a lead before the debate, he wanted to avoid significantly damaging that lead, and he largely succeeded.

Vice President Biden versus
Congressman Ryan

Now, in contrast to how President Obama acted toward his opponent in his debate, Vice President Joe Biden in his debate with Congressman Paul Ryan abandoned his boss’s caution.  He called some of his opponent’s ideas “a bunch of malarkey,” repeatedly interrupted Ryan, and made smirks when he was speaking.

Furthermore, Biden derisively laughed at some of Ryan’s comments and waved his hands in disgust.

This raises the question, “Didn’t Biden want to influence the same group of voters that President Obama wanted to influence?”

Actually, it turns out that this was not an issue for Biden or his opponent.  Authoritative analyses have indicated that vice presidential debates simply never influence the outcome of presidential elections.  Given that, Biden properly should have asked himself, “Whenever Ryan criticizes me during the debate, what does he hope to achieve?”  The most probable answer is that Ryan saw this as an opportunity to gain some respect as a leader in case he wants to run for president in the future.  With that in mind, according to Gail Collins, Biden “spent the entire run-up week listening to Democrats beg him not to be passive. It’s a wonder he didn’t run onto the stage and instantly bite Ryan on the ankle.”

It’s interesting that after the vice presidential debate polls indicate that about an equal number of people felt Biden won and Ryan won.  My research indicates that when a typical person, let’s call her Mary Doe, criticizes another person, Mary would lose respect for the person she is criticizing if the person responded like Joe Biden did.  And yet about half of those viewing the debate seemed OK about how Biden had acted.   How can that be?

Keep in mind that viewers of the debate saw Biden not criticizing them, but rather, someone else.  My guess is that some people who viewed the debate said to themselves, “If Biden responds to criticism from Ryan like the way he did, that’s how he would treat me if I ever criticized him.”  These people probably ended up losing respect for Biden.  Other people who viewed the debate focused in on the fact that they didn’t like Ryan’s answers and loved the fact that Biden had made it absolutely clear that he didn’t like Ryan’s answers as well.  This group of people probably ended up respecting Biden even more.  For this group of people, perhaps it never occurred to them that if Biden treated Ryan this way he could have just as easily treated them that way as well.

So there you have it, some lessons from the presidential debates.  I hope the biggest lesson that you take from this is that to become a master at responding to criticism you would be wise to seek to figure out why someone is providing you the criticism.  That can be a crucial guide to help you to design your response.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional intelligence. To begin at the very first post you can click HERE.

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JERRY SEINFELD, KRAMER, INSULTS AND THE N-WORD

Over the past couple of months on this blog in weekly posts I have been discussing criticism.  This past week on the internet I came upon an episode of Jerry Seinfeld’s internet show “Comedians in Car Getting Coffee.”  There, Jerry and his fellow comedian, Michael Richards, discuss a very unfortunate incident that dramatically illustrates some of the ideas I’ve been trying to convey to my readers.

As most of you know, one of the most popular TV comedy series in history is “Seinfeld.”

And one of the funniest characters on the show is Kramer, played by Michael Richards.

After the cast stopped making new episodes, Michael began to perform as a standup comedian.  One night, about seven years ago, a black man interrupted Michael’s  act and criticized him, saying, “You’re not funny.”  Michael, according to his own words that he expressed during a nationally televised apology, went into a rage and used the N-Word to insult the black man.

Now, in posts on this blog I have made the argument that when responding to criticism there are five levels of maturity (see RESPONDING TO CRITICISM: FOUR LEVELS OF MATURITY and RESPONDING TO CRITICISM: THE MOST MATURE LEVEL).  I am now going to describe the five levels, and as you look them over, see if you can identify which level best describes how Michael handled the criticism he received during his act.

RESPONDING TO CRITICISM: FIVE LEVELS OF MATURITY

1.  This level requires displaying one or more of the following:

  • Weeps or sobs with tears or pouts
  • Physically attacks the criticizer
  • Damages property

2.  This level requires displaying one or more of the following:

  • Insults the criticizer (either with words, hand gestures, the sticking out of a tongue, the rolling of the eyes, or smirks)
  • Glares at the criticizer
  • Threatens the criticizer
  • Punches, kicks, or throws an object without physically hurting someone or damaging anything
  • Criticizes the criticizer without first fully addressing the original criticism.

3.  This level requires displaying one or both of the following:

  • Displays defensiveness without directly insulting the criticizer (raising voice’s volume or pitch)
  • Displays a lack of interest either by verbally indicating this, or with nonverbal cues, or complete silence. 

4.  Level 4 individuals listen to the criticizer in a supportive, warm, friendly style, and then make it clear that they fully understand what was said.  Moreover, they put the criticizer at ease by making statements that indicate that the wise learn from criticism.  Some time is spent on showing that they are thinking about the criticism.  If, after thinking about the criticism the criticism is deemed to be correct, they make a statement frankly indicating, “I can see your ideas have merit and I intend to use them in the future.”  If they are not sure if they agree, they make a statement indicating that they are very interested in what was said, plan to think a little more about this over the next few days and then they will be ready to discuss this further.  If, after thinking about the criticism, the criticism is deemed to be incorrect, a statement is made designed to disagree without being disagreeable.  More specifically, a sense of humor, some listening in a caring way and a few smiles help to traverse rough terrain.  As the episode winds down, the criticizer is encouraged to feel comfortable communicating suggestions in the future.

5. In addition to actions consistent with level 4, people responding to criticism in a manner consistent with level 5 seek ways to use, whenever they disagree with the criticism, a technique known as steering in the direction the criticizer would prefer to go.  That is, rather than just disagreeing without being disagreeable, the criticized person seeks to find a new choice of action that creatively utilizes some aspect suggested from the criticism.  Steering cannot be incorporated into all situations, but it is an additional goal of the most mature individuals.

YOUR ANSWER, PLEASE

After looking over the description of the five levels, which best matches the response that Michael used to respond to the criticism he received at the comedy club?  After you decide, you get to compare your answer to mine.

MY ANSWER

Level 2 strikes me as describing best Michael’s response.  Referring to a black person with the N-Word strikes me as seeking to insult the person.  His response is viewed as one of the lowest levels of maturity for a variety of reasons already discussed on this blog.  In this particular case, we readily see what kind of harm can occur when we respond in this way.  Michael, on Seinfeld’s internet show, describes how he has been unable to work for seven years after the event took place.  “I busted up after that event.  It broke me down.  It was a selfish response.  I took it too personally, and I should have said, ‘You’re absolutely right.  I’m not funny.  I think I’ll go home tonight and work on my material.'”

If Micheal had responded as he said he should have, what level would that have been?  I think level 4 is a pretty good match.  If Michael did respond at level 4, the past seven years would have been dramatically better for him.

Now, I’m not attempting to suggest that every time someone responds to criticism as Michael did such awful things occur.  In most cases that you might respond in an immature way, people just become  angry and lose a little respect for you.  But sometimes even worse things happen to someone who responds to criticism with insults, as the Michael Richards’ case illustrates.  And sometimes even worse things happen then what happened in the Michael Richards’ case.  There are cases when the insults led to an escalation of a conflict until people turned violent and were murdered.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional intelligence. To begin at the very first post you can click HERE.

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GUILTING VERSUS ENCOURAGING CARING: AN ADVANCE LESSON

Last week’s post is titled, AN INTRODUCTION TO “GUILTING.”  There we compared “GUILTING” to “ENCOURAGING CARING.”  Both are different styles of making a request and reacting if someone refuses to help.

GUILTING 

People using guilting express sadness at the current state of affairs and then ask for assistance.  Upon having a request turned down, the person who employs guilting responds in anger while seeking to lower the refuser’s self-esteem and making the refuser feel deserving of punishment.  People using guilting typically shout out phrases such as, “You’re selfish,” “You don’t care about anyone but yourself,” and “How can you do this to me?” Here’s an example of guilting:

ENCOURAGING CARING

People using encouraging caring make their requests very much like those who use guilting.  As they ask others to help, they express sadness at the current state of affairs.  However, unlike those who use guilting, those who use encouraging caring seek a mutually satisfying solution.  If their request is turned down, they don’t view the refuser as evil and deserving of punishment.  To seek to humiliate those who turn down their requests is avoided, while showing empathy and support are essential. Here’s an example of someone using encouraging caring:

Defending Encouraging Caring

To those of you who simply intuit that encouraging caring is a more powerful plan when making requests than guilting, you require no additional arguments to put it to good use.  To the skeptics out there, and to those who enjoy employing principles of science to assist in verifying your belief, the following study provides some relevant information.

Data from a University Study

In the autumn of 1981, I hired four student actors at the University of Minnesota, two guys and two gals.  We met at a well-equipped film studio on campus.

First, I had one of the actors, Pete, enact a guilting scenario.  Two scenes were used.  The first shows the viewer that the character Pete is portraying typically uses guilting whenever someone turns down his request.  In that scene, upon hearing his request being turned down Pete replies angrily:

The second scene, which depicts Pete making a new request, is very similar to the “calculus test help” situation we looked at earlier. The subjects in the study who observed this first videotape saw a scene showing how Pete typically responds to someone who turns down his requests.  They then observed the second scene in which Pete makes a new request.  The subjects in the study were to imagine that Pete is a guy whom they knew typically uses guilting and is now making this new request directly to them.  The subjects’ job was to enact the role of a friend of Pete and to imagine how they would respond to this new request. After completing this two-scene guilting videotape, we got to work on a second two-scene videotape.  This one has Pete enacting an encouraging caring scenario.  It begins by showing the viewer that the character Pete is portraying typically uses encouraging caring whenever someone turns down his request.  In that scene, upon hearing his request being turned down, Pete replies sadly:

Once this scene was created, I used the exact “new request” scene as I used on the first videotape that depicts Pete requesting help for the calculus test situation.  Thus, this second videotape has a different first scene than the first videotape, but the exact same second scene that shows Pete requesting help of the viewer who was to enact the role of Pete’s friend. The third videotape that we created is designed to depict another guilting scenario, one that uses the request for a timelier car ride situation that we discussed earlier. The fourth videotape we worked on is designed to depict an encouraging caring scenario using the same request for a timelier car ride situation. Once this set of four videotapes was made, I then had the three other actors make the same set of four videotapes as Pete did, so in the end I had four actors portraying the four different scenarios. Once I had the videotapes made, I arranged for University of Minnesota students, 139 men and 109 women, to come to a viewing theater.  Each student saw just one of the sixteen videotapes, randomly chosen. Because the actor making the request in the video had pretended as if the camera is the person for whom the request is made, he or she appears to be addressing the student viewing the videotape.  As I already mentioned, the job of each student observing the videotape was to enact the role of the friend to whom the request is being made. Immediately after observing the request, students individually answered five questions.  The results of the study indicated that those students who saw the encouraging caring videotapes answered all five questions more favorably than students who saw the guilting videotapes and these differences were statistically significant. Thus, students indicated that they would be more likely to comply and less likely to become covertly and overtly angry with those who tend to use encouraging caring than those who tend to use guilting.  Moreover, guilters were less liked and were viewed as less respected for how they handle conflict than those who used encouraging caring.

Encouraging Caring: A Secret Source of Power

I’ve just provided some information about why I think encouraging caring can often be more effective than guilting.  We now take up the question of why I think encouraging caring is a secret. When teaching conflict resolution, I frequently employ the following technique:  The class is given a typical conflict and asked to generate plans that might help to resolve the conflict.  I have found that although guilting is regularly suggested, encouraging caring almost never is.  When I have suggested it as a possibility, students have often looked puzzled, and sometimes asked, “Isn’t that the same thing as guilting?” During counseling sessions, I’ve also found that the availability of encouraging caring to deal with conflicts seems to be a secret to many people.  Here’s an example:

Patricia (not her real name), a 21-year old university student, came to the counseling center expressing a concern about her relationship with her mother with whom she lived.  Patricia desired to make her own decisions, but whenever she tried to do this, her mother fervently interfered.

“Patricia,” I said, “what do you think would be the best way to respond to your mother the next time she begins to insist on pushing you in a particular direction?”

“My friends tell me to learn to be assertive.  I read a book on it, and I’ve tried some of the ideas.  In some situations it’s helped but not with me and my mom.  Lately, my friends are coaching me to practice saying in a strong voice, ‘Mom, I’m going to make up my own mind!  I don’t want any advice from you unless I ask for it!’”

“Does your friends’ advice make sense to you?”

“In a way, it does.  The thing is, there’s no way I could ever say that to my mom.”

“Hmm.  Well, what do you think is the best way to go from here?”

“I’m feeling stuck.  I’m hoping you can help me to come up with some idea.”

“Well, I suggest we try practicing a style I call ‘encouraging caring.’  You don’t have to make any commitment to me that you’ll try this with your mother, but if you try it out with me in a role play a few times, maybe it will feel more comfortable to you than your friends’ suggestion.  Would that be okay?”

“I’m willing to give it a try.”

“Good.  I’m going to play the part of your mother.  I’ll start to give you some advice, and I’d like you to consider saying, in a sad voice, ‘Mom, I’ve been feeling sad lately.  I love you very much, I don’t want to hurt your feelings, and yet I feel that it’s best for me to make my own decisions.  Every time I try, you start to feel frustrated.’ “When you say that, Patricia, I’m going to act like I’m becoming defensive.  If this makes sense to you, I’d like you to practice replying sadly, ‘I’m not putting you down, Mom.  It’s just that I’ve been feeling so sad about this.  I really do love you.’”

“That sounds a little like guilting.  I don’t want to learn to be a guilter like my mom.”

I then explained to Patricia the difference between guilting and encouraging caring.  It was like a light went on in her head as she smiled broadly.  I gently posed a few questions for her to make sure she understood the difference, and within a few minutes she convinced me that her understanding was sound.

After a few practice role plays, Patricia expressed a high degree of confidence that she could try this with her mother. The next time I saw her, Patricia reported with a smile on her face that she was able to try encouraging caring with her mom the night of our last session.  It turned out that she and her mother ended up having a good cry together, and since then, her mother had begun to encourage her to be more independent.

We practiced a few more role plays that session, trying to anticipate what might be a response that remained consistent with the encouraging caring style in the event that her mother began to again become too pushy.  We also worked on a little note that Patricia wrote to her mother thanking her for being so understanding.  During our discussion, Patricia decided to get her mother a little gift to go with the note without my suggesting such a gesture.

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ASSIGNMENT: If you will, see if you can remember a time when you requested some assistance and was turned down. Think about how you responded? See if you can imagine replying in a way that matches the encouraging caring approach.
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 Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional intelligence. To begin at the very first post you can click HERE.
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AN INTRODUCTION TO “GUILTING”

To become a master at responding to criticism, we have to first learn to recognize the reason for the criticism. So far we have discussed five of them:

  1. Criticism designed to encourage you to improve (see HERE and HERE)
  2. Playful teasing (see HERE)
  3. The desire to form a bond with a group by putting down non-group members (see HERE)
  4. Jealousy (see HERE)
  5. The criticizer is in a bad mood (see HERE)

Today we will turn our attention to a sixth reason–“guilting.”

GUILTING

In the above comic, Blondie criticizes Dagwood for not agreeing to go to the party.  She does so by crying out, “How can you do this to me?!” and by bursting into tears.  Her technique to convince Dagwood to do what she wants despite his determination manages to work.

Blondie’s actions are an example of what we will be calling “guilting.”  It occurs when somebody who has had a request turned down seeks to change the person’s mind by tossing out certain types of insults.

You may have heard what I refer to as “guilting” as “laying a guilt trip on someone” or “imposing guilt on someone.”

As in the Blondie comic, sometimes guilting can indeed change somebody’s mind.  On the other hand, sometimes imposing guilt on someone can hurt a relationship.

The two above comics pose an  interesting dilemma.  On the one hand, under some sets of circumstances we can often increase the probability that our desire will be fulfilled by employing a plan that makes someone feel guilty.  On the other hand, using such a plan may hurt our reputation and end up costing us valued friends.

An Alternative to Guilting

Early in my career I began to wonder if I could tweak the “guilting” plan so that it would reduce the probability of negative consequences.  I had recently read a book by Joan Bondurant, Conquest of Violence: The Gandhian Philosophy of Conflict.  There Ms. Bondurant tells us that many believe Mohandas Gandhi’s style of appealing for help is particularly effective.

Gandhi

Gandhi recognized that we all have desires, some selfish and some supportive of those we care about.  He also saw that there are people whose actions either interfere with our desires or help to fulfill them.  As we ask others to help, he believed it is acceptable to express sadness at the current state of affairs and to seek a mutually satisfying solution.  If our request is turned down, it is not acceptable to view the refuser as evil.  To seek to humiliate those who turn down our requests is forbidden, while showing empathy and support are essential.

To get a sense of Gandhi’s approach in action, consider an example taken from his autobiography.  One day, in an effort to bring to light some injustice that had been occurring in South Africa, Gandhi sought help from the newspaper editor of The Bangabasi. 

The editor kept me waiting for an hour.  He had evidently many interviewers, but he would not so much as look at me, even when he had disposed of the rest.  On my venturing to broach my subject after a long wait, he said: ‘Don’t you see my hands are full?  There is no end to the number of visitors like you. You better go.  I am not disposed to listen to you.’  For a moment I felt offended, but I quickly understood the editor’s position.  I had heard of the fame of The Bangabasi.  I could see that there was a regular stream of visitors there.  And they were all people acquainted with him.  His paper had no lack of topics to discuss…. However serious a grievance may be in the eyes of the man who suffers from it, he will be but one of the numerous people invading the editor’s office, each with a grievance of his own.  How is the editor to meet them all?… But I was not discouraged.  I kept on seeing editors of other newspapers.

Upon being turned down, Gandhi remained supportive and empathetic toward the editor.  “Experience has taught me,” Gandhi explains later in his autobiography, “that civility is the most difficult part of Satyagraha [his philosophy].  Civility does not here mean the mere outward gentleness of speech cultivated for the occasion, but an inborn gentleness and desire to do the opponent good.  These should show themselves in every act of a Satyagrahi.”

Contrast the above style, which I will hereafter refer to as encouraging caring, with guilt.  The Dictionary of Behavioral Science (Wolman, 1973) defines guilt as, “The realization that one has transgressed a moral, social or ethical principle, associated with a lowering of self esteem and a need to make retribution for the transgression” (italics mine).

In the guilt definition, the two sets of words that I put in italics represent the crucial differences between encouraging caring and a strategy that I will refer to as guilting.  If Blondie uses guilting on Dagwood because he is resisting complying, she will respond angrily while attempting to lower his self-esteem and make him feel like he is deserving of punishment for his actions.  Consistent with guilting is the use of phrases such as, “You’re selfish,” “You don’t care about anyone but yourself,” and “How can you do this to me?”

In contrast, if Blondie was to use encouraging caring, she would express sadness while seeking to enhance Dagwood’s self-esteem as he comes to feel a sense of compassion within himself, a compassion that leads to a sense of satisfaction as they strive together toward a mutually satisfying solution.  As I envision this, it looks something like this…

Illustration by Eric Sailer

Because Blondie is in an ongoing relationship with Dagwood, when she decides to use guilting on him, she doesn’t always have to say the words that indicate she is employing guilting.  After she has used it a few times with him, just the tone of her voice or even a certain look may be enough to fully indicate to Dagwood that she has decided to use guilting in the current situation.

Similarly, if Blondie happened to be the type of person who uses encouraging caring on an ongoing basis, she would not have to convey to Dagwood, in a long-winded speech, everything that makes up this supportive style each and every time she decides to use it.  An expression of sadness with a few supportive words would be sufficient.  The best time to convey the attitudes that make up the encouraging caring approach is during pleasant discussions, rather than when embroiled in a personal conflict.

To be effective and convincing, Blondie must not suddenly switch to guilting whenever she sees her encouraging caring request style is not going to work.  That is, suppose after Blondie tries to use encouraging caring for a few minutes she finds that Dagwood insists on not going to the costume party.  If Blondie suddenly cries out, “You’re a selfish jerk!” Dagwood would know from then on that when she appears to be using encouraging caring, she is just putting on an act, and her real attitude is that she views him as guilty whenever he does not comply with her request.

Now don’t misunderstand me.  Suppose Blondie consistently uses encouraging caring.  One day she asks Dagwood to go to a costume party and he turns her down.  She is very supportive, though disappointed.  Dagwood may find himself feeling guilty for refusing to go to the party.  Just because Dagwood feels guilty doesn’t mean Blondie has used guilting on him.  It is quite common for someone to have feelings of guilt upon turning down a request even when the requester consistently uses encouraging caring.  However, in such cases the refusers do not believe the requesters are seeking to make them feel guilty.  Guilters are viewed as deliberately trying to make refusers feel guilty.

Some Practice

Here’s a comic that displays a college student making a request of a friend.  See if you can identify whether the woman’s style of making a request is more consistent with guilting or encouraging caring.

Illustration by Eric Sailer

In this comic, Diane expresses sadness about coming to class late and requests that Tom pick her up on time.  When he refuses to make a commitment to do as she asks, she remains supportive.  Diane’s actions are consistent with the encouraging caring plan.

It’s crucial to point out here that even with all that Diane does in this comic, a slight change in the end could turn it into guilting.  For example, suppose that after becoming convinced that Tom will not do as she asks, she gets up to leave and yells at him, red faced, “You’re a selfish creep!”  Guilty of guilting would be my conclusion.

Encouraging Caring and Resignation

Some people make the mistake of thinking that to use encouraging caring effectively people must learn to resign themselves to doing nothing else but graciously accepting it when a person turns down their requests.   In many situations that is the wisest choice.  But there are many alternatives that can be considered that are consistent with the supportive encouraging caring plan.  For example, when Diane sees that Tom has turned down her request, she can offer something in return for compliance.    That is, after Tom turns her request down, she can say something like, “Yeah, punching a clock can be a drag, Tom.  What if I were to give you the money I spend on the morning bus ride in exchange for the ride to school?  That’s two dollars a day—ten dollars a week that can help you with the gas money.  I’d get a good looking guy to pick me up right at my door, and you’d get my great company, ten dollars a week, and the satisfaction of helping me out.  What do you say?”

Notice that Diane’s use of this new plan proposes a mutually satisfying solution.  Thus it is consistent with encouraging caring.

Negotiation is a process of communicating back and forth for the purpose of reaching an agreement (see Harvard Negotiation Project to learn more about this topic).  There are several forms of negotiation methods that are consistent with encouraging caring.  Mutual gains bargaining, principled negotiations, and negotiations on the merits are some names of methods that encourage the negotiators to avoid such behavior as blaming the other party for the problem, engaging in name-calling, or raising your voice.  As the authors (R. Fisher and W. Uri) of the classic text on this type of negotiation writes:

Blaming is an easy mode to fall into, particularly when you feel the other side is indeed responsible.  But even if blaming is justified, it is usually counterproductive.  Under attack, the other side will become defensive and will resist what you have to say. They will cease to listen, or they will strike back with an attack of their own.  (Getting to Yes, page 25)

Learning to negotiate is an important part of conflict resolution, and we will return to this topic in future blog posts.


Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional intelligence. To begin at the very first post you can click HERE.

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PROVIDING NEGATIVE CRITICISM: DEFENDING THE FIVE LEVELS

In my previous post I provided readers a discussion titled PROVIDING NEGATIVE CRITICISM: FIVE LEVELS OF MATURITY.  Several of the same arguments that I used earlier to defend the FIVE LEVELS OF RESPONDING TO CRITICISM are equally true for defending the five levels of providing negative criticism.  Perhaps the best argument for the five levels can be derived from the golden rule—Treat others as you want to be treated.  If this strikes you as containing wisdom, then I suggest asking yourself the following.  Do you personally desire, when criticized, to be provided clear, usable information without being bombarded with insults, glares, threats or physical attacks?

If your answer is yes, then to be consistent with the golden rule, it makes sense that you provide negative criticism to others in a manner that is described as level 5.

Although it has been my experience that most people, after some practice, come to agree that the five levels do a pretty good job helping to clarify in their minds the most mature way to provide negative criticism, there are a few questions that come up from time to time.  To address these questions, I will present a discussion based on one I had with a counseling client whom we will call Beatrice.

Discussion with Beatrice 

“Hi, Beatrice.  Say, I was wondering if you read over the pages I gave you that describe the five levels of providing negative criticism?”

“I sure did, Jeff.  I do have some questions, though.”

“I’m very interested in what you have to say, Beatrice.”

“Jeff, when you describe the lowest levels of providing negative criticism, you take a dim view of using physical attacks and shouting.  But I’m a mom.  Just like my mom did with me, when my son Mickey does something wrong, I do shout at him and smack him on his butt.  There’s nothing wrong with that, is there?”

After a few seconds, I say gently, “You know, Beatrice, if I answer you, part of what I say might provide negative criticism to you.”

“Are you saying I’m doing something wrong?!” Beatrice shouts.

Illustration by Aviva Maltin

I pause, and then express my empathy for what she appears to be experiencing.  “I realize discussing this, Beatrice, can be difficult.  If I did think you did something wrong, maybe you’re not up to hearing my opinion?”

Beatrice taps her foot for a few seconds and takes a deep breath.  “Okay, Jeff, I’m ready.  Let me hear what’s on your mind.”

I think to myself, Beatrice seems pretty fragile about this issue.  I better tread lightly.

“Well, Beatrice, first of all, I must admit, I – along with the vast majority of us parents – have come to a point where we were at least mighty tempted to give our kids a good whack.”

“You’re darn toot-in!” Beatrice emphatically replies.

“Some people might raise the following question:  If you hit Mickey when he does something wrong, are you teaching him that it’s okay for him to hit others when they do something he doesn’t like?”

“I don’t think so, Jeff.  The first time I see Mickey hit another kid I’ll smack him good while yelling at him, ‘You’re not the kid’s mother.  It’s only okay for a mother to hit her kid.  Don’t you ever let me see you hit another kid!’”

“I see, Beatrice.  You feel that you can teach him that it’s not okay for him to hit even though you hit him by explaining that it’s only okay for mothers to hit their kids.”

“Yes.”

I pause to think about this for a few seconds.  Then I say, “I think I understand your position, Beatrice.  Having heard what you said, here’s my negative criticism, if you’re still up to hear it.”

Frowning, Beatrice says, “Let’s hear it.”

“I do know kids often pick up more of what their parents do than what their parents say, and some things the kids pick up aren’t always what their parents might want.”

Illustration by Lynn Johnston from her wonderful book, DO THEY EVER GROW UP?

Beatrice shifts in her chair a bit, and then looks up at me.  “Go ahead, Jeff,” she says.

“Well, Beatrice, I’m concerned that hitting Mickey might make it harder for him to get the message that hitting others is not usually the best way to provide criticism.”

“I guess you feel it’s never okay for a mother to strike her child,” she says after a while.

“Well, first of all, I know many, many people who were raised with shouting, spanking mothers, and most of them turned out just fine.  But a few years ago this psychologist, Elizabeth Thompson Gershoff, looked at both positive and negative behaviors in children.  Some parents used hitting and some didn’t.  Gershoff found that the use of hitting was associated with an increase in child aggression and antisocial behavior.

“If you’d like, Beatrice, tell me about the last time you provided negative criticism to Mickey so I can better picture what typically is occurring.”

“We were at the kitchen table and he tipped over his glass of milk.

Illustration by Aviva Maltin

 I yelled at him and smacked him on his bottom.”

Illustration by Aviva Maltin

“I see.  It sure is frustrating when someone spills a glass of milk—the waste, the clean-up.”

“Yes, it is.  So, what would you do with Mickey when he tips over his glass of milk?  You can’t reason with him.”

“If Mickey’s not ready to drink out of a regular glass, there are these cups for children that have a cover with a small opening to drink from.  When these cups are tipped over, they don’t spill.  Now, children do like to learn to act like older people.  For example, Mickey, when he was younger, used to crawl, but he saw older people walking about and he began to try to master that skill, and now he walks just fine.

“If you begin to use this children’s cup, you can, at some point, ask Mickey if he wants to learn to drink out of a ‘big boy’ glass, and show him what it looks like.  When he indicates an interest in doing this, you can tell him that he must show you he can drink from the children’s cup for a while without tipping it over.  Show him what you mean by tipping it over, and see if he understands by asking him to tip it over.  Once he shows you he understands this, you can watch him during meals to see if he is being careful.  When he goes for a few minutes without tipping the cup over, you can praise him enthusiastically, smile, pat his back, and remind him that if he keeps doing a good job he can soon use a ‘big boy’ glass.

“Now, once you feel he’s ready for the ‘big boy’ glass, you can let him try it out and, when you do, remind him to be careful.  Only fill it up about an inch high so if it spills it won’t make as big a mess.  After about a minute, if he hasn’t tipped it over, praise him enthusiastically, smile, pat his back, and remind him that if he keeps doing a good job, he can drink from now on like the big boys.

“Of course, from time to time, there will be an accident.  Then, you can look sad, and have him help you clean up the mess.  If there are too many messes for you to put up with, you may want to decide to go back to the children’s cup for a while.  If you do, you could tell Mickey that it’s just for a little while, just until he can show you that he can learn to use the cup without tipping it over.  Then, again, when he does a good job, you praise him enthusiastically, pat his back, and remind him why you are pleased.”

“I guess, Jeff, I can give that a try.  I like how specific you are.  I understand that more mature people, when providing criticism, are clear enough so that the person being criticized can, if he or she wills, improve the behavior.  You just provided a good example of this.”

“Thanks, Beatrice.  I like the way you were able to hear me out on a topic that is obviously a very sensitive one for you.”

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional intelligence. To begin at the very first post you can click HERE.

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PROVIDING NEGATIVE CRITICISM: FIVE LEVELS OF MATURITY

Welcome to From Insults to Respect. Recently I have been discussing a model that describes five levels of maturity when responding to criticism. Today, we switch gears, and take a look at a model that describes five levels of maturity when providing criticism.

The Five Levels

Below you will find preliminary descriptions of how people at five developmental levels of maturity provide criticism, that is, criticism that points out what we don’t like about someone’s actions, beliefs, or appearance.  Level one is the most immature and uses observations of babies as its starting point.  Each successive level is more mature:

  1. This level requires displaying one or more of the following:
  • Cries without stating what the crying is about
  • Physically attacks the person being criticized
  • Damages property

Although these three descriptors may not sound like providing criticism, in some situations we can see that it is the very beginning of the development of this skill.  Let’s say Jill takes baby Bob’s crayon away believing he is done with it.  Bob begins to cry and takes a swipe at Jill.  She manages, by moving away, to avoid Bob’s swipe. Bob now looks even angrier and crumbles up a piece of paper and flings it on the floor.  An observer to this may conclude that Bob, in a sense, is criticizing Jill for taking the crayon.   

   

   

   2.  This level requires displaying one or both of the following:

  • The criticizer does not explain what the offending behavior is, but instead expresses displeasure with glares, insults, shouting, silence, or threats that do not involve bodily harm. (For example, someone might be making too much noise and the criticizer might turn to the noise maker and glare, or cry out, “Jerk!”)
  • Threatens bodily harm regardless of what else is said.


 

     3.  The criticizer clearly states the criticism with enough detail so the criticized person, if he or she wills, can improve the behavior, idea, or appearance, but couples it with glares, insults, shouts, or threats that are not about bodily harm.

 

 

 

 

 

 

 

   4.   The criticizer states the criticism without bodily attacks, damaging property, glares, insults, threats, or shouts, and with enough details so that the criticized person, if he or she wills, can improve the behavior, idea, or appearance.  If the person receiving the criticism becomes defensive or angry, the criticizer empathizes without returning, glares, insults, threats, or shouts.

   5.  When the criticizer provides criticism, he or she does so in a manner very similar to a level four response, but beforehand, the criticizer considers the person who is the target of the criticism, and the situation that he or she is in.  As a result of such considerations, the criticizer may decide to alter the criticism.

  • Person variables that are considered:  From observing how the person to be criticized handled criticism in the past, he or she determines which of the five levels of responding to criticism is most characteristic of the individual. (For example, if someone tends to physically attack the criticizer when criticized and is big enough to cause real bodily harm, then a decision is made either to not provide the criticism or to provide it only when there is sufficient security, or else someone else is employed to provide the criticism who is capable of dealing safely with the attack prone person.)  Other person variables considered are how sensitive the person is when criticized, is the person to be criticized currently in an angry or sad mood, is the criticism likely to be perceived as particularly difficult to bear, versus something likely to be viewed as a relatively minor matter, and if the criticizer’s relationship with the person to be criticized is less than ideal.  Depending on such variables, consideration is given to waiting until the person is in a pleasant mood and enlisting someone else to provide the criticism such as a more neutral person, a friend, or someone who is admired by the person who will be criticized.  When the person to be criticized is particularly sensitive about an issue, a fictionalized story with a character who displays the offending behavior may be presented, and then the character’s behavior is discussed.
  • Situation characteristics that are consideredAre there other people around that will lead to face saving behavior coming into play?  Is there enough time set aside to process the criticism?  Has the person who is to provide the criticism been providing too much negative criticism in too short a period of time? (In this case, consideration is given to waiting until some time goes by in which some positive things are said over the course of several days before hitting the person to be criticized over the head yet again!)

PRACTICE

A good way to become familiar with the five levels is to cut out comics from the paper that illustrate someone providing criticism to someone else.  Then, from time to time compare the descriptions of the five levels to how the character in the comic provided the criticism and then see if you can choose which level best matches the criticism style.  For example, in the Peanuts comic that I used above to illustrate a level five response, with Lucy deciding to give Charlie some time to calm down, I actually altered the last panel in the comic for educational purposes.  The real comic, in its entirety appears below.


In this comic, if you will, compare Lucy’s criticism to each of the five levels and see if you can choose which level is the best match.  In coming weeks, we’ll be practicing these types of skills in a variety of fun ways.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional intelligence. To begin at the very first post you can click HERE.

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ANGER, RUMINATION, AND MEDITATION

Recently, I published posts that discussed dealing with your anger that might arise when you are criticized (see BEING A WISE FRIEND TO YOUR ANGRY SELF, PART 1 and BEING A WISE FRIEND TO YOUR ANGRY SELF, PART 2).  The techniques that are recommended in those posts can be helpful for those who are upset about what was said.  But there are times when we are criticized and we get angry and we kind of think it’s about the criticism, but it really is about something else. Perhaps we realize that if someone else had criticized us in the same way using the same words, we would have been fine about it.  Nevertheless, we ended up getting furious because of who said it. We then went home and our anger about what happened just kept coming up again and again.  We wish it would just stop, but it doesn’t.

Such ruminations can be helpful.  Each time we think over the memory in light of what we have learned since the event first occurred, we might think of some better ways to deal with the conflict.  Then, if a similar event does occur, we may find that we are better prepared than if we hadn’t repeatedly mulled it over.

Despite their helpfulness, there are times when again and again an angry memory keeps creeping ever so annoyingly into our consciousness so that finally we conclude it doesn’t seem to be doing us any good.

Margaret was terribly abused by a man when she was a child. She now finds that even though twenty years have passed, each time she begins to develop a promising relationship with a guy, he ends up doing something that somehow reminds her of something that happened during the earlier abusive relationship. She then ends up recalling all that she had suffered. This leads her to act in a manner that is way out of proportion to what the new guy has done. The new guy runs for the hills and the woman, when she has calmed down, wishes she can become less sensitive.

Illustration by Eric Sailer

There are several approaches that we will be discussing in future posts to help deal with such disturbing ruminations. Today, we will focus on meditation.

Meditation

For thousands of years people have advocated that sitting comfortably while resting one’s thoughts on a mantra—that is, an object to attend to—can help to ease the burdens of life. Teachers of meditation usually mix in ancient wise counsel as the student learns this beautiful art.

Research has demonstrated that meditation can be helpful for improving empathy, working memory, the ability to focus, and relationship satisfaction, as well as reducing stress, anxiety, and ruminations.  Evidence also suggests that mindfulness meditation has numerous health benefits, including increased immune functioning (see http://www.apa.org/monitor/2012/07-08/ce-corner.aspx for a review of the research.)

For those who want to give meditation a try before entering into a course or participating in many of the available wonderful retreats, I offer the following.

A SIMPLE, EFFECTIVE FORM OF MEDITATION

Illustration by Jack Star Rubin

Set aside about twenty minutes. Preferably, choose a time when you haven’t eaten for at least an hour.  This is because right after a meal your stomach begins to work hard to digest what you have just consumed.  It is better to wait until much of this is over.  This way your body can devote more of its energy for your journey into the deepest levels of your mind.

The only tool you need is a clock or watch so you can know when the twenty minutes are up.  Select the most quiet, comfortable place you can find for sitting. With this form of meditation there is no requirement to sit in any unique fashion.  If you desire to shift your position at any time, feel free to go right ahead.

Begin by checking the time and then figure out what time it will be when twenty minutes will have passed.  Then close your eyes, take a deep inward breath, and as you exhale, let your whole body deeply relax.  For approximately thirty seconds, enjoy letting your mind drift wherever it wishes to go.

After the half minute has passed, begin to observe your breathing.  This observation of your breath serves as your mantra.  Do not try to alter the flow of your breath as you observe it, just observe it.  At first you may find that just the act of observing your breathing in and out will result in altering your breathing pattern.  This is very natural and a common experience.  There is nothing wrong with what you are doing when this happens. As long as you gently seek to observe your breathing without influencing its flow you are doing wonderfully.

Now, as you gently seek to do this, not only will you see yourself at times influencing the flow of your breathing, but you will also find, from time to time, that your attention will drift away from your breath altogether. In fact, it is a common experience.  Many of us find that we spend almost no time whatsoever observing our breath as we meditate, our thoughts instead drifting here and there on other matters.  Such experiences are a natural part of meditating.  You are doing nothing wrong.  There is no need to feel guilty.

When you notice that your attention has drifted away from your breathing, very gently see if you can effortlessly return to observing your breath.  If you can, do so.  If you find that your mind drifts back to something else, this is fine. The whole process is effortless.  This is one reason that it is so relaxing.  That is, you give your mind something so simple to do that it requires no real effort, and whenever you begin to drift from this no effort task, you accept this as just a natural part of the process without chastising yourself.

As you do this, from time to time check and when you notice that twenty minutes have gone by, take a deep in-breath, exhale, and then give yourself two minutes to let your breath and mind wander wherever they will go.  In this way, you ease out of meditation and return to your non-meditative state.

SOME QUESTIONS AND ANSWERS

Over the years, when I taught people to meditate, the following questions were often asked.
1. Question: How often should I meditate?
Answer: The research demonstrating the effectiveness of meditation has not yet adequately compared those who meditate twice a day to those who meditate more or less.  Instead of research, we are guided by tradition and our own experience.

From traditional sources, twice a day appears to be the most common practice.  Dr. Herbert Benson, the author of the popular book titled, The Relaxation Response, and a leader in carrying out research on meditation, reports that once or twice a day is sufficient.

I recommend that beginners practice twice a day (preferably before breakfast and before suppertime) for the following reasons.  This is what I was taught by a yoga teacher when I first began to practice forty years ago and it has become a comfortable, valued practice for over 40 years.  Moreover, I have taught many using this technique and have never seen anyone who expressed harm from this practice.  There have been many who have reported dramatic improvements in daily functioning.

2. Question: If I don’t have time to meditate for twenty minutes can I gain some benefits from practicing for less time?
Answer: Dr. Herbert Benson reports that some studies indicate that practicing daily as little as ten minutes per day can produce significant improvements lowering your stress levels.  If you find that you don’t have even ten minutes a day to meditate, you might consider that age old adage that the time to meditate is when you don’t have time to meditate.

A young woman once told me that she didn’t have time to meditate even for ten minutes a day. “How much TV do you watch?” I inquired.  She smiled sheepishly and after a few seconds of calculating in her mind, replied, “Five hours a night.”  She quickly added, “Well, I have to watch my shows!”  In my view, this woman would be wise to reset her priorities.

3. Question: How does meditation help to reduce problems involving recurring angry memories?
Answer: As you meditate, among the thoughts that float into your awareness are angry memories.  When this occurs, you tend to be in a more peaceful state than usual.  The pairing of the memory with this peaceful state allows for a more dispassionate look at the events that had surrounded the original angry episode.  This process often leads to a perspective that is experienced as less threatening.  And sometimes an insightful plan suddenly emerges with great promise should a similar problem cross your path.

The meditation process has been likened to dying a piece of material.  Suppose you have a white sweater and you would like to dye it a nice royal blue.  The first time you dip the sweater in the dye solution and let it sit for a while, when you lift it from the solution you might not notice any change at all.  Upon soaking the sweater again in the solution, letting it sit for awhile, and then lifting it out, this time you may think you notice a slight change, but you are not sure.  You repeat this process several more times and slowly but surely you begin to see the color of the sweater becoming a wonderful hue. In this way, each time you sit in meditation, your anger will ease into something more beautiful.
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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional intelligence. To begin at the very first post you can click HERE.

Categories
anger Bullied conflict resolution criticism emotional intelligence psychological maturity stress

BEING A WISE FRIEND TO YOUR ANGRY SELF, PART 2

In my last post, I discussed BEING A WISE FRIEND TO YOUR ANGRY SELF.

Illustration by Deanna Martinez

I received some nice comments from people who found the suggestions helpful.  Thanks!

For some, the suggestions that I put forth on this blog are easy to carry out in real life situations.  For others, old habits that have been used in anger- arousing situations for years are not so easily changed.  This is true even when people become convinced that the new style makes sense.  After a few tries at using the new style and finding that the attempts come off as clumsy, many people may decide that the new style is just not “natural” for them.  They feel that their effort to change is really an effort to suppress their “natural” style, and suppression is not healthy.

The association of anger suppression with learning new skills to deal with anger is understandable, for when one has spent many years acting one way, learning alternative behaviors can be frustrating.  This uncomfortable sensation may be seen as the suppression of one’s “natural” mode of behavior.  It’s a similar experience to how actors might feel when first learning a new role or golfers a new swing.  At first the skill to be learned feels awkward and the early phase of learning can leave them to observe their heart racing and their blood pressure skyrocketing.

Illustration by Eric Sailer

To take a particularly vivid example, consider what happens when human beings have to go to empty their bowels.  When they are first born, they just empty their bowels anywhere.  No one that I know buys the argument that releasing your bowels whenever you feel like doing it is the natural way to live, and that suppressing the urge to release your bowel movements would be unhealthy.  Most of us now understand that when people feel the urge, they can learn to excuse themselves in a pleasant manner and then wait a bit until they get to a more private place to do this type of business.  No real damage is done if we can get to a bathroom in a reasonable period of time.

It is similar with anger.  To not wait until you get to a private place will end up leaving you in a nasty smelling, icky situation that would not be at all in your own best interest or in the interest of others you happen to be with.

Taking the time to calm yourself in the manner suggested in last week’s blog can work, but for most people, it takes practice.  By designing a program in small incremental steps and heeding the suggestions I will be making on this blog, the feeling of suppressing one’s natural behavior can be largely reduced or even completely eliminated.

First of all, Expect Missteps.

By studying the posts on this blog, it is likely that several situations will occur that you now find yourself handling much better than before.  If the response by others you are engaged with ends up being favorable, this will encourage you to utilize the same approach again and again until it begins to feel natural, that is, second nature to you.  Other skills will come off a bit awkward or you will get a less than favorable response, and you may experience frustration.  When you try the skill again, you may now feel unsure and your effort may lead you to interpret this as suppressing a more “natural” way to respond.  You may therefore give up and conclude that you are helpless to make a meaningful change in this type of skill.

A big part of the solution to this problem is to reread the section that discusses the skill, and then practice over and over in your mind a narrative that has you envisioning utilizing the skill.  When you can smoothly imagine in detail carrying out the skill, try it out again in real life.  You may have to do this a few times until you get it right.

Today, I will provide a little fun practice session to help to better learn the skill of being a wise friend to your angry self.

You and your Friend, Eric

Illustration by Deanna Martinez

You and your friend, Eric, are discussing the upcoming election.  Eric explains why he intends to vote for someone in the upcoming presidential election you believe would do an awful job.  After the discussion has gone on for awhile, eventually it becomes clear to you that neither of you are going to change your opinions.

It’s at this point that you feel your anger toward Eric rising up within you.  Before reading on, spend some time thinking about what you would now do. 

After thinking about this, consider trying to come up with a charming way to say to Eric you’d like to take some time to think about the discussion you have both been having and then leading the discussion on to another topic.  Envision in your mind exactly what you would say, and how you would say it.

Illustration by Deanna Martinez

After you have thought about this, see if your response includes summarizing for Eric his main points.  Then a smile, perhaps a good-nature pat on the back of Eric’s shoulder, and then a comment like, “Well Eric, by now you know my opinion about this and I certainly know yours.  We obviously disagree.  Nevertheless, I’m still very fond of you.”  Finally, a comment by you that indicates your willingness to continue the conversation after you had some time to reflect on what has already been said.

It is now later in the day.  You recall the conversation with Eric and anger rises up within you.  Think about what you would do to deal with this.

After thinking about this, reread last week’s post and compare and contrast it with what you came up with.  Practice this exercise until you can,

1. envision in your mind very quickly and smoothly coming up with a charming way to disengage with Eric;

2. describe how you wish to respond to your anger when it flares up after you leave Eric for the day.

When you can do this three times without using any notes, you will find that the next time a similar situation comes up, you will be able to handle it far better than you thought possible.
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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional intelligence. To begin at the very first post you can click HERE.