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INSULTS, LIKING AND FREEDOM

Back in April of last year, in a post titled, WHY IS CRITICISM SO HARD TO BEAR?, we began to discuss the fact that when we provide negative criticism to others, they may feel insulted, they may feel that you feel they are not worthy of being liked, and they may feel that you are trying to push them to make some change that should be only for them to freely decide.  They, therefore, may become defensive and their anger may become destructive.

Of course, it is not enough to just know that the desire to be liked and the desire to maintain freedom can lead to problems when we provide negative criticism–we also want to know what we can do to either prevent these problems or to resolve them when they come up.  To  develop these skills, I first presented a post titled PROVIDING NEGATIVE CRITICISM: FIVE LEVELS OF MATURITY.  In later posts we began to look at a variety of very specific situations in which negative criticism is provided in a wise and helpful manner (see for example, DEALING WITH CRITICISM: LESSONS FROM DENNIS THE MENACE and DENNIS THE MENACE AND CRITICISM: AN ADVANCED LESSON).

In order to learn these skills at a level at which it becomes second nature even in emotionally arousing situations, from time to time I will be returning to this topic.  By providing a wide range of examples over an extended period of time, readers will become better and better at applying these skills.  To this end, today, we will look at some new situations in which the use of these skills are considered.

PRACTICE USING THE KNOWLEDGE ABOUT THE DESIRE TO BE LIKED

snoopy not like criticism

There are many people who don’t like to receive negative criticism.  Some people, therefore, insist that if you don’t have anything positive to say, don’t say anything at all.  And yet, there are occasions when the risk of starting a conflict because of providing negative criticism does makes sense.

Marie and meLet’s say I like Marie, and it is pretty clear she likes me.  But there is one thing Marie does that is making me feel like I want to end our relationship—when she criticizes me, she uses a very nasty tone that involves shouting, name calling, and glares.

In this example, Marie hasn’t asked me for my opinion, but I nevertheless decide that it’s worth a shot to confront her about the way she criticizes me because both of us may benefit from solving this problem.  What might be a skillful way to go about providing her this negative criticism? Let me give you one approach to consider.

Knowing that when people are criticized it often brings up a “liking” conflict, I might present my comments by first trying to find a time when we are alone and she appears to be pretty open and relaxed. Criticizing someone who is already distressed with feelings of being unloved is unwise because they are very likely to resist hearing you out.

When I do find the right time, I might say, “Marie, I sure like you a lot. You’re smart, and most of the time you treat me in a very caring way that I really love. I am having difficulty with this one problem though. There are times I do something that you don’t like, and when you confront me, you do it in a tone that’s beginning to get to me.”

Notice how I began my comments by reassuring her that I like her. Then I gave her a few specific examples of what I like about her. This helps to fulfill her desire to be liked.  Once this desire is fulfilled to some degree, it can potentially decrease the intensity of the conflict as we attempt to solve the problem.

After I provide the criticism, it is crucial that I give Marie a chance to respond without interrupting her. I would wait until she is completely finished, and then summarize what she has said without a tone of defensiveness. After my summary, before making any additional points, I would see if she is satisfied with my summary. It seems to me it is essential that I do my best to show Marie I have fully listened to what she has to say on this topic.

Practice Using the Knowledge About the Desire to Maintain Freedom

Another approach to consider when we suspect someone might experience defensiveness when criticized is to empower the person who is the target of the criticism. Here’s an example:

“Hi Fred.  Last time we got together we had quite an argument.”

“Yeah, you made some stupid suggestion.”

“I know you disagreed with it, Fred.  I’ve been thinking a lot about these arguments.  I think I get so into them that I start pushing you too hard to change your mind.  It comes across as pushy and like I am getting in the way of your freedom to make your own decisions.”

“Yeah, it does come off as real pushy. You don’t know when to back off!”

“I understand. Well, I really value our friendship so I want to change that. I’d like to set up a couple of rules that I’m willing to agree to follow from now on. First, if I bring up a topic you don’t want to talk about, I’d like you to tell me you don’t want to talk about it.  I promise I’ll silence myself immediately. Second, if we start getting into a discussion, at any point you have had enough, just say, “Enough!” and that will signal to me to drop the topic. Do you think that might help us to get along a little better?”

“Well, if you really do drop the topic when I tell you, it could help.”

“I’m determined to stick to my promise. If I can’t, it will be my fault.  I’m sorry for being so pushy in the past.”

Notice how this plan puts at least some of the responsibility for the unwanted arguments between Fred and myself squarely on my shoulders. It also gives some power to Fred.  It makes it clear to Fred that he now has a way to get me to back off when he no longer wants to engage. Also, I agree to follow these rules and admit that if I don’t follow them the fault rests with me.

Of course, if Fred were to signal to me that he wanted to drop a topic by using angry shouting, I might seek to change our plan a bit. I could explain to Fred that I have a hard time dealing with someone shouting at me.  Then I can ask him to signal me to drop a topic by using some silent signal like a palm down wave of his hand.  We call this “a silent back-off signal.”

The skill to empower those who have a tendency to become defensive when criticized is a powerful tool. It avoids unnecessary conflicts about freedom.

It Can be Challenging to Learn these Types of Skills to Deal with Criticism

It’s interesting that some people, even when they realize that providing criticism at a given point in time is not the best thing to be doing, have a hard time refraining.

Sally Forth providing sister criticism

In the above Sally Forth comic, Sally seems to desire to be helpful and yet she does something she knows will not be helpful. This one incident doesn’t mean she will never be able to make the change that makes sense to her. Sometimes we have to work on making changes over a period of time.

Seeing ourselves make mistakes while we are trying to make a change may lead to criticizing ourselves. In the following Luann comic, notice that Toni calls her mouth stupid while she criticizes herself.

luann self criticism

Most of us desire to like ourselves.  To feel the blues deeply while knowing that mistakes are part of the learning process is a different bluesy feeling than the feeling we get when we think a mistake means we are unchangeably bad. The “learning” bluesy feeling is more hopeful. Learning to be kind to yourself when you make a mistake is an important step in learning to be kind to others when you see them make mistakes.

SUMMARY

Today we practiced using the knowledge about two major reasons why providing negative criticism can be difficult.  The two major reasons are:

  • Many people associate criticism with not being liked.
  • Many people associate criticism with an attempt to reduce their freedom to make their own decisions.

Once we begin to recognize these types of conflicts, we are in a better position to come up with plans to either resolve them or to lower their intensity. If we like the person whom we are about to criticize, providing reassurance about our esteem, using some specific examples of what we like about the person, is a valuable skill to learn.  For people who tend to get defensive when criticized, suggesting the use of a “silent back-off signal” can empower them to deal more effectively with criticism. To learn these skills so they can be used even during trying times takes time. Learning to be kind to yourself when you make a mistake along the way is an important step in learning to be kind to others when you see them make mistakes.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.

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ABRAHAM LINCOLN AND CONFLICT

When we describe a conflict it is useful to avoid insults and relate it to something that will occur in the future. Old Abe Lincoln was a master at this. Before illustrating this with Lincoln’s Gettysburg Address, let’s take a few moments to review this idea with one of our favorite comics.

Bumstead Gets Into Trouble

Please consider the following comic.

Dagwood in elevator

Now, let’s pretend we know what happens after Dagwood arrives at his office. Immediately, his boss, Mr. Dithers throws an insult at him, yelling that he is a Bobblehead!

Dagwood responds by becoming defensive and starts screaming and throwing insults at his boss which leads to getting fired.

His boss is now stuck trying to replace Dagwood, and Dagwood has to look for a new job. Upon reflection, both parties come to realize that this was not the best outcome to the conflict.

Consider, if you will, another scenario. Dagwood, upon arriving at work and hearing his boss’s insult, recognizes his boss is probably insulting him because he has a conflict with him about coming to work late.  Dagwood, instead of insulting his boss, looks concerned and summarizes the conflict by saying, “You’re angry with me because you desired that your employers come to work on time, and I interfered with your desire by coming to work late. You feel I’m guilty because I’m over an hour late.”

This wording is a pretty good step toward describing the conflict. However, it can be improved. Notice that it describes the desire and the act that interfered with Mr. Dithers’ desire as all happening in the past. A more helpful thing to do is to try to describe the conflict, without insults, as something important to the future. It is helpful to spend at least some time, when describing a conflict, to focus on the future because the past can’t be changed, and conflicts, when wisely considered, are designed to lead us to improving our futures. Your job, when you are an expert in conflict resolution, will be to translate the common but immature way to express a conflict into a language that reveals the true nature of conflicts.

Let’s apply this lesson to Dithers’ conflict with Bumstead.

When Bumstead arrives at the office in our example, Dithers starts to yell at Bumstead, “You Bobblehead, you’re an hour late!”  This sure seems like the conflict is about something that occurred in the past.  But, if you will, consider this scenario:

Bumstead upon arriving at work and hearing his boss yell an insult at him, says “Boss, I’m sorry that I’m late.  The elevator broke down.  Now that I am late, is there something that you desire that I get done that you are afraid I won’t get done because I arrived late?”

Dithers reportSuddenly Mr. Dithers realizes that the real reason he is upset is that the Smith report has to get done before the end of the day.

Bumstead then summarizes the conflict in a concerned manner, “Boss, you want me to complete the Smith report that I promised would go out by the end of the day, and now that I arrived late, you are worried that all of my other duties I have to accomplish during the remaining workday will interfere with your desire. You feel I’m guilty of being an irresponsible employee. Is that correct?”

“Yes!” cries Mr. Dithers.

This restating of the original conflict points us in an easier direction for resolving the conflict.  Arguing all day about coming to work late today will only waste time and can end up getting Bumstead fired. Thinking about how to get that report out as soon as possible can be far more productive.

Bumstead, now focused on what the major concern of his boss is, perhaps might reply, “Boss, I know how important it is to you to get that report out, so when the elevator got stuck, I wrote the report sitting on the elevator floor.” Or perhaps Bumstead might reply, “Since it is so important to you to get that report out, I’ll work over my lunch break and get it done.” Or Bumstead might reply, “I’ll work late today until the report is done, and then I’ll bring the report to the overnight mail service. They have a pick-up as late as 7:30 pm.”

Any of these replies, all designed to address Dithers’ concern about a problem relevant to the future (getting the Smith report done by the end of the day) will be more helpful in calming Dithers’ concern then either Bumstead getting defensive or both Bumstead and Dithers arguing about some things that have all occurred in the past.

It is for this, and many other reasons that we will be discussing in future posts, that it is helpful to try our best to describe a conflict as something relevant to the future.

Insult Avoiding, Forward Looking Abraham Lincoln

Arguably the best example in all of history of a statesman describing a conflict in a manner that avoids insults while focussing attention on a relevant future occurred when Lincoln gave his Gettysburg Address.

LINCOLN

Over forty thousand men died during the three-day battle at Gettysburg, and bitterness was in the hearts of those who came to hear Lincoln’s words. If asked for the reason to continue the war, many might have pointed to the violent events in the recent past and thrown vicious insults at the rebels. But Lincoln provides not single insult. Instead, he begins his speech reminding all in attendance what the war is about.

Four score and seven years ago our fathers brought forth on this continent, a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal. Now we are engaged in a great civil war, testing whether that nation, or any nation so conceived and so dedicated, can long endure.

We see here Lincoln focussing the listeners’ attention on the worthy cause of this nation enduring into the future.

After Lincoln’s first two sentences, notice how his next three sentences show respect for what had taken place but then hastens once gain to connect this with something relevant to the future:

We are met on a great battle-field of that war. We have come to dedicate a portion of that field, as a final resting place for those who here gave their lives that that nation might live. It is altogether fitting and proper that we should do this.

In those three sentences, Lincoln again directs the attention of his listeners to what those who lost their lives were fighting for, “that that nation might live.”

Although spending time to honor the brave men of the battle is altogether fitting and proper, as Lincoln continues, the future aspects of the conflict is further developed. Thus:

But, in a larger sense, we can not dedicate — we can not consecrate — we can not hallow — this ground…. It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us — that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion — that we here highly resolve that these dead shall not have died in vain — that this nation, under God, shall have a new birth of freedom — and that government of the people, by the people, for the people, shall not perish from the earth.

We see here, not a single insult directed at those on the other side of this conflict. Instead, Lincoln brilliantly moves his audience, all of whom are engaged in the conflict of their lives, from the vivid past to a relevant future.  We all must learn to do this if we are to become experts in dealing with conflict.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.

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DENNIS THE MENACE AND CRITICISM: AN ADVANCED LESSON

http://drjeffreyrubin.files.wordpress.com/2012/10/male-criticism.pngfemale-criticsmIn my previous post, I offered some suggestions for dealing with criticism.  There, I mentioned that in difficult situations I have found it helpful before providing criticism to pause. Because people want to be liked and to be free to make their own decisions, during my pause I think about how to minimize any perceived threat to these two desires.

To practice this skill, I then presented the following Dennis The Menace comic strip:

dennis1

In my previous post, I pointed out that Gina, the socially clever girl in the comic, noticing a conflict has popped up in her neighborhood, helps out by letting Dennis know how much he is loved at home.  I also mentioned that while criticizing Dennis about his room, his mom could have said something like this: “Dennis, I sure love you. It’s so much fun to have you around. It’s getting about that time to clean up your room. Do you want to do it now, or in an hour from now?” By letting Dennis know that she loves him and then giving him a choice, Dennis’s mom could have come off as more loving and less bossy.

A master at dealing with criticism must become highly skilled at addressing concerns about the desire to be loved and to maintain freedom.  For this reason, we will be going over many examples of how to address these concerns in coming weeks.  As for today, let’s dig a little deeper into the situation illustrated in the above comic.

Digging Deeper

Please take an especially good look at the following panels from the above comic:

dennis1It appears to me that Dennis has a conflict with his mother about her desire that he pick up his room.  Judging from the expression on Dennis’s mom and dad, they seem to be turning angry over Dennis’s response.

When this type of situation happens in Dennis The Menace comic strips, his parents usually end up responding by making Dennis sit in a corner.

Dennis new 2

Other parents in this type of situation feel that Dennis should be told  that he should not answer back, and that he should be forced to do what he is told to do.  If Dennis does not comply, such parents believe Dennis’s parents should beat some sense into him.  This type of parenting has been referred to as an authoritarian approach.  Critics of an authoritarian approach say that it leads sons and daughters to feel like they are pawns rather than origins.

Illustration by Deanna Martinez
Illustration by Deanna Martinez

When people feel like pawns, they feel pushed around, and they feel that they are like puppets with someone else pulling the strings.  This leads to resentment and recurring conflicts.  We get a sense of this resentment in the following comic:

Dennis new 1 Notice the angry expression on Dennis’s face and his hands balled up into fists.

Feeling like a pawn may be contrasted with feeling like I have an influence over what I do—that I have played at least a part in originating my behavior. We say that when people feel this way they feel like an origin.  Parents who help their children to feel like origins, instead of using an authoritarian style of leadership, use an authoritative style of leadership.  When we become skillful at using the DIG Conflict Model to deal with criticism and to resolve conflicts, we become authoritative leaders.

So, if Dennis’s parents, Henry and Alice, were skillful at using the DIG Conflict Model, what might that look like?

First, They Would Summarize and Delay.

Henry, realizing that he and Alice have become angry at Dennis’s comment, would very quickly respectfully summarize Dennis’s perspective (See blog post titled Summarize and Delay for a complete description of this approach).

To do this, Henry uses the word DIG to remind him to dig for what Dennis desires in this situation, what Dennis views as interfering with his desire, and what Dennis thinks his mother is guilty of doing wrong.  Because he is so well-practiced at this, even though he is angry, Henry does this rather easily.

“Dennis,” says Henry, I think I understand how you are feeling.  It looks to me like you desire that Mom will stop telling you to pick up your room. You feel she is interfering with this desire when she tells you that you have to do it.  You feel she is guilty of treating you unfairly because I pay her to pick up your room.  Is that right?”

“That’s right,” Dennis replies, “you pay her to clean up, and it’s not fair that she wants me to do it!”

“Okay, Dennis,” I understand.  “Your Mom and I are always interested in what you have to say.  We’re going to think about this for a little while, and then Mom and I will discuss this with you some more.”

During this calming-down period, Dennis is not pressured to pick up his room.  The topic is dropped.

Second, They Are a Wise Friend to Their Angry Self.

As Henry and Alice leave Dennis, they keep in mind that their angry self does not have to seek to suppress any anger to reach a state of relative calm (see BEING A WISE FRIEND TO YOUR ANGRY SELF).  They are confident this will occur naturally without any effort at all. They just listen to what is going on inside of themselves in a caring manner, just like a good friend would, and they are confident that their calm will return.

Now, as Alice and Henry go through this calming period, they notice their angry selves chattering away, saying things like, “That Dennis is acting like an idiot!  He is a stupid jerk for making me angry.”  Other derogatory statements about the source of their anger come to mind.  They realize this is just part of the anger process.

At such times, they simply observe their angry self in a nonjudgmental manner as this is happening.  They are as kind to their angry selves as they can be throughout this process—just like a good, compassionate friend would.

Third, After They Calm Down They Map out a Plan.

Jack's Picture cropedOnce they are in a state of relative calm, Henry and Alice begin to respond to the conditions that led to anger in a more reasonable manner. They calmly discuss the issue with each other, and Alice calls a couple of friends whom she respects to get their take on how this situation can best be handled.  Soon they feel comfortable with a plan that they have created.

Fourth, They Carry Out the Plan.

Alice and Henry call Dennis in for a discussion and quickly summarize for him what had happened. Then Alice says, “Dennis, from what happened, I can see that you are starting to get some ideas about Dad giving me money and what I have to do for it.  That’s good.  Let me explain a little more about how this works.

“When Dad goes to work, he does some things for his boss, and his boss does some things in return for Dad.  One thing the boss does is pay Dad some money for the work that Dad does for him.  At home, I do some things for Dad, and he, in return, does some things for me.  For example, I cook dinner most of the time and wash the dishes.  In return, Dad gives me some money, and sometimes he goes to the store to pick up some things I need, or he goes with me to a party.  So, you see how it works, Dad does some things for me, and in return, I do things for him.

“Now, your Dad and I do lots of things for you, so it seems to us that it’s only fair that you do some things for us.  Here’s some things that Dad and I do for you–we make you meals, we wash your dishes, we take you to parties, we buy you toys, and do lots of other things for you.  What do you do in return for us?”

“I go to school,” says Dennis.

“Dennis,” says Henry, “we don’t think that when you go to school it is for us.  When you go to school, that helps you to learn to read, count, and stuff like that.  Mom and I do things for you.  What do you do for us in return?”

After thinking about this, Dennis appears stuck.

“One thing I want you to do for us,” says Alice, “is to pick up your room when I ask you to do it.  When it gets messy in your room, I can trip and hurt myself, or I might step on something and break it.  I also like the way it looks when the room is all picked up.  When I ask you to pick up your room, you don’t have to do it right away if you feel you are busy with something else, but after I ask you, before the end of the day, I want it picked up.  Is that fair?”

“I guess so, Mom,” Dennis replies.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.

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DEALING WITH CRITICISM: LESSONS FROM DENNIS THE MENACE

In a recent post (Dealing with Criticism by Digging Deeper) I discussed some difficult situations that may occur when we deal with criticism.  There, I mentioned that in these types of situations, it can be helpful to do our best to describe what the criticizer’s most obvious desire is for providing the criticism and then to look to see if there are any other desires that might be involved.  To help us to dig a little deeper to find any of the other important desires in a difficult situation, I provided readers with two types of tools to dig, two types of shovels to dig, if you will.

a. look for the desire to be liked or loved.

b. look for the desire to be free to make one’s own decision.

Today, we begin to get some practice utilizing these two shovels.

PRACTICE

Consider the following Dennis the Menace comic:

dennis1

In this comic, obviously, Dennis’s mother desires that he straighten up his room. What other desires are important to consider?  It appears to me that Dennis’s mother is glaring at him.  Hmmm?  

When a boy hears his mom criticizing him in this way, there’s a chance his desire to be liked will feel threatened. Is there also a chance that there is another important desire in this challenging situation?

As criticism is being provided to us, we often begin to think something like, “I’m not going to let this person push me into doing something I don’t want to do. I’ll do whatever I want, and I don’t need anyone pushing me around.” This stance is part of what we call defensiveness.

EASING THE LIKING PROBLEM

When the desire to be liked and loved raises its mischievous head, we can let the person who has been criticized know that he is liked. This is what Dennis’s friend, Gina, does to lower the intensity of Dennis’s anger in the comic.

When Gina tells Dennis that his mom will cry if he leaves, Dennis is reminded that his mom really does love him.

dennis 2

Then Gina explains to Dennis that not only will his mom miss him, so too will his dad and dog. dennis3Dennis ends up deciding to resolve his conflict and go back home. Gina helped to resolve the conflict by focusing on easing the “liking” problem in this conflict.

Now let’s consider what we can do to help to resolve the problems in this situation by focusing on easing the “freedom” problem.

EASING THE FREEDOM PROBLEM

In the Dennis the Menace comic, while criticizing him, his mom could have offered Dennis the freedom to choose between two times to pick up his room. More specifically, she could have said something like this: “Dennis, I sure love you. It’s so much fun to have you around. It’s getting about that time to clean up your room. Do you want to do it now, or in an hour from now?” By giving a child a choice, a parent can come off as less bossy.

To male criticismhelp to come up with these types of ideas, the one thing I tend to do before providing criticism is to pause. Recognizing that I am about to provide criticism, and knowing that people tend to get defensive about not being liked and having their freedom threatened, I think about how to ease any perceived threat to these two desires.

SUMMARY

  • Many people associate criticism with not being liked.
  • Many people associate criticism with an attempt to reduce their freedom to make their own decisions.

Once we learn to be skillful at recognizing these types of conflicts, we are in a better position to come up with plans to either resolve them or to lower their intensity.  Therefore, in future posts I will be frequently providing examples that allows the reader to practice this skill.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.

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DEALING WITH CRITICISM BY DIGGING DEEPER

picture 2“I’ve been reading your blog posts, Dr. Rubin,” Judy says sounding annoyed. “You are making everything sound way too complicated.”

“I’m pleased that you’ve been checking it out,” I reply.  “I’d love to hear more about your reactions.”

“Well, yesterday I went over to pick up my friend, Sue, to go to a party.  She was wearing an outfit that was almost identical to mine. So I told Sue I didn’t like what she was going to wear.  If we went to the party in the same outfits we’d look like the Bobbsey twins. We’d look ridiculous.  Sue quickly saw that I was right and changed her clothes. Then we decided that in the future, whenever we plan to go to a party together, we’ll check with each other before we pick out what we’ll wear. So, you see, without going through all of your stupid ‘DIG,’ desire, interference, guilt, nonsense, I provided negative criticism to Sue, and we worked it out just fine.”

“I like the way you dealt with it, Judy, especially how you made plans to prevent the same problem from recurring.  Checking with each other before choosing your outfits makes a good deal of sense.  Well done!”

A glorious smile graces Judy’s face.

“Judy, I also agree with you to a large extent about using the DIG Conflict Model to deal with criticism.  In many situations, perhaps even most situations, there is no good reason to go through the steps I’ve been describing in my blog posts.  As long as the issues are simple enough to understand easily and if whatever approach you are in the habit of using leads you to a comfortable resolution, then, by all means, you don’t have to bother using the DIG Conflict Model.”

“There are times that I do get defensive or confused,” Judy allows.  “I know there are times I get defensive, and I’ve said some things even recently that I now regret.”

“I want to hear about those regrets, Judy.  At the same time, it takes a special kind of learning to handle defensive feelings.  I think it would be helpful if we first rehearsed a plan that can increase the respect you will feel for yourself.  It has to be well rehearsed because when people get defensive, they oftentimes have trouble thinking as clearly as when they calm down and have some time to think things over.  It’s also helpful to learn to get comfortable with this new way of thinking by discussing someone else’s conflicts, rather than discussing events that directly happened to you. This will allow you to look at this new approach more objectively.  Once you get the ideas down so that you can smoothly work with them, then it will be far easier to apply them to events that are occurring in your own life.  So, if it’s okay with you, Judy, let’s return to my Charlie Brown comic that I used in my last blog post.”

“Well, I do want to get you back on my recent regret, but I love the Peanuts characters, especially Lucy.  Go ahead, Dr. Rubin, let’s hear one of your lessons.”

FIRST, LET’S REVIEW THE OLD LESSONS

“Okay!  First, please read again the Peanuts comic we looked at in our last lesson:

Charlie1

Judy, after reading it, smiles, and says, “Okay, now what?”

“Let’s review some key points, Judy.  From the ideas we have been discussing over the last few months, what do you think Charlie Brown can do in this type of situation that will be helpful?”

“He can tell himself that it is good that he has begun to criticize himself in this situation.  Criticism, if handled skillfully, is the path toward wisdom.” (see blog post titled, Is Criticism Bad?)

“Excellent!  What else might be helpful for him to do?”

“Think about how he is likely to criticize himself, and rate that style using the skills in my post Providing Negative Criticism: Five Levels of Maturity.  If Charlie Brown already started to criticize himself before he did this, it would help him to look at the style he has begun to use, and then rate that.  After rating the style, it would help him to see if he could come up with a more mature style that would match either a 4 or 5 level.  To help him do this, he might work a little on summarizing his problem using the word, “DIG.”  That will help him to dig for his desire, what is interfering with his desire, and what he feels guilty about.” (see Dig For The Conflict)

“Very impressive, Judy.  You’re a fine student.  If Charlie Brown asked you to summarize his conflict, what would you say?”

Charlie Brown, you seem to desire that you not yell at your baby sister, but the fact that you did has led you to perceive that, interfering with your desire, you are likely to continue yelling at her.  You appear to feel guilty for your actions by saying you hate yourself.”

NOW, THE NEW MATERIAL

“Well, Judy, I can see that you’re now ready to move on to some new material.  After you get skilled at summarizing the most obvious conflict in a difficult situation, it’s then helpful to use the word “DIG” to remind you to dig a little deeper to find other desires that may be important to consider.  What other desire do you think Charlie Brown might have that is important to consider in this situation?”

After some thought, Judy replies, “He desires to play with his puzzle, but his sister interfered by messing it up.”

“Yes, Judy, very good.  Do you think Charlie Brown thinks his sister is guilty of doing something wrong for messing up the puzzle?”

“Probably not.  He seems to recognize that she is only a baby, so he’s not blaming her for what she did.”

“I think you are right, Judy.  Now, when we are using the DIG Conflict Model, to have a full conflict we must have all three conditions of a conflict, the desire, the interference, and the guilt.  In the problem you just described, we only have the desire and the interference, but no guilt.  Even though this is not a full conflict, it may still be very important to consider in this situation.  We will be calling this type of problem a DESIRE-INTERFERENCE PROBLEM.  And so, when we think about all of the possible problems that might be involved in a difficult situation, we write down a summary of all of the possible conflicts and all of the possible DESIRE-INTERFERENCE PROBLEMS.

“To help us to dig a little deeper to find any of the other important problems in a difficult situation, today I am giving you two types of tools to dig, two types of shovels to dig, if you will. The first shovel is look for the desire to be liked or loved. The other tool is look for the desire to be free to make one’s own decision.  I discussed both of these tools (looking for the desire to be loved and looking for the desire to avoid interference with freedom) more thoroughly in my blog post titled, Why is Criticism So Hard To Bear?

“Oh, now I remember that one,” says Judy, as if a light suddenly went on in her head.  “You talked about how people, when criticized, might feel that people won’t like them, and why it’s important to consider this when we try to come up with a long term solution to problems.”

“Yes. I also mentioned that when we are criticized we often think that the criticizer wants us to make some change. This criticism might be provided not simply as a suggestion, but the criticizer soon begins to put pressure on us to change even against our will.  We may, therefore, become defensive as we begin to desire to make our own life decisions without outside pressure.  When we dig deeply into a difficult situation we would be wise if we look at how the “desire to be liked and loved” is involved in the situation and how the desire to “remain free to make our own decisions” is involved in the situation.  It helps to write down a summary sentence or two for each of the conflicts that you can see in the difficult situation, each of the desire-interference problems, and then dig deeper using the two shovels, that is, the liking/loving  shovel and the protecting freedom shovel.  In this way, you will get a list of the problems that all have to be addressed if you wish to create wise and lasting ways to deal with difficult situations.

“Sometimes, when we look at a difficult situation, it all seems to be so complicated, that we just get lost on how to move forward in a helpful way.  By using the approach I just described, the big difficult situation is broken down into easier-to-understand problems.  Oftentimes, working on making some improvements to deal with each of these easier-to-understand problems, one by one, the larger difficult situation begins to improve.

“In coming weeks, I’ll present examples of how this approach can be very helpful.  As we go through them, you’ll become so familiar with this approach that you will find that you can use it even in the most trying situations.”

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.

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INTRAPERSONAL CONFLICTS AND CHARLIE BROWN: ADVANCE LESSON

A few weeks ago I published a post titled CONFLICTS WITH OURSELVES: LESSONS FROM CHARLIE BROWN.  Today, let’s quickly review the ideas presented there, and then move on to discuss a few more.

Review

When one person has a conflict with another person, we call this an interpersonal conflict.  An intrapersonal conflict occurs when a person has a conflict with himself or herself.

When we describe a conflict using the DIG Conflict Model, the letters of the word, “DIG,” helps to remind us to first dig to find the DESIRE, then something that INTERFERES with the desire, and finally, the GUILT.  Earlier, we looked at the following example of an intrapersonal conflict:

Charlie13

When we looked earlier at this example, I provided the following tentative description of Charlie Brown’s intrapersonal conflict:

Charlie Brown seems to desire that he not yell at his baby sister, but the fact that he did has led him to perceive that, interfering with his desire, he is likely to continue his yelling at his sister.  He appears to feel guilty for his actions by saying he feels terrible and hates himself.

It would be simpler to describe this conflict by saying:

Charlie Brown desired that he not yell at his baby sister, but he interfered with his desire by yelling at her.  He felt guilty about it.

In this simpler description, we still have all of the three conditions for a conflict–that is, the desire, the interfering act and the guilt.  But they all took place in the past.  To become an expert at dealing with conflicts, we must learn to describe an existing conflict as something relevant to the future.  This skill will help us to prevent similar conflicts from recurring over and over again.

Okay, so there’s our summary in what was presented the last time we discussed intrapersonal conflicts.  Let’s now move on to some more advanced ideas.

Advanced Lesson

Whenever we have a conflict with ourselves, we oftentimes present to ourselves some negative criticism.  In the above three panels of the Charlie Brown comic, Charlie Brown indicates he has evaluated how he treated his sister and he makes it clear that he doesn’t like what he did.  When we evaluate something and state we don’t like what we evaluated, we have provided negative criticism.

In an earlier blog, we looked at providing negative criticism during interpersonal conflicts.  We saw that according to the DIG Conflict Model, there are five levels of maturity when it comes to providing negative criticism (see blog post titled, PROVIDING NEGATIVE CRITICISM:  FIVE LEVELS OF MATURITY).  Level 1 is viewed as the most immature level, and level 2 is viewed as a bit more mature, and so on.  Readers of this blog were encouraged to familiarize themselves with the five levels, and then to use them in the following way:

First, they learn to recognize that they are getting ready to provide somebody criticism.

male criticism

Then they pause to think about how they are likely to provide the criticism.

Jack criticism 2

Then, before they provide the negative criticism, they decide what level of maturity the criticism they are likely to give is at.  If it is below level 4, they try to change the criticism so that it matches level 4, or even level 5.

In this example, the man is the employer of the woman who wrote a report.  After looking it over, he sees he is likely to provide criticism in a style that would best match level 2, which states:

2.  This level requires displaying one or both of the following:

  • The criticizer does not explain what the offending behavior is, but instead expresses displeasure with glares, insults, shouting, silence, or threats that do not involve bodily harm.
  • Threatens bodily harm regardless of what else is said.

Now, I understand that some of you might feel that the employer deserves a higher rating because he does explain what the offending behavior is when he says the report is stupid.  But this just indicates in some vague way that he doesn’t like the report using the insulting word, “stupid.”  In my opinion, his comment is not an adequate description of what he doesn’t like about the report to warrant a more mature rating.

Seeing that this type of criticism is a bit immature, the man’s job in this example would then be to try to come up with a form of criticism that matches one of the more mature levels.  One of the more mature levels is level 4:

4.   The criticizer states the criticism without bodily attacks, damaging property, glares, insults, threats, or shouts, and with enough details so that the criticized person, if he or she wills, can improve the behavior, idea, or appearance.  If the person receiving the criticism becomes defensive or angry, the criticizer empathizes without returning glares, insults, threats, or shouts.

In this example, by pausing and thinking about level 4, the man asks himself to describe his criticism in a clearer, more precise way than shouting “The report is stupid!”  To help him to clarify his thoughts, he uses the word “DIG.”  Thus, he says to himself that “I desire that in the future this woman who wrote this report will follow the directions that I give her and interfering with this desire is the fact that in this report she did not do so.  I think she is guilty of ignoring my directions.”

Having slowed down so he can think about this, the man now decides that the best way to provide the criticism to the woman is to wait until he has managed to calm himself down enough so he can speak to her using a respectful tone of voice and without any insulting words.  Then he will go over the first direction he had given to her and ask her to describe how she might have written the report so that he would have seen that the report writer is following his direction.  If she is not sure how to respond, he could then explain more thoroughly what he wants when she attempts to follow this direction.  After clarifying the first direction, he could go over in a similar way his second direction, and so forth.

Now, I don’t mean to suggest that this is the only resolution to this employer’s conflict.  For example, he could instead assign the best report writer in his company to mentor this employer.  The mentor would review each of her reports before she hands them in, show her copies of high quality reports, and so on.   The point is that this employer can improve the quality of his criticism by pausing before providing the criticism, thinking about how he is preparing to provide the criticism, comparing it to the five levels of providing negative criticism, and then seeking a way to change the criticism to something that matches a more mature level.

With intrapersonal conflicts we carry out a similar plan as we do with interpersonal conflicts.

Let’s return to our Charlie Brown example:

Charlie13

Here we see that even before first recognizing he is about to provide himself negative criticism, he has already done so.  That’s not the end of the world.  Many old habits are not easy to change quickly, and if you find yourself slipping into past styles of dealing with conflicts, you need not beat yourself up over this.  There are better ways to helpfully carry on.

In our Charlie Brown example, even after having already provided negative criticism, he can still go through the steps we discussed for dealing with interpersonal conflicts.  That is, he can first look at how he did criticize himself and then compare it to the five levels of providing criticism.  Then, he can pick out which of the five levels best matches his response.

In my judgement, Charlie Brown’s response falls somewhere between level 2 and level 3.

Level 2 states:

2.  This level requires displaying one or both of the following:

  • The criticizer does not explain what the offending behavior is, but instead expresses displeasure with glares, insults, shouting, silence, or threats that do not involve bodily harm.
  • Threatens bodily harm regardless of what else is said.

Charlie Brown, in this example does state what the offending behavior is.  That is, he says, “I shouldn’t have yelled at her, she is only a baby.”  But to match level 3 his response would have to look like this:

3.  The criticizer clearly states the criticism with enough detail so the criticized person, if he or she wills, can improve the behavior, idea, or appearance, but couples it with glares, insults, shouts, or threats that are not about bodily harm.

Charlie Brown’s criticism of himself, in my opinion, is not quite clear enough to fully match level three.  The fact that he repeatedly says he hates himself seems to be an example of insulting himself so that part of his criticism matches both level 2 and 3.

Once Charlie Brown figures out about what level his response had been, he could then see if he could come up with a response that better matches a more mature response, perhaps level 4, or even level 5.

Attempting to describe interpersonal conflicts using the letters in the word “DIG” can be helpful for coming up with a more mature response.  Similarly, attempting to describe intrapersonal conflicts using the letters in the word “DIG” can be helpful for coming up with a more mature response.  What would that look like?  Here’s one way Charlie Brown can do this:

He tells himself,

I desire that I not yell at my baby sister, but the fact that I did has led me to guess that, interfering with my desire, I’m likely to continue yelling at her.  I feel guilty for my actions.

Notice that there are no insults in this statement.  This statement is an important step toward coming up with negative criticism that matches a level 4 or 5 response.  Charlie Brown still must go on from here to come up with a plan that can help him to become less likely to yell at his baby sister.  Next week we will begin to look at some plans to help him do just that.

Practice

For those of you who truly want to become a master at dealing with intrapersonal conflicts, I recommend that you now take the time to either print out the five levels of providing negative criticism (see PROVIDING NEGATIVE CRITICISM:  FIVE LEVELS OF MATURITY) or if you don’t have a printer, write them out in any way you can.  Then, tape them to your refrigerator door.  This week, each time you see them, try to recall some time that you provided negative criticism to yourself.  Try to recall just what you said to yourself.  Then, try to see what level best matched what you said to yourself, and if it is less than a 4 or 5 level, try to create a response that would match a higher level response.  With this type of practice, you will soon see some real progress in your skills to deal effectively with intrapersonal conflicts.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.

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INSULTS: LESSONS FROM THE CASE OF THE MAN SENTENCE TO JAIL FOR MOCKING DISABLED GIRL

A while back I saw a YouTube video dealing with insults that made someone cry went viral.  It is called, Bus Stop Ignorance.

In the video we see 43-year-old William Bailey taunting Hope Knight, a ten-year old girl with cerebral palsy.  Hope uses crutches and Mr. Bailey, in the video, mocks the way she walks.  He also gets his son to join him in the taunting.

According to ABC news, Mr. Bailey was caught on an iPod camera by Hope’s grandmother, Marie Prince, while she was picking up Hope at the school bus stop.

William Bailey “was dragging his leg and patting his arm across his chest to pick his son Joseph up,” said Hope’s dad. “I asked him to please stop doing this. ‘My daughter can see you.’ He then told his son to walk like the R-word.”

On Nov. 27, Judge John A. Poulos of the Canton Municipal Court sentenced Mr. Bailey to 29 days in jail.

Here, sitting in front of her mother,  we see  Hope covering her eyes to hide her tearful reaction as the taunting is discussed.

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Hope was born 29 weeks premature after the Knights were involved in a head-on auto collision. When Hope was born, she weighed only two pounds, 12 ounces, which caused several medical problems resulting in two brain surgeries. She fought for her life the first two years.  And now, to have to face this….

Here’s Mr. Bailey and his son being interviewed about this incident.

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Mr. Bailey at first denied mocking Hope.  But then he said he was reacting to name-calling directed at his son. Mr. Bailey entered a plea of ‘no contest’ to a menacing charge and to disorderly conduct.

Through his lawyer, Mr. Bailey has provided an apology.  “To Hope and her family, please accept my apology for my inappropriate behavior. I know that my actions were immature and lacked the respect you deserve. I didn’t realize the impact this incident would have upon both of our families and I truly regret it.”

So, there you have it.  According to Mr. Bailey, he insulted the girl as a reaction to someone, presumably from the Knight family, calling his son names.  He doesn’t say who started it, but most people would agree that even if someone from the Knight family started the name calling first, Mr. Bailey’s reaction was still wrong.

It is interesting that many people who responded to the video and felt Mr. Bailey’s actions were wrong included in their criticism of him, insults and advocated that someone needed to beat him up.  For example, one person wrote, “I’d be worried about this idiot and his idiotic son retaliating when he’s released. Anyone with that cruel type of mentality is not to be trusted.”  Another wrote, “Would love to beat the living crap out of this turd.”

According to the DIG Conflict Model we have been discussing on this blog, providing criticism with physical attacks is the lowest level of psychological maturity on a five-level scale (see HERE).  Calling a person names or insulting the person in other ways is a level 2 response, the second lowest level of maturity.  Both physical attacks and insults increase the probability of an escalation until someone gets killed.  The last thing that is in the best interest of ten-year old Hope is for her father to end up dead.

Rather then to think of Mr. Bailey as an idiot, the DIG Conflict Model teaches us to view him at some very specific level of psychological maturity.  It also provides us some very specific information about what he has to learn to reach a higher level.

I know that many people feel that for most situations the five levels of criticism make sense but when someone acts as Mr. Bailey did, it’s time to put the five levels aside.  Moreover, they feel that it is perfectly correct to call him every name in the book!

Well, let me see if I can encourage those individuals to change their minds without calling them any names.

First of all, one reason that I view styles of providing criticism in a developmental framework is it fits my own personal experience.

When I was very young, I remember distinctly some kids in my elementary school insulting someone that was a little different than the rest of us.  I laughed along, finding the situation genuinely funny.

As I matured, at one point, some students called a kid that was also a little different than us some names, and I laughed, but as I did, I remember feeling that it wasn’t quite right.  Later that day, as we went down the stairwell at school, I told the kid I was sorry.

Then, one day I had a party and many of my friends brought dates.  At one point during the party, a couple of my friends started teasing another friend about bringing a girl to the party who wasn’t very smart.  They teased him in front of the girl, and I noticed her face turning very red.  I found that I did not laugh at all.  I thought the girl’s reaction would be enough to get my friends to stop insulting her, but a couple of minutes later they said something about her that was even more insulting.  I asked to speak to them, and we went into another room for some privacy.

“You know I love you guys,” I began, “but the things you’re saying about that girl, I’d like you to cut it out.”

“Hey,” said one of my friends, “can I help it if that girl has the intelligence of a kumquat!”

I must admit that I did let out a little involuntary laugh at this–something about the kumquat comparison struck me funny.  But I very quickly recovered and said, “The girl is really feeling bad about this teasing.”

“Listen,” said my friend, “we all tease each other and have some fun with it.  If she can’t take a little teasing, it’s her own damn fault!”

“I don’t think continuing to humiliate her is the best way to get her to be more mature,” I replied.  “Please, give her a break.”

They waved their hands at me, complaining I was turning into a political correctness police officer, but in the end, they let her alone.

Notice that as I criticized them, I didn’t use any name calling and it was certainly not my intention to throw any insults at them.  Also notice that from my experience, I changed in a particular direction as I matured.

Now, there are a great deal of additional arguments that I can make about the value of a developmental perspective, but allow me just one more for today’s post.

The story involves the first black major league baseball player, Jackie Robinson and his team mate, Pee Wee Reese.

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Just before Mr. Robinson began to play in the majors for the Brooklyn Dodgers, the Dodgers’ general manager, Branch Rickey, made it clear to him that he would face criticism in the form of the most vile insults. If he was to play, Robinson had to show the courage to not return insults with insults or to lose his temper and jeopardize the chances of all the blacks who would follow him if he could help break down the race barriers.

Jackie Robinson and Branch Rickey
Jackie Robinson and Branch Rickey

If Mr. Robinson couldn’t return the insults, could nothing be done?  On one particular day when fans were being particularly insulting to Mr. Robinson, the smallest ballplayer on his team, Pee Wee Reese, stepped out of the dugout.  Mr. Reese was a beloved player with the fans for his hard, hustling play.  He stepped over to Mr. Robinson,  put his arm around him and stood by his side.

This gesture was discussed around the country, and even today.  And a monument honoring this moment stands tall and strong in Brooklyn.

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If you go by it some day and watch for a while, from time to time you’ll see a grandfather describing to his grandson how the statue symbolizes what can be done even by two men who responded to insults without returning insults.  I must admit that I’m no kid anymore, and yet, whenever I walk by that statue, I get all misty inside.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.

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INSULTS: A COMIC STRIP LOVER’S GUIDE

Teasing is a game sometimes known as bantering, joshing, crackin’, rankin’, playing the dozens, trash talk, and infighting.  You are judged on the quality of your insults and also how well you keep your cool on being insulted.

Even the most mature people may like to play the teasing game, for they enjoy the duel of wits and the occasional humorous comeback.

Consider the following Calvin and Hobbes comic.

Our two friends are getting pretty silly in this exchange.  I guess being silly is part of the fun.

Mature people are distinguished from immature people in this game, not by how silly the interactions are, but by their lack of desire to hurt somebody in this game.  They realize that the smiles and the lighthearted tone they try to set throughout the game sometimes mask real tensions.  Thus, they keep their senses tuned to the subtleties of the repartee, and know when to back off when things begin to get too serious.

Immature people can come across as mean when they tease.

In the above Peanuts comic, Lucy ends up smiling even though Violet ends up feeling upset.  I would have liked Lucy to show some concern about how Violet ends up feeling.

It is certainly understandable why Violet ends up feeling upset.  We all have a strong desire to be liked.  The fact that there are other people watching while Lucy teases Violet can make dealing with the teasing even harder.  But what if Violet, instead of going away looking upset, ended up responding to Lucy in the following way?

“Good one, Lucy!” says Violet with a smile.  “I guess you won this round.  Well done!”  Then Violet gives Lucy a respectful nod of her head before going on her way.

If Violet would have acted this way, it would have shown the other kids that she can take a little teasing without getting upset.  This seems to many people a sign of maturity.  We can’t expect everyone to have this level of maturity.

Apparently, in the comic below, Calvin went a little too far in his teasing.

I think a conflict has sprung up.

When I think about a conflict I think about the word DIG.  That reminds me to dig to find in the situation the desire, what is interfering with the desire, and someone who feels someone is guilty of doing something wrong.

DIG=Desire, Interfering, and Guilt

In the above comic, Calvin desires to create a situation that would lead to some fun but perceives his actions have led to a situation that is interfering with fun.  He feels he is guilty of doing something wrong.

Troubled by how Susie has reacted, Calvin becomes sad, and then he turns a bit angry.  It seems to me that his genuine concern for Susie’s feelings is a sign of emerging maturity.

In our next comic strip, we see Susie’s reaction to Calvin’s teasing.

The sadness that Susie feels is coupled with her recognition that, without Calvin, she would feel even lonelier than she does.

How might Calvin handle this situation?

Apologizing, for Calvin, is not an easy thing to do.  I wonder why?

In the next comic, we see that Susie is still trying to deal with Calvin’s insults.

Susie realizes that although words don’t hurt your body like sticks and stones, they still can hurt quite a bit.

When Calvin goes over to Susie to make up, he finds that it’s a struggle.

Sometimes when we try to fix a problem it doesn’t work.  That doesn’t mean we have to give up.  We can try again.

Sometimes someone who enjoys teasing does so in a manner that looks to someone watching on as not fun.

At other times, people who tease don’t realize that they really have created a very uncomfortable situation.

Sometimes when people call you names or insult you in some other way, you may not be sure why they are doing this.  One thing to try is to say, “I’m not sure why you are trying to put me down.  Is everything okay?  Are you mad at me about something?”

This often leads to the insulter revealing what is actually motivating this behavior.  But if the insulter walks away, and then begins to insult you on another occasion, it’s time to go down a list of other desires that motivate insults. By becoming familiar with these other desires, confusion can oftentimes be quickly brought under control and a plan generated to address the concerns of all involved parties.

Eight Different Reasons Why People Use Name Calling, Insults and Teasing

If you follow this blog you will become familiar with eight different desires that can motivate name calling and teasing.  This will help you to spot them even when you are beginning to feel defensive.  When you learn to see the real desire motivating the criticism, you will find it much easier to act wisely.

Below is the list of the eight desires.  It might be wise to print out this list and place it in a convenient place.  Then, whenever you are called names or teased, you can get it out.  By going down the list you might more quickly figure out what is going on.

The Eight Reasons for Insults List

The desires that oftentimes motivate name calling, insults and teasing are:

1. The desire to encourage or discourage some action.

2.  The desire to release stress because the criticizer is in a bad mood.

3.  The desire to take out on you what someone else did to the insulter.

4.  The desire to be left alone for some quiet time.

5. The desire to form a bond with a group by putting down non-group members.

6. The desire to test someone to determine worthiness to be admitted into a group.

7. Jealousy.

8. Playful teasing.

Well, there you have it, the eight desires that lead to name calling, insults and teasing.  You can already find some suggestions for dealing with most of the various types of desires from checking out some earlier posts.

  1. Criticism designed to encourage you to improve (see RESPONDING TO CRITICISM: FOUR LEVELS OF MATURITY and RESPONDING TO CRITICISM: THE MOST MATURE LEVEL)
  2. Playful teasing (see MAKING THE BUS MONITOR CRY: RATING HER RESPONSE)
  3. The desire to form a bond with a group by putting down non-group members (see MAKING THE BUS MONITOR CRY: WHY THE BOYS DID IT)
  4. Jealousy (see BEING CRITICIZED BECAUSE OF JEALOUSY)
  5. The criticizer is in a bad mood (see RESPONDING TO CRITICISM WHEN IT IS BEING PROVIDED BECAUSE THE CRITICIZER IS IN A BAD MOOD)

In future blog posts we’ll explore all of these issues more thoroughly.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.

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CONFLICT: A COMIC STRIP LOVER’S GUIDE

In an early post on this blog I discussed the fact that often the reason why people might call you a name, insult or tease you is that they have a conflict with you (see the posts titled DIG FOR THE CONFLICT, CONFLICTS AND FRUSTRATION, and SUMMARIZE AND DELAY).

For many of us, as soon as we see that someone has a conflict with us, we get defensive, and perhaps we might shout out something like, “How dare you speak that way to me!” or “You’re a stupid idiot!”

When you become a master at dealing with name calling, insults and teasing, rather than becoming defensive, the first thing you do is to let the person who has a conflict with you know you care that he or she is upset.  Then you artfully summarize the conflict that has led to the disrespectful behavior even when you are being insulted.  You can learn to do this, but it takes some practice.  With the help of our comic strip friends, we can learn this skill while having some fun as we go about doing so.

We’ll begin by reviewing what a conflict is, then discuss the plan to summarize a conflict, and then we’ll practice using this plan by looking at comics that depict a  conflict.

What is a Conflict?

In the above Peanuts comic, despite Peppermint Patty’s delightful attempt to convince the teacher to raise her grade, the teacher won’t bend.  Do you think Peppermint Patty has, at any point in this comic, a conflict with her teacher? How do you define a conflict?

Some of my students respond to these two questions by saying something like,

When people are upset about something they have a conflict.  When they aren’t upset anymore, BINGO, the conflict is resolved.  Peppermint Patty seems to be upset about her grade, especially in the next to last scene.  Therefore she has a conflict with her teacher. 

In the very last scene, Peppermint Patty still doesn’t look happy, but perhaps the teacher’s comment praising her oratory skills has lifted her spirits enough so that she is no longer upset.  If so, does this mean her conflict has been resolved?

I get mixed answers to this question.

Some of my students, when thinking about the meaning of conflict, talk about someone getting in the way of someone else’s desire.  If Peppermint Patty feels her teacher is getting in the way of her desire to get a higher grade, she has a conflict with her teacher.  Saying “getting in the way of someone’s desire” is the same as saying “interfering” with someone’s desire.

Still others emphasize guilt—if Peppermint Patty believes her teacher is guilty of doing something wrong, she has a conflict with her.

When I say I have a conflict I mean that I have a desire, I believe that someone is likely to do something that interferes with my desire, and I believe that someone would be guilty of doing something wrong if the person does interfere with my desire.

When I have a conflict, I think of the word DIG and it reminds me to dig to find what I DESIRE in this situation,

Illustration by Deanna Martinez

what is INTERFERING with my desire,

Illustration by Deanna Martinez

and why I believe someone is GUILTY of doing something wrong.

Illustration by Deanna Martinez

I see conflicts as types of triangles.

PRACTICE

“I’m not kidding around anymore, Mrs. Snyder–you have our book, we have your son!”

Let’s pretend that you are Mrs. Snyder, the mother of this tied up boy, and you get this phone call from this librarian.  Let’s call the librarian, Ms Jones.  You feel that the way Ms Jones is shouting at you is disrespectful.  But instead of shouting back at her, you decide to first let her know in a caring way that you understand that she is upset.  Then you summarize the conflict.  If you will, please utilize the word DIG to remind you of the words, desire, interfering and guilt.   Then come up with a statement that you would say to the librarian that includes a brief description of the conflict to her in two or three sentences.  After you give this a try, compare your statement to mine.

Here’s my statement to the librarian:

I can hear that you are very upset, Ms Jones.  I think I understand your conflict with us.  You desire to get the library’s book back.  Interfering with your desire, my son has not returned the book and you feel that he is guilty of being wrong for not returning it.  Is that correct?

This type of statement takes less then a minute of your time.  It helps both you and the other party in the conflict to clarify what the conflict is all about.  You will find that many times you think you know what the conflict is all about, but it turns out that you missed something very important.  By presenting your summary statement in the form of a question, you give the other party a chance to clarify what all of the issues are.

Now, when the librarian indicates that she has a conflict with you, you may be tempted to bring up a conflict that you have with her.  For example, if you are Mrs. Snyder, you might feel that you have a desire that Ms. Jones speak to you in tones indicating respect.  Interfering with this desire, you feel her shouting is disrespectful.  You feel she is guilty of being disrespectful.  In most situations you would be wise to put this secondary conflict on hold until the first conflict that came up is worked on for a bit, and then some time has passed until the sea of conflict has calmed.  We’ll look at some exceptions to this rule in future posts.

Let’s try another one:

In this comic, if you will, make believe you are Peppermint Patty.  See if you can come up with a statement to Marcie that summarizes Marcie’s conflict with you.  Try to make it consistent with the DIG Conflict Model.  Then compare it to mine.

Here’s the statement I came up with:

Marcie, I can see you are really upset with me.  Let me see if I understand the reason why.  When you lend something to me, you desire that I return it.  I’ve been interfering with your desire when I’ve borrowed quite a few things from you and I haven’t returned them.  You feel that I am guilty of being wrong to keep doing this.  It that right?

To come up with my statement, I first tried to come up with something that showed Marcie that I cared that she was upset.  If this was a real situation, I would make sure that when I said the first sentence in my statement, I looked at least two seconds into Marcie’s eyes in a caring way and I used a tone of voice designed to let her know I am concerned about what is going on.  As I continued to design my statement, I thought to myself that I have to DIG for the conflict.  Then the letters in the word “dig” reminded me to try to find Marcie’s desire, what she thinks I have done to interfere with her desire, and what she thinks I’m guilty of doing wrong.  Notice that I ended my statement with a question that invites Marcie to correct anything I might have said that she thinks is wrong.

Let’s try one more.

Pretend, if you will, that you are Linus.  Keep in mind that when someone is angry with you, as Lucy is, it’s probably not the best time to discuss philosophy.  See if instead of the comments Linus makes in the comic, you can summarize the conflict Lucy has with you by utilizing the DIG Conflict Model.  Then you can compare it to mine.

Here’s my statement to Lucy:

Lucy, I can see you’re upset with me.  Let me make sure I understand why.  You desire that I not tear any covers off of comic magazines.  I interfered with this by tearing the cover off of the magazine in your hand.  You feel I’m guilty of being stupid.  Is that right?

To be effective, I have to make sure that I say the first sentence in this statement while looking squarely into Lucy’s eyes and I use a tone of voice that expresses that I care about the fact that she is upset.  If you are not sure about how to express that tone of voice, consider making an appointment with an acting coach.  Just a single lesson usually is enough to teach you all that is required to master this important skill.

The key words that identify the three conditions of a conflict.

When using DIG to remind you of the three components of a conflict, it’s important to know some related words for “desire,” “interfere,” and “guilt” because when you are involved in a conflict it helps to vary your statements.

  • When individuals have a “desire” that some act will occur, they sometimes say they “want,” “need,” or “have a goal to achieve” it;
  • An act that “interferes” with another act “prevents,” “obstructs,” “gets in the way,” “is incompatible,” “injures,” or in some other way makes it less likely or less effective.
  • Someone who is “guilty,” is often said to be “responsible,” or is to “blame” for the behavior.  Or we feel that the guilty party “should have not done” the behavior, or that the person did something “wrong.”

Keep this in mind when you summarize a conflict.  By doing so, you will come to realize that you don’t always have to use the words “desire,” “interfere,” and “guilt” in your summary statement.  You can just use the word DIG to remind you of what to look for, but you can use other words to describe the three components of a conflict.  In this way, your summary statements can be created in a way that sound better to your ear.

Well, there’s your lesson for today.  I understand that there is more to resolving a conflict than the art of showing caring and summarizing the conflict.  We’ll get to all of the crucial skills necessary to resolve conflicts in future blog posts.

In time you will find that the skill of summarizing a conflict is enormously helpful.  If you continue to follow this blog, you’ll meet up with some more practice sessions.  Eventually you will find that you can summarize a conflict as smoothly as you can name the people in your home.  And when you get that smooth at doing so, you’ll find that people in your community will come to have a higher respect for you. 

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.

Categories
anger conflict resolution dig for the conflict emotional intelligence happiness Hope negative criticism threats wisdom

ANGER AS AN EMOTION

Recently I provided a post titled, ANGER: A COMIC STRIP LOVER’S GUIDE.  There we chiefly focused on the variety of anger expressions.

Anger, in addition to being viewed as something that we express, is also viewed as an emotion.  To deeply understand the nature of anger we must understand what emotions are.

The Four Basic Emotions

There are four basic emotions.  Two of them, hope and happiness, are positive emotions.

Illustration by Deanna Martinez

The other two, threat and grieving, are negative emotions.

Illustration by Deanna Martinez

Although threat and grieving are referred to as negative emotions, they are not necessarily bad emotions. They actually can be very helpful in some situations.  And although hope and happiness are referred to as positive emotions, they are not necessarily good emotions.  Although they can be very helpful in some situations, they can make a mess of things as well.

Each of the emotions gives us a shot of energy to deal with some important moments in our lives.  The positive emotions can help us to deal with positive moments and negative emotions can help us to deal with negative moments.  To understand this a little better, let’s take a look at a quick story.

The Story of Alexandra

 Alexandra is seventeen and an excellent swimmer. 

Illustration by Eric Sailer

She is fully confident that she has the skills necessary to use her legs and arms in a coordinated way that will enable her to reach the surface of the water in time to avoid drowning.

Because of her confidence about her swimming skills, Alexandra doesn’t experience any emotion about her swimming.  There is a mild, pleasant feeling that she has when she swims, but this is different than what I will mean when I refer to an emotional experience.   For sure, there are some feelings that we have during an emotional experience, but they are stronger than other feelings. 

Because Alexandra is so confident that her swimming skills can deal with anything she will have to deal with while swimming, Alexandra can carry out her skills without much thought.  This permits Alexandra to free her attention from staying completely focused on her swimming.  Her thoughts begin to drift away from her swimming to events that happened in her past. 

“That boy I met yesterday at the ice cream store was real cute!” she recalls.  She then begins to think about what she has in store for her when she returns to school after the weekend.

Some of these thoughts that are drifting around in her head do lead to some emotional reactions.  “Mrs. Smothers might yell at me in front of the whole class because I didn’t do well on my science test!” her thoughts cry out.  This threatens her desire to be treated with respect.  Her heart begins to pound as she begins to focus more intensely on this, and she is now experiencing the emotion of threat.

Suddenly Alexandra finds her foot has become entangled in sea plants. 

This is a dramatic change in what she had expected to occur while she went about her swim.  Recognizing a threat, Alexandra’s attention shifts rapidly away from the images of what might happen at school to what is going on in her present physical world where she is swimming.  At the same time, she begins to experience an emotion about what is currently happening to her.

Alexandra’s emotion is serving the function of giving her an extra burst of energy, and she uses it to begin to carry out the fight-or-flight response.  This is serving the function of trying to keep her alive.  First, she says to herself, “If I don’t get free, this could turn out bad!”  While saying this she tries to take flight from the grip of the plants and experiences the emotion of fear.  Her effort fails.  She then turns angry as her thoughts cry out, “Let go of me you stupid plants!”  And with that, her legs fight against the grip of the plants by giving a violent yank, thus tearing her free.

She now feels hopeful that she can reach the surface and breathe safely, but her hopeful emotion keeps her extra focused on what is happening in case there are any more problems that may spring up.

When Alexandra reaches the surface, happiness wells up in her as she takes her first breath in beautiful safety. 

 

 

Story Interpretation

In this story we get an introduction to what people do when they are NOT experiencing an emotion about something that is currently happening to them.  Here’s the idea in a nutshell:  Oftentimes we go on automatic pilot.  That is, when we develop enough confidence that the desires we hope to achieve in the near future can be achieved by a set of skills that are already well practiced, we may set them in motion, freeing our attention for other matters.

Alexandra, at the beginning of our story, has a desire to safely get some exercise and to achieve this she goes for a swim.  She has done this often enough in this area that she is confident enough that nothing will go wrong.  Thus, early on during her swim, she does not experience any emotion regarding her swim.

The story makes a distinction between emotion and feeling.  The touch of the water can be pleasant to some, and to others, unpleasant.  Emotions, as I define them, do have feelings that accompany them.  Emotions involve a distinctly stronger charge of energy than feelings in general.  This stronger charge of energy is most easily observed by the quickened pace of our heartbeat.  The extra energy permits us to stay focused on the situation that triggers the emotion and to carry out far more work than the more gentle states that tend to produce a rather quick smile or frown.

With the energy that is freed up when Alexandra utilizes her automatized swimming skills, she begins to think of other desires besides getting her exercise in for the day.  What she thinks about while exploring her memories and anticipations of future events in her imagination may lead to an emotion just as much as what she meets in the present physical world.

Another aspect of automatized skills that this story introduces is the idea that as we use them, we are still appraising the environment in case we notice an important change in what we are expecting.  Appraising means evaluating or assessing.  We are not always aware that this appraisal is going on, but we realize its existence each time we suddenly notice something unexpected and find our attention drawn to it.

In the story, Alexandra suddenly notices her foot is caught in the plants and she is not expecting this to happen.  This is a change in what she is expecting to happen as she goes about her swim.  She evaluates this change as threatening her desire for safety. Alexandra uses her burst of energy to carry out some skills that set her free.

One set of skills that she uses is to cry out in her mind, “Let go of me you stupid plants!” At this point, Alexandra is experiencing anger.  Because Alexandra is under water, she cannot scream these words out loud, but under normal conditions, she probably would.

If it was an animal or a person who had hold of her leg, Alexandra’s screams might have scared away the attacker.  Or her screams might have been heard by friends who could have come to her rescue.  And so, under some sets of circumstances, the angry screams could have helped to save her life, but not under water.  Instead, Alexandra’s skill to violently yank her foot away from the grip of the plant saves her.

In this blog, whenever people are experiencing the basic emotion of threat and then they either give off a signal that a fight might occur at any second, or they actually begin to fight, they experience anger.  In last week’s blog post when we saw our comic strip friends displaying such actions as glaring, waving their fingers, shouting, insulting, or baring their teeth, they were giving off signals that a fight might soon occur.

A threat to any desire can lead to the basic emotion of threat.  Examples are a desire to be liked, to be treated with respect and to be free to make our own choices.

In the story of Alexandra, when she becomes angry her actions end up saving her life.  As helpful as anger can be in certain types of situations, it can often make a situation worse.  Moreover, even when helpful, anger still may not be the best response choice.  To become wise, you must learn to recognize when to use anger, when to replace it with something better, and how to prepare yourself so that you can skillfully carry out more optimal plans even under highly threatening conditions.  By following this blog, you will learn these very skills.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional intelligence. To begin at the very first post you can click HERE.