“How’d things work out between Blondie and you?” you ask in a concerned voice upon running into your friend, Dagwood. “Did you manage to resolve your conflict?”

“Yeah, um…well, I’m kinda not sure,” he replies.

When it comes to whether or not a conflict has been resolved, sometimes people feel confused, or they end up engaging in needless arguments about this. Today we spend some time clarifying this issue.

The DIG Conflict Model removes much of the uncertainty about this issue by:

being precise about the definition of a conflict
introducing the concept of conflict intensity
being precise about the point at which a conflict is resolved
introducing the concept of related conflicts

The Definition of a Conflict

A conflict exists whenever the following three conditions exist:

Party A desires an act will occur.
Party A perceives that another party is likely to act in a manner that interferes with the desire.
Party A perceives that the other party would be guilty of doing something wrong if he or she carries out the interfering act.

When using the DIG Conflict Model, we describe a conflict by using the word “DIG” to remind us to identify the three conflict conditions, the desire, the interference, and the guilt. Sometimes a given situation has more than one conflict but people end up getting confused because they think that all of the conflicts are one big conflict. When using the DIG Conflict Model, we clearly describe each of the conflicts separately and systematically. This process dramatically reduces confusion and simplifies finding resolutions to each of the separate conflicts. Sometimes we have to dig to identify all of the conflicts in a situation but the DIG Conflict Model provides us some tools to make this relatively easy (see posts titled DEALING WITH CRITICISM BY DIGGING DEEPER and RESOLVING RECURRING CONFLICTS).

Conflict Intensity

Toward reaching our goal of reducing confusion about whether or not a conflict has been resolved, we have just clarified what it means to have a conflict. We now move on toward this goal by learning about the intensity of a conflict.

The three conditions of a conflict (desire, interference and guilt) are not just present whenever a conflict exists. Each of these three conditions may be present at a very high degree, a medium degree, or a low degree.

As an example, let’s say that in the picture on the right, John desires Mary with all of his might. Asked to rate how much he desires Mary on a scale of 1 to 10, with 10 being the greatest desire he can possibly have, he rates his desire for her a 10.

We asked John a few months later to rate his desire for Mary. Some of Mary’s mannerisms have begun to annoy him, and there are times when he has begun to think of finding a new girlfriend. He still has some desire for her but at a lower degree then when he first met her. This example illustrates how the desire component of a conflict can vary over time.

Now let’s look at an example of how the interference component of a conflict can be present at higher and lower degrees. In the picture on the left, Sue desires to get to a long-eared stuffed animal but Fred is interfering. Sue knows Fred pretty well and she is convinced that once he decides to not let her get something, he usually sticks to it for quite some time. Asked to rate how much Fred is likely to interfere with the achieving of her desire on a 1 to 10 scale, she answers 8.

But let’s say a few months later Fred’s behavior begins to change. He still will interfere with Sue achieving her desire to get something but only for a minute or two. By then he has grown tired of that game. When Sue wants to get her long-eared friend down from the shelf and Fred tries to stop her, she knows that by waiting for a short period of time things will work out fine. Now when asked to rate how much Fred will interfere with her achieving her desire, she answers 2.

Finally, let’s look at an example of how the guilt component of a conflict can be present at higher or lower degrees. In this picture on the right, Mike comes home from work and sees his wife and some guy in each other’s arms passionately kissing. Mike’s first reaction is that his wife and this guy are guilty of doing something terribly wrong. If he was asked to rate just how guilty they were, he might say 10. But let’s say that moments after he first sees this kissing scene he notices that there are four other people in the room all holding a script for a play.

His wife quickly withdraws from the embrace of the male stranger and warmly greets her husband. Then she says, “Honey, I got the part I tried out for. We’re all here rehearsing.”

Now Mike recalls that his wife did have plans to go this morning to a play audition. He doesn’t like the fact that his wife usually gets sexy, passionate parts, but he had agreed to marry her anyway.

Once Mike understands that his wife was rehearsing her part in a play when he had walked into the house, he still feels uncomfortable about what he had seen, but he now recognizes that his wife and the male stranger are not as guilty as he originally thought. If asked to rate how guilty they are, he may say 2, or even a zero.

In the DIG Conflict Model, the higher each of the three components are rated, the higher the intensity of the conflict. Sometimes when a conflict’s intensity had been very high, if it is no longer as high, people think the conflict has been resolved, but not according to the DIG Conflict Model.

The Point that a Conflict is Resolved

According to the DIG Conflict Model:

Whenever Party A perceives that a conflict exists, it will be resolved from Party A’s perspective when Party A lowers his or her rating of any of the three conflict conditions to zero.

An example of a resolved conflict will be provided in the next section. But first, let’s take a look at what a related conflict is. Then we will be familiar with four important aspects of conflicts–its precise definition, its degrees of intensity, the point that it is resolved and that some conflicts are related to other conflicts. Then we will see how this will help us to avoid many misunderstandings that lead to needless confusion and arguments.

Related Conflicts

The best way to understand what is meant by a related conflict is by considering the following parable:

The Parable of Jack in the Restaurant

A dad takes his wife and five-year old son, Jack, to a restaurant. Jack’s meal comes first, a nice big plate of spaghetti and meatballs. After Jack quickly shovels into his mouth a couple of forkfuls of his dinner, the dad says, “That looks pretty good, Jack. Do you mind if I have a little taste of the tomato sauce? If I like it, I might want to get something with it next time we come.”

“NO, DAD! I just have enough for me!”

This is frustrating to the dad and he perceives that he has a conflict with his son because he desires a taste of the sauce and perceives that his son is interfering with his desire. Additionally, he believes his son is guilty of being selfish.

As he thinks about what to do about this conflict, his wife and he receive the meals that they ordered.

About fifteen minutes later, the dad still desires a taste of the sauce, but not quite as intensely as before because his hunger has subsided. He then glances over to Jack and notices that there is about half of his original portion of spaghetti left on his plate and the pace of his eating has slowed up quite a bit. His son’s desire to eat his spaghetti has also become less intense.

“Jack,” the dad says softly, “do you still mind if I have just a little taste of your sauce?”

“Sure, you can have some, Dad. I’m starting to get full.” And with that, Jack slides about a third of the remaining spaghetti on his dad’s plate while making sure that there is an ample amount of sauce along with it.

In the fifteen minutes that the dad first desired a taste of the sauce, the situation transformed from a clear conflict situation to a non-conflict situation because the dad has achieved his desire to taste the sauce. But wait! A minute later, the dad, still a bit bugged about something, suddenly realizes he still does have a conflict with his son. He tries to summarize it by using the DIG Conflict Model. “I desire that Jack not be selfish,” he thinks to himself, “but his actions at dinner suggest that he will continue to interfere with this desire if I don’t do something about it, and he’ll continue to be guilty of being selfish.”

This conflict, although related to the earlier one, is different for it has a different desire. The original conflict’s desire was about getting a taste of the tomato sauce. That conflict was resolved when the dad got a taste of the tomato sauce. If asked to rate how much he wants to taste the sauce right now on a 1 to 10 scale, he would say zero. This new conflict’s desire is about Jack not being selfish. Thus it is different enough to be thought of as a new conflict with perhaps a distinctly different set of approaches required to address it.

Now that the dad has clarified in his mind what the new conflict is all about, he begins to reflect upon possible resolutions. “Perhaps I expect too much from a five-year old boy. There is still plenty of time to teach Jack to care about others, and as he matures, he may just naturally become more altruistic. Perhaps it might help if I tell Jack some stories, from time to time, about heroes who act in unselfish ways even when they are hungry or are struggling to meet other needs. And if I model altruistic behavior for Jack with my own behavior, this too can help. As I think on this some more it occurs to me that maybe in the future if I would like to have a taste of Jack’s food, it would be wise for me to wait until he is at least half done with it. This way, if Jack was in a particularly irritable mood because of his hunger, he will have some time to take care of his own hunger desires and to calm down a bit.”

A conflict is related to another conflict when at least one of the three conflict conditions of the original conflict is similar to at least one of the conflict conditions of the other conflict. In the parable about Jack and his dad, initially the dad had the following conflict with his son— I desire a taste of the sauce and perceive that in attempting to get a taste, Jack will create a loud disturbance in the restaurant. Additionally, I believe Jack is acting selfish. A few minutes later, the dad, recognizing he has resolved his first conflict but now has another conflict, says to himself, I want Jack to not be selfish, but his actions at dinner suggest that he will continue to act selfishly if I don’t do something about it. It’s wrong to be selfish.” Both the initial conflict and its related conflict are connected because both of their guilt conflict conditions are similar (Jack is guilty of being selfish).

Discussion

We have now become familiar with four aspects of a conflict–its precise definition, its degrees of intensity, the point that it is resolved and that some conflicts are related to other conflicts. Familiarity of these four aspects of conflicts help to avoid some unnecessary confusion and arguments.

For example, let’s say a young woman named Sally had a very high intensity conflict with her boyfriend. A week later she now finds that it is much less intense. She may think, perhaps it has been resolved. How can she decide?

She can begin by describing her conflict when it originally surfaced using the DIG Conflict Model. Then she can rate what the degree of each of the three components (desire, interference and guilt) had been on a scale of 1 to 10 . Then she can rate each of these three components as they are currently perceived. If none of the three components are at zero, she would recognize that she still has the same conflict with her boyfriend, but it is just at a lower intensity.

This process clarifies in her mind that she still has some work to do if she really wants to fully resolve the conflict. It also draws her attention to each of the three specific components of the conflict.

If you practice using this process, in time you will discover that this simplifies what remains to be done and opens avenues that may lead to problem solutions. For an excellent illustration of this, see the post titled THE ABCs OF POWER AND THE GUILT CONDITION.

Now, let’s change our Sally example a bit. This time she goes through the process of clearly defining her conflict and rating the degree of each of its three conditions. She discovers that she actually did resolve her original conflict, but it has turned into a related conflict. She now has a clear way to understand what has happened. Moreover, as with the Jack in the Restaurant parable, the process of defining precisely what the new conflict is can point her to some solutions she might not have otherwise considered. Recall that Jack’s dad, once he clarified in his mind what his related conflict’s desire is–reducing his son’s selfishness–found it helpful for coming up with ideas about how to teach his son to become more altruistic.

Well, I hope you find in this week’s post some food for thought. May you all have a week with some peace, some excitement and moments of wonder.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.

We find a charming illustration of Dagwood utilizing a simple source of personal power below:

These three frames are just the beginning of a very early Blondie comic from 1932 that I found in The Smithsonian Collection of Newspaper Comics. At that time Blondie was depicted as coming from the lower classes who had recently married the wealthy Dagwood Bumstead. Many from his social circle believed Blondie married for money.

I have discussed sources of power quite a bit on this blog. The simple source of power that Dagwood used to get Blondie invited to the party is often referred to as offering a fair exchange. That is, Dagwood offered to give his mother something that she wanted, but only if she gave him what he wanted. She wanted Dagwood to come to her party, he made it clear that he would come, but only if Blondie would also come.

As we will soon see, there are six more panels to this Blondie-Dagwood comic strip. But before we get to them, let’s use the DIG Conflict Model to quickly conceptualize the events that are taking place in the first panels of the comic.

Using “DIG” to Briefly Describe a Conflict

Those who have been following this blog know that when we seek to briefly describe a conflict, the letters in the word DIG help to remind us to look for the three conditions of a conflict–DESIRE, INTERFERENCE and GUILT.

During the first frame, Dagwood clearly desires that Blondie join him at his mother’s party, but interfering with this, his mother indicates she is refusing to invite her. To be a conflict according to the DIG Conflict Model, in addition to a desire and an interfering condition, there has to also be a guilt condition as well.

In the second frame of the comic, Dagwood says to his mother, “Remember, after all she is your daughter-in law.” This suggests that Dagwood believes that his mother is guilty of being wrong for not inviting Blondie.

There are several ways in which this apparent conflict can be resolved. To illustrate some essential points, let’s first look at a couple of examples that do not actually occur in the comic. As we look at these examples, please keep in mind that when we describe resolutions using the DIG Conflict Model, we are instructed to consider not only the short term quality of the resolution, but the long term quality as well.

First Example

Here is a different outcome to Dagwood’s conflict with his mother than what we will be seeing in the actual Blondie comic strip. Take special note that this different outcome leads to a couple of post-resolution regrets.

Dagwood talks to his mother and she convinces him that because of the way she was brought up, and because of the way the other party guests might react, she is not wrong in wanting to keep Blondie from attending her party. Dagwood ends up agreeing with his mother and he does not bring Blondie to the party.

From Dagwood’s perspective his conflict with his mother was resolved at the point when he came to believe his mother is not guilty of doing anything wrong when she insists Blondie is not to come to the party. The plan that was used to resolve the conflict was his mother persuading Dagwood that she is right.

Now, let’s look at the quality of this resolution. By resolving the conflict in this way, Dagwood ends up not having his desire to have Blondie join him at the party fulfilled. Because Dagwood wants to do things more with Blondie than his parents, he begins to see them less and less. When he looks for job opportunities he feels little desire to remain close to his parents. One day he sees an opening with the Dithers Company several thousand miles from his parents. He applies and lands the job. When Dagwood and Blondie start having children, his mother begins to wish she had been more accepting of Blondie early in their relationship for Blondie has turned out to be a wonderful wife to her son.

Oh, how Dagwood’s mother regrets antagonizing Blondie during their early marriage. And that’s not all. Dagwood’s mother is often heard wandering around her luxurious home moaning. From time to time she can be heard crying out, “If only I could be closer to my grandchildren! How this would give so much meaning to my life!”

Dagwood also feels that raising children with their grandparents close by would have been a good thing, but he reluctantly feels that, with his mother so rejecting of Blondie, it wouldn’t be a good thing for the children to be exposed to such rejection of their mother on a regular basis. And Dagwood really cares about his mother who has become increasingly depressed over the years. Both he and his mother have some post-resolution regrets about how things have turned out.

Second Example

Here’s another scenario that according to the DIG Conflict Model would lead to this conflict being resolved, and this one also leads to some post- resolution regret.

Dagwood decides that there is nothing he can do about bringing Blondie to the party, and so he just doesn’t show up. The party comes and goes without his desire being fulfilled. But in time, he forgets about it. When he forgets about it, the conflict has been resolved. As for the quality of this resolution, Dagwood finds that, since the party, he frequently has waves of anger overtaking him. When he is with his mother, he treats her with little respect. This leads to angry outbursts between them. Their quality of life has thus been diminished.

Now let’s look at what actually happens in the 1932 comic.

Dagwood resolves the conflict as follows. In an effort to achieve his desire, he tells his mother that he refuses to come unless Blondie is invited, too. His mother offers a compromise; he can bring Blondie if he promises to keep her in the background. Dagwood doesn’t explicitly say that he agrees with the compromise, but by thanking his mother it appears he has tacitly agreed to her stated terms. The conflict Dagwood was having with his mother is resolved at the point Dagwood realizes his mother will no longer interfere with his desire to bring Blondie to the party.

How about the quality of this resolution? In the short run things look pretty good. Although Blondie expresses some concerns about going to the party because Dagwood’s mother is so against her, Dagwood expresses optimism when he says to Blondie, “Now, don’t worry Darling — in time she’ll learn to love you just as I do!” The comic strip goes on from here to provide us some additional information. When they arrive at the party…

In this scenario Dagwood has used some skill that leads to his specific desire being fulfilled—Blondie gets to go to his mother’s party. He has a related desire as well—that his mother will learn to love Blondie. As things worked out, this desire takes a beating.

**Contrasting the Blondie Example with the Pygmalion Example**

People who are powerful at achieving their desires tend not only to develop a plan to achieve some obvious desire of a conflict, but they pause to consider how each plan that they consider would impact the achieving of other desires that are associated with the obvious desire. Consider the story of George Bernard Shaw’s great play, Pygmalion, which was later turned into the magnificent musical, My Fair Lady.

There are some similarities to My Fair Lady and the Blondie story we just discussed. One of the chief characters is Liza Doolittle, who is about Blondie’s age. She too is from the lower classes.

Professor Higgins desires to bring her to a party where the upper classes will be in attendance—the royal ball. But the good professor realizes that getting Liza invited is a relatively small problem for him. What he wants additionally is that she is a success at the ball. He and his friend, Colonel Pickering, pause to consider what being a success is.

They decide that to be successful, Liza will have to improve her speech, be able to move gracefully around the ballroom, and to learn to dance as the other ladies do. Once they understand this, both gentlemen devise a rigorous plan involving training for six months before they take Liza to the ball. Although their plan doesn’t come off entirely without hitches, the viewers of the play clearly come away understanding that the thoroughness of the planning and the practicing of the skills were enormously helpful.

Now, what have we learned from these scenarios? First of all, when you try out a plan that has promise to fulfill your desire, you are attempting to increase your power. If your plan is well designed and skillfully carried out, it may succeed in fulfilling your specific desire. However, short term success of a plan to achieve a specific desire might be offset because it ends up interfering with the likelihood that other desires will be fulfilled. Dagwood fulfilled his short term desire of getting Blondie to the party, but by putting her in a situation where she had a large chance of embarrassing his mother, he may have hurt his long-term goal of getting his mother to like Blondie. If you want the quality of your resolution to be high, increasing your power requires that you become skillful at fulfilling desires in the short and long term.

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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional intelligence. To begin at the very first post you can click HERE.