Welcome to From Insults to Respect. Today’s topic, romantic kissing.
Concerned that your romantic partner’s respect for your kissing technique might not be all that you desire? Is it okay to offer a romantic kiss on a first date? Will your date think less of you if you accept a romantic kiss on the first date? A discussion of Bob Dylan’s Theme Time Radio Hour episode on kissing will enlighten us on these and other related topics.
Bob’s Introduction
Bob begins his show saying:
Today we are going to take a musical look at one of my favorite pastimes. It’s an act of intimacy, the thing that Mae West called a “man’s signature,” and I’m guessing she knows what she was talking about.
The first song that Bob plays for us is “It’s in His Kiss” by the magnificent Betty Everett. Here’s a bit of its lyrics:
Does she love me? I wanna know How can I tell if she loves me so?
Is it in her eyes? (No no you’ll be deceived) Is it in her sighs? (No no she’ll make believe) If you wanna know if she loves you so It’s in her kiss (That’s where it is)
Is it in her face? (No no that’s just her charms) In her warm embrace? (No no that’s just her arms) If you wanna know if she loves you so It’s in her kiss (That’s where it is) Oh yeah it’s in her kiss (That’s where it is)
So hold her and squeeze her tight Tell her what you wanna know If it’s love if it really is It’s there in her kiss.
The unique communication that occurs during the romantic kiss is wonderfully captured in that song. However, I tend to doubt the we can be certain someone really loves us from a kiss. The kiss is an important form of communication, but there is far more to consider in just what it actually means.
The Varied Powerful Emotions That Come with Romantic Kisses
The next song Bob plays for us is sung by Lefty Frizzell, “Always Late with Your Kisses.” Here we learn that how someone handles romantic kisses can provide some hard to handle messages.
How long do you think that I can wait When you know you’re always late Always late with your kisses Won’t you come to my arms sweet darlin’ and stay You’re always late with your kisses Why, oh why do you want to do me this way?
The song, sung in the most melancholy manner, suggests to me that if your romantic partner leans over to kiss you, if you are a little late in joining the kiss, it might be a signal that something isn’t quite right with the romance. Moreover, if instead of lingering in your arms during the kiss, she or he ends it a little too quickly, well, that may be another signal that something is wrong. Given how popular the song was, spending 12 weeks on the country charts, clearly indicates it touched something pretty sensitive in the heart of many a listener.
Bob goes on from here to songs that bring up such topics as passionate kissing, kissing in the dark, french kissing, finding lipstick on your collar, catching your woman kissing your best friend, making up after an argument kissing, and the fact that you don’t have to be rich to enjoy a wonderful kiss. He eventually gets back to our “romantic kissing” topic, with the Everly Brothers song, “Till I Kissed You.” Here’s a few lines of its romantic lyrics:
Never felt like this until I kissed ya’ How did I exist until I kissed ya’, Never had you on my mind, Now you’re there all the time, Never knew what I missed till I kissed ya’, uh huh, I kissed ya’, oh yeah… You don’t realize what you doin to me, and I didn’t realize what a kiss could be, Mmm, you got a way about ya’, Now I can’t live without ya’,
The song really captures how emotionally powerful a romantic kiss can have on a person.
A Specific Kissing Technique
Half way through the show, Bob checks his email and finds one of them perfect for today’s theme. Lawrence writes:
Dear Theme Time gang,I heard from the grapevine that you were doing a show about kissing. I can sure use your help. My girlfriend says I’m a bad kisser. We get along great but I’m afraid this one problem is going to ruin the whole thing. Please help.
Bob responds:
Well, Lawrence, kissing is an important part of a relationship. And it’s one of those things that you have to be relaxed to do. So the fact that you are getting anxious about it isn’t helping you one bit. However, I can give you a few tips. Armed with this knowledge you’ll feel a little more confident and be able to set things right. First of all, make sure your lips are moist. Run your tongue over your lips once before you kiss her. No one wants to kiss sandpaper. Stand close to your partner, you don’t want her to reach too far. Tilt your head slightly to one side. Close your eyes just before your lips meet. Just close them. Some people like to keep their eyes opened during a kiss, but until you understand your partner’s preference, better to play it safe and close your eyes. Open your lips slightly, not like you are about to swallow her whole head, just a little bit, and don’t hold your breath. Breath through your nose. Press your partner’s lips gently. Move your lips in a slow circular motion. Be gentle but firm. And finally, and I can’t stress this enough, have a pocketful of mints. There is no underestimating the fact of good breath. Good luck and happy kissing. I hope it won’t be long till you hear your girl say, “baby let me kiss ya just one more time.”
That there is a pretty decent description of a decent kiss, but I would add one more suggestion for helping him. Why not encourage him to ask his girlfriend what she would like him to do differently when they kiss? For example, she might prefer to be held within his arms more firmly while they are kissing, or perhaps a little gentler approach would be more to her liking.
First Night Kisses
An issue sometimes comes up as to whether or not a guy will lose respect for a gal if she lets him kiss her on their first date. And what about a guy who tries to kiss a girl romantically on a first date? Would he be disrespectful to her for trying. To get into this topic, Bob plays us a recording of some guy taking the following position:
Jerry not only sees Margaret home, but opens the door for her, and then, well, they’ve been going steady for some time now, and there are some customs that are very enjoyable. But now Frank has a new problem, should he try on a first date to kiss his date. He sees her to her door, and thanks her for going out with him. No, he should not try to kiss her good night on a first date. But he does ask her for another date soon.
Bob doesn’t tell us who this guy is, but there is little doubt that there are people who agree with him that a kiss on the first date is a no no. There is also little doubt that people hold different positions on this topic. Take me, for example. I grew up in Brooklyn, and before I was married, and was dating back in the late 1960s and early 70s, when I asked a gal out, I did so because I had some romantic feelings for her. If, by the end of the evening, when we arrived back at her home, if I still felt romantic toward her, I would say I had a very pleasant time, and pause to see if she said something similar. If she did say something similar, I would very slowly and gently lean toward her, observing her reaction as I did so, and if I saw no sign of resistance, my eyes would close and our lips would join for a romantic kiss. If she seemed to get into it, I would feel a wonderful high sensation, not only during the kiss, but all the way home. I never had any sense of disrespect toward the gal for joining me in such a good night kiss.
I’m not saying my position is the correct one. I think it is a good idea to get a sense of the community standard before making a choice about how to respectfully act under such circumstances. Discuss the issue with friends and family members. I also believe that regardless of the community standard, using any force to get a good night kiss, or using any pressure is disrespectful and wrong.
Closing Words
Toward the close of the show, Bob gets back to the topic of the emotions that come from a romantic kiss by playing us a final song, and then reciting a poem. He introduces the song by inviting us to “listen to one of the old masters, the fountainhead from which all music flows, Louis Armstrong, and a song that was the centerpiece for his live performances in the later period of his life. This is a version that he recorded in 19 and 51, ‘A Kiss to Build a Dream on.'”
Here’s a few of that song’s wonderfully romantic lyrics:
Give me a kiss to build a dream on And my imagination will thrive upon that kiss Sweetheart, I ask no more than this A kiss to build a dream on Give me a kiss before you leave me And my imagination will feed my hungry heart Leave me one thing before we part A kiss to build a dream on And when I’m alone with my fancies, I’ll be with you Weaving romances, making believe they’re true Oh, give me your lips for just a moment And my imagination will make that moment live Give me what you alone can give A kiss to build a dream on
A kiss to build a dream on–can there be a better way to capture the essence of a romantic kiss?
After this song, Bob recites a Robert Burns poem. It’s called “To A Kiss”:
Robert Burns
Humid seal of soft affections,
Tend’rest pledge of future bliss,
Dearest tie of young connections,
Love’s first snow-drop, virgin kiss.
Speaking silence, dumb confession, Passion’s birth, and infants’ play, Dove-like fondness, chaste concession, Glowing dawn of brighter day.
Sorrowing joy, adieu’s last action, Ling’ring lips, — no more to join! What words can ever speak affection Thrilling and sincere as thine!
Pretty fine words for me to close today’s post. Here’s hoping you’ll join us once again right here at From Insults to Respect, and may all of your romantic kisses be thrilling and sincere.
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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.
“Well, I decided to ask Julie out on a date. Oh, how I’m hoping she’ll say yes! My mind keeps going over and over what I should say when I ask her.”
Two hours later.
“Hi Bob. I just got off the phone with Julie. She said yes! We’re going out on Saturday. I’m so happy!”
“Nice!” Bob replies. “You must feel relieved to get that over with.”
“Well, now my mind is racing on how to plan the night so we have a wonderful time together!”
As in the above, the emotions of “hope” and “happiness” often come up in conversations. If you can learn to speak artfully about them, there is an excellent chance that you may increase the amount of respect people have for your intelligence. Here is one way to think about these emotions that has worked for me over the past several decades.
The DIG Conflict Model’s View of Emotions
In the DIG Conflict Model, there are four basic emotions. The first two, threat and grief, are said to be negative emotions.
The second two basic emotions, hope and happiness, are said to be positive emotions.
Emotions turn our attention from some less important situations to some specific situation that we have appraised at the moment as the highest priority. At the same time, they provide an extra boost of energy so we can deal with the highest priority situation in a manner that may require more than the usual level of effort. The negative emotions help us to deal with situations that people typically view, at least at first appearance, as negative, while positive emotions can help us to deal with situations that people typically view, at least at first appearance, as positive.
In a previous post, I focused in on the negative emotions. Today, our focus is on the positive emotions. Let’s look at a parable to help us better understand the nature of hope and happiness.
The Parable of Santo
Santo is a waiter in Saint Paul and the father of two teenagers. He works the midnight to 10 a.m. shift at Mickey’s all night diner. He has been struggling to support his family with this low paying job.
This morning, after finishing his shift at work, an exhausted Santo drags himself into his car. Hector, one of the diner’s dish washers, slides into the passenger seat. Santo plans to take Hector home first before going on to his own home.
At this moment, Santo’s immediate desires are expressed to Hector as he starts up the car. “All I want right now is to get home and go to sleep.” To achieve these desires, Santo understands that he will have to drive through some modest traffic and make several different turns. There have been some serious accidents along his route, but Santo is not thinking about this danger. He has a set of well practiced skills that have become so automatic that he is fully confident that he can get Hector home, and from there, he can go on and get himself home without much further thought about this.
As soon as Santo pulls his car into traffic, Hector begins to check his cell phone messages. “Wow!” Hector suddenly exclaims, “I got a text message from Rudy Anderson, the owner of Rudy’s Restaurant. Rudy says his day waiter has just quit and he wants to know if you’d be interested in applying for the job!”
“You’re kidding!” yells Santo. “Rudy’s waiters get paid three times what I’m getting at the diner and it’d mean no more midnight shifts or moving my family into my beat-up van—that’d be great!!!”
“I’m not kidding,” says Hector. “Rudy wants you to stop by his restaurant as quick as you can.”
“YES!” screams Santo, now full of the emotion of hope. He had been expecting to drive home and go to sleep. Wow, now what a change this unexpected news has created for him! His heart is beating rapidly and he no longer feels tired at all. After dropping Hector off, Santo rushes home and takes a quick shower, puts on some clean clothes, carefully combs his hair, and hustles over to Rudy’s Restaurant. There, Rudy greets Santo warmly, and after a discussion, Santo is hired.
When he leaves the restaurant having signed a contract, Santo now realizes his life has just changed from having hoped to land this job to knowing he now has the job. He experiences this change as the emotion of happiness.
At home, Santo gets into bed to get some sleep, but finds that he can’t conk out even though he hasn’t slept in over twenty-four hours. With his mind racing, he thinks, “I have to buy some new clothes tomorrow. Man, what did I do to land this job at Rudy’s? Well, the big thing I did was to stop by there during an off-hour and introduce myself to Rudy even when he wasn’t looking for help. I told him that he had a great restaurant. I think it really helped when I told him that if he needed a sub for a day at any time I’d work for half the normal salary just to show him what I could do. Rudy liked that and tried me out, and I bet that’s what really sold him on me. I’ll remember to do that some more if I end up out of work again.”
Parable Interpretation
Let’s see if there is anything useful about hope and happiness that we can discover from this story. Notice that Santo, as he was heading home, had a plan to deal with his feelings of tiredness. Santo has confidence that he has a set of well practiced skills that are very likely to achieve this as he heads home in his van, and he begins to carry them out by guiding his car into traffic. As he does so, he is unaware of any emotion. He does feel tired, and this type of feeling is less intense than a full blown emotion
As soon as Santo hears about the new job opportunity, he immediately recalls his desire to get a better job. Santo quickly appraises this new information. Clearly he notices that this is a change from what he was expecting. This change leads to the emotion of hope. The function of this positive emotion is for him to shift his attention from all that he was thinking about before the emotion began and to instead focus on getting the job at Rudy’s. The emotion also functions to give Santo a boost of energy so that he can increase his chances to get this job. Even though he had felt sleepy and exhausted before having the emotion of hope, he uses the boost of energy to think about what the best things to do right now, and he changes his plan to go to sleep as soon as he got home. Instead, he decides to wash up, get to Rudy’s Restaurant and apply for the job.
Upon landing the job, Santo has achieved his desire, and with that, he realizes this means that there will be some good changes in his life, and he experiences the emotion of happiness. This happiness serves the function to give him a new burst of energy. We oftentimes need this extra burst of energy when we achieve a desire for two reasons.
First, we have to spend some extra time making arrangements for the new set of circumstances that led to the happiness. In the example involving Santo, he realizes that his new job will require some new clothes. He will have to carve out time during this transition period to pull together money so he can purchase the clothes.
Second, not only do we need the burst of energy to make preparations for our new circumstances that led to happiness, we also can benefit by taking some extra time to think about what led up to our success. By doing this, we can usually find something important to remember that we can reuse in the future. In our Santo example, he recalls how he had offered to work for Rudy at half the usual salary for a day or two so he could show him what a fine waiter he is. Santo will use part of the extra energy from his happiness to do the work necessary to place this very strategy in his memory bank in a form that will be more likely to be recalled if he ever loses his job again.
We see from this story that the positive emotions of hope and happiness function to shift our attention for a period of time to something appraised as particularly important and to provide us extra energy. We use this extra energy to carry out some important skills that can help us better achieve our desires.
Now, sometimes we use the terms “hope” and “happiness” in a broader sense than when we are referring to the emotions of hope and happiness. For example, some people, if asked if they hope to retire in a few years, may reply, “Yes.” At the moment that they say this, they are not in any real emotional state about this issue. Perhaps some pleasant, gentle feeling sweeps through some for a few seconds as they think of a time when they can do more of what they would prefer to be doing as time drifts by. In a few seconds they are thinking of something else.
Sometimes I am asked if I am happy. I might quickly think to myself that nothing is currently bothering me, and so I might reply, “Yes, I guess so.” Here again, there is no emotional state actually occurring as I say this, and the word “happiness” is being used to mean a relatively calm, non-distressed, pleasant experience.
Emotions are feelings, but more intense than most. Although there is no clear dividing line between relatively pleasant feelings and a full blown positive emotional experience, most people can sense when their heart has distinctly quickened, their attention has fastened firmly on a particular desire, changing the subject is hard even if they try, and they find themselves vigorously planning and carrying ideas into actions for a period of time that extends far beyond some fleeting few seconds. Emotions are of this nature.
Okay, there you have it. Here’s hoping the Santo parable and this little discussion gives you a better sense of what positive emotions are all about.
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Some people will enjoy reading this blog by beginning with the first post and then moving forward to the next more recent one; then to the next one; and so on. This permits readers to catch up on some ideas that were presented earlier and to move through all of the ideas in a systematic fashion to develop their emotional and social intelligence. To begin at the very first post you can click HERE.